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Analysis of tim burton
Tim burton style analysis film essay by john visgaitis
Tim burton director analysis
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Individuality is rejection, whether it be a rejection of society or a rejection by society. Burton explores the consequences that can derive from rejection and how appearances may differ from reality. The work of Tim Burton consists of a unique style unlike any other. Not only do his films convey his ideas of individuality to the audience, it is done in a distinctive Burton way. Burton’s style of the formal elements of German Expressionism, gothic horror, and unique characters allow him to convey his ideas. His views of individuality are evident through the work of his film 'Edward Scissorhands' and short film 'Vincent'. Burton explores the rejection by society and the impacts left behind through the use of the formal elements of German reality. Edward Scissorhands is a film about a man with scissors for hands who was taken into the suburbs of his town after many years spent in isolation. The film relays a message of the good and bad of the individual and the conformity. In the film, Edward is the individual while the towns’ people represent society and the conformity. Edward is first rejected by society and tries to fit in, but then realises that he cannot please anyone no matter how hard he tries. He then rejects society and what they have caused him to become. ‘You blend and blend and blend, blending is the secret,’ this line has a double meaning of blending in making up as well as blending to fit in. The makeup itself has a second meaning, a mask used to cover up Edward and hide him from society. Burton exaggerates how perfect the town’s people are in order to place emphasis on their imperfections. Edward may look monstrous but the town’s people represent it. The concept of appearance vs. reality not only applies to the characters but also the castle and suburbia. The suburb of the town is depicted as perfect, picturesque, but this contrasts with the people of the town. Although they seem to be perfect, the town’s
Edwards gets caught and every friend of his from the neighborhood turns on him. Edward Scissorhands has an overall mood of self-discovery for most of the characters. In the film, Burton uses close-up shots in order to convey an unusual tone towards Peg’s curiosity. For example, when Peg goes to Edward’s house, she continues to walk into the house after seeing topiary in the garden. This achieves divergent tone because Peg being comfortable to walk into a dark home for a customer which contributes to the overall mood of self-discovery, because we discover what kind of person Peg is.
This means that in the dull and featureless suburb, Edwards presence creates excitement and causes the community to come together in wonder and curiosity of his gifts. By producing the new hairstyles and topiaries he is permitting the community to reveal their true personalities and so develops variation among the people. The dancing girl topiary created by Edward in a wide shot conveys that he is creating a symbol of freedom for the dull housewife. Edward frantically cutting the dogs hair in a low angle shot while not showing the appearance of the dog builds suspense as well as a sense of magic once the animal is eventually revealed in a wide shot. Edward is presented as a someone who creates excitement delight in the community. Edward is shown as a magician who creates magic and excitement in the
Indisputably, Tim Burton has one of the world’s most distinct styles when regarding film directing. His tone, mood, diction, imagery, organization, syntax, and point of view within his films sets him apart from other renowned directors. Burton’s style can be easily depicted in two of his most highly esteemed and critically acclaimed films, Edward Scissorhands and Charlie and the Chocolate Factory. Burton ingeniously incorporates effective cinematic techniques to convey a poignant underlying message to the audience. Such cinematic techniques are in the lighting and editing technique categories. High key and low key relationships plus editing variations evinces the director’s elaborate style. He utilizes these cinematic techniques to establish tone mood, and imagery in the films.
The Bogg’s family have accepted Edward scissorhand’s into their family and have made him feel loved. When Edward was first introduced to bill he ignored the fact that he is different and tries to make small talk. When Kim first sees Edward she is horrified and overwhelmed but in the end falls for Edward and ends up loving him. When Edward enters the restaurant to meet the Bogg’s family, they all scotch over to make room for him and ask him how his day was, this shows to the audience that he has been ‘adopted’ into the family and they care for him. When Edward was in jail Peg and Bill come to see him and are upset at what he has done but Peg blames it on herself, this gives the impression that Peg has taken the role of a motherly figure towards Edward. The Bogg’s family have shown that they care about him and see him as a part of their
Edward Scissorhands is an unfinished experiment that is afraid of the human race. Brought to the town by Peg, Edward is like a tool to the rest of the townspeople. They only accept him for what he can do and prejudice him as inhuman because of his hands. Edward is a caring person but, his wrong actions outweigh the good deeds that he has done in society. The color scheme of Edward compared to society is different, the townspeople all wear and decorate their houses with very vibrant and attention seeking colors (colorful houses, cars, clothing, hair, etc.). Edward, on the other hand, wears very dark and gloomy colors (full outfit is black, black hair, paler than the townspeople, etc.). As Edward becomes more used to society, he starts to wear human clothing like a white suit shirt and black pants but, never anything too bright like the townspeople. Edwards isolation and rejection from society makes it so that he is afraid of humans and how they will view him. When Edward went to jail, destroyed the plant sculptures, accidentally scratched up Kevin and, attacked Kevin, Society shunned him. They think he is a monster and forces him to become alone again. This change in character development proves that society never accepted Edward. The red the townspeople were wearing when Edward scratched up Kevin symbolizes how he is not human with his scissor hands, cursed to destroy
Use of Allusion and Symbolism in Edward Scissorhands Nothing just happens in film. Directors all make certain choices in production in order to invite a particular response from the audience. The film, Edward Scissorhands is based around the introduction of a social outcast into a community and his attempts at acceptance. Although at first he is accepted whole heartedly and somewhat smothered, he later learns that despite how human he is, he cannot co-exist in the same world due to his differences.
