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As Halloween is coming around the corner, ghosts, monsters, and witches come to mind. Watching classic scary movies and reading books like, Frankenstein and Edward Scissorhands, is a great way to get into the spirit of the season. These two stories have different plots, but their themes and meanings parallel each other and have connections to modern society. Although, Frankenstein’s creature and Edward Scissorhands have vastly different lives, they both experience a struggle for acceptance that is also shared by contemporary homosexuals due to societal influences that attempt to apply a predetermined characterization towards these individuals. This is evidenced by how the characters and gay people are outcasts and want to be loved.
Edward’s hands and the creature’s monstrous figure are frightening sights. The creature’s cottage “friends” fainted, ran away, and attacked it when he tried to gain their friendship after months of observing their lives. The creature recalls the encounter by saying, “who can describe the horror and consternation on beholding me?” (Frankenstein, 135) The incident left the creature enraged because it has felt neglected upon every human
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encounter, even by his creator. This causes it to leave society, live in the wilderness, and vow “eternal hatred and vengeance to all mankind” (Frankenstein, 141), though all he wanted was compassion and understanding from others. Even an unbiased child like William scorned the creature for its grotesque figure when all it wanted was to “educate him as my companion and friend” (Frankenstein, 142). Like the creature’s experiences, the differences in Edward’s hands made him feel left out despite the many talents he possessed.
Multiple people claimed they “know a doctor that might be able to help” fix his situation (Edward Scissorhands). At one point, Edward said, “I’d like to meet him” (Edward Scissorhands), knowing if he received prosthetic surgery, he would be accepted as normal and not special. Edward accidently cut Kim and Kevin with his scissorhands, though his intentions were to help them. The incidence leaves the neighbors with an evil impression causing them to chase Edward, though he only wanted Kim’s love. The physical features of Edward and the creature led others to conclude that they were malicious and therefore deemed outcasts, though their intentions were only to find
acceptance. Homosexuals in modern society face the same yearn for acceptance that creature and Edward experienced. Until recently, gay marriage was illegal in many states. Although the supreme court legalized it, some still frown upon gay marriage. Further, homosexuals must deal with discrimination in hiring and equal pay in the workforce, as well as limitations on military benefits. Though, like anyone of any sexual orientation, homosexuals want to be accepted as equal and be able to experience love in the way they find fitting. Edward and the creature from Frankenstein both find themselves in a struggle for acceptance through being outcasts based upon their physical features. In the same way, gay people today also have trouble finding acceptance and often feel like outcasts due to the discrimination society puts on them. All in all, both the characters and homosexuals ultimately want love and compassion. When celebrating Halloween by watching and reading these stories, keep in mind Edward’s and the creature’s true intentions and it won’t seem so scary.
‘Edward Scissorhands’ and ‘The Lost Thing’ are more the same than they are different. They are very much alike in the way they are set out and in the way they are plotted. I agree with this statement because as Edward Scissorhands, he was in the neighbourhood, he felt like he was an outcast, everything was so new and different compared to his castle. Even though Edward was considered like an outsider, he was still able to return to his rightful place. The same principle goes for ‘The Lost thing’, at first he was treated, in a way, simular to Edward. ‘The Lost Thing’ was returned to being with more ‘Lost things’ at the end of the movie.
Frankenstein, by Mary Shelley, a very gory story, can also be seen a romantic piece within having characteristics, such as celebration of the individual, importance of imagination, strong emotions, and an awe of nature. Within the piece there is many references to how one comments on the accomplishments and achievements of another or themselves, also known as the celebration of an individual. An example of how Frankenstein uses the celebrations of individual is when Frankenstein, himself, talks about his achievements of how fast his experiments turned out. He talks about his success, by staying, “ As I applied so closely, it may be easily conceived that my progress was rapid ” (chapter four). By saying, “applied” it shows that he is saying
Mary Shelley's novel Frankenstein is about a creature born in an unaccepting world. Shelley's idea of Gothicism changed the subgenre of horror, due to its dark look into nature. It became an influence on Tim Burton's movie Edward Scissorhands, moved by the sadness of the creature trying to fit into society, he creates a monster of his own. Mary Shelley and Tim Burton use literary and cinematic elements to show that isolation from society can destroy your relationship with others.