Good Morning Teachers and students. Today I will be exploring Tim Burton’s creative world, and how he looks closely at the outsider character to deepen our understanding of the world. You might wonder why it is that Burton so consistently portrays outsider characters in his films. As an Auteur, he strives to show us the outsider in a more familiar and close up way, and comments on the way that conformity can often lead to unhappiness. Burton chooses to show the outsider to us using a mixture of Gothic and German Expressionistic elements, such as the
Everyone has that one friend who is a complete goofball: the one who is just different from the rest and can be a little abstract. The misfit may be easy to spot in a crowd and be judged; however, Tim Burton accepts the oddball and takes the concept of character dramatization one step further. Through his movies, Edward Scissorhands and Charlie and the Chocolate Factory, the outcast tries to break through the social barrier by reaching out to the community and trying to fit in. With Burton’s imaginative characters, Burton shows how being an outcast gives a person the potential for success.
Tim Burton’s films depict his lashing back from a tortured childhood. Somehow, his movies tell his story. His first big budget movie, Batman, was a huge hit. He then chose to make Edward Scissorhands, his most personal film. Despite the fact that Batman was a hit, movie executives were reluctant to give Burton authorization. His use of cinematic techniques displays his unique style.
For centuries, authors have placed human features on their fears allowing their public to confront a concrete creature rather than an abstract idea. The fear of death resulted in stories regarding vampires and mummies, fears of the unknown resulted in stories about creatures invading the Earth, fears of reincarnation resulted in stories of mad scientists creating life from death. With the invention of the motion picture in the late nineteenth century, these fears were able to be seen using human actors and actual “monsters” making both the fears and the fulfillment greater. As more of these films were created, audiences grew more tolerant of the once frightening monsters forcing directors to go even farther. To continue this trend, filmmakers soon were creating more fear than they were relieving creating another psychological void that needed to be filled. Sensing that the realm of horror films and many other genres of film were saturating the film industry, Mel Brooks wrote and directed two films in 1974: Blazing Saddles and Young Frankenstein. Th...
From the very beginning, Edward is cast as the monster – but is he really? We first see Edward when Peg searches for the owner of a dark, ominous, gothic mansion. She climbs up a set of gigantic spiral stairs that lead to “Edward’s room”. The setting is quite dark and the only lighting is coming through a gaping hole in the roof. Her curiosity gets the better of her, and as she examines this foreign place, we can hear in the bac...
Edward Scissorhands, written by Tim Burton, tells the tale of a young man who is lovable, childlike and sensitive, bewildered by the humanity around him, yet is terrifying- someone who has scissors, the deadly weaponry, for hands. Many viewers may read this film as a “Tim Burton” type of fairytale which includes both an alternative aspect and romance. However, through the presentation of mise-en-scene in this film, Burton drives in a much more serious subject of social criticism by establishing two different understandings of life in the movie.
“When I reflected on his crimes and malice, my hatred and revenge burst all bounds of moderation.” In her novel, Frankenstein, Mary Shelley creates Victor Frankenstein, as a character who becomes psychologically unable to continue his normal life after he turns lifeless mater into a living creature through his studies of natural anatomy. Though many years have passed between the writing of Frankenstein and the making of the Television hit, Dexter, the creator of the show, James Manos Jr., created a character in Dexter that is psychologically very similar to Victor. Dexter is also unable to live a normal life after he realizes something about him is different from other human beings.
Throughout the year Professor Prudden has been teaching us the idea of the individual and when and how it came about. We have studied The French Revolution, Scientific Revolution, Colonialism, and Reformation, all stressing what made this time period important to the individual. We finished the class reading the novel Frankenstein with does a great job of demonstrating a man or “monster” creaking his own being. We have already determined that an individual is; the habit or principle of being independent and self-reliant. Mary Shelley demonstrates individuality through Frankenstein and leads to his internal isolation and loneliness. She shows that uniqueness is the most important aspect of individualism not only through Frankenstein but Victor
Overall, Burton’s creative style is clearly seen in his films Edward Scissorhands and Beetlejuice. It is most clearly seen through his use of dramatic music and low key lighting. The dramatic music helps to set the mood and the low key lighting creates suspense and leaves the audience asking questions. Through the use of these 2 cinematic techniques, Burton is able to fascinate his audience with mysterious and exciting stories, and that is what makes him a great and unique