James Whale's Frankenstein is a VERY loose adaptation of Mary Shelley's 1818 novel. The spirit of the film is preserved in its most basic sense, but the vast majority of the story has been entirely left out, which is unfortunate. The monster, for example, who possesses tremendous intellect in the novel and who goes on an epic quest seeking acceptance into the world in which he was created, has been reduced to little more than a lumbering klutz whose communication is limited to unearthly shrieks and grunts. Boris Karloff was understandably branded with the performance after the film was released, because it was undeniably a spectacular performance, but the monster's character was severely diminished from the novel.
As time goes on, many things tend to change, and then they begin to inherit completely different images. Over the years, the character, created by Dr. Victor Frankenstein in Mary Shelley’s famous novel, has changed dramatically. The monster, regularly called “Frankenstein,” has been featured in numerous films, such as Frankenweenie and Edward Scissorhands. Although, the characters in today’s pop culture and the monster in the well-known 1800’s novel have similarities, they are actually very different. The many similarities and differences range from the character’s physical traits and psychological traits, the character’s persona, and the character’s place in the Gothic style.
Edward, the android-like being portrayed in Tim Burton’s film Edward Scissorhands, is essentially killed off from society because he falls victim to the malicious lies spread by the community and by the hatred that is cultivated by those lies. Although he never physically dies, Edward’s rejection from society leads to a life-long seclusion away from the outside world. The events that lead Edward into this isolation are brought on by a few misunderstood acts that he commits and the negative reception of those acts by an impressionable community. He is caught committing a break-in (a felony that is not completely his fault yet nobody gives him the benefit of the doubt) and is, from then on, seen as a dangerous criminal. He is also deemed a sexual predator because a townswoman claims that he sexually assaulted her. Also, his attraction to and love for Kim (the Bogg family’s daughter) provokes her jealous and violent boyfriend into harming Edward and trying to turn Kim against him. Edward is never given the chance to explain himself of the accused acts and so he finds himself the target of the town’s hatred; a hatred that is based upon and fueled by jealousy, lies, and rumors. The eventual shunning of Edward by the community is not surprising or shocking because Edward never really fits in with society to begin with. However, what is shocking are the justifications of hatred that are used by the community. Their emotions and attitudes are influenced by the lies and jealousies of a few people and by believing in the religious motivations and accusations of the erratic Christian woman who lives in the neighborhood. By being non-human, Edward is immediately suspected of being guilty of all he is accused of. Hi...
In Mary Shelley’s Frankenstein, Victor Frankenstein and the monster that he creates are very similar. For example, Victor creates the monster to be like himself. Another similarity is that the anger of both Victor and the monster is brought about by society. One more parallel between Victor and the monster is that they both became recluses. These traits that Victor and the monster possess show that they are very similar.
Tim Burton, the director of the film Edward Scissorhands uses a mixture of different genres, themes and ideas to not only give an important message to the viewers but to also make a social statement on small town America and general stereotypes as well. Edward is the main character of Tim Burton’s film Edward Scissorhands. He is an immortal being who was created by a lonely old inventor. The pair lived up on a gigantic hill, in a gothic medieval castle which was only accessible through a long sloping stretch of road. The old castle stood tall, overlooking the tiny cookie cutter town below which was soon to become Edwards new home. Apart from Edward dressing in dark, gothic clothing, which in some ways represents the castle in which he lives
“Edward Scissorhands”, directed by Tim Burton, is a gothic romance film inspired by the issues experienced by the director during his teen years. The film is about the main character Edward who was brutally excluded from the ‘perfect’ society. The main characters represent the need to be a powerful individual in a world threatened by conformity. The three protagonist characters that highlight this vital message in the film are Edward, Peg and Kim.
Although interpretation of things varies from people to people, how I interrupted the book of Mary Shelley’s Frankenstien, more focused on how it related to Splice. Frankenstein was created in 1818, which was about scientist Victor Frankenstein, who creates a creature during a science experiment. Vincenzo Natali’s Splice is a 2009 film about genetic engineers Clive Nicoli and Elsa Kast, who hope to achieve fame by successfully splicing together the DNA of different animals to create new hybrid animals for medical use. Frankenstein is a romantic novel about the depths of human emotion and imagination, while Splice is a contemporary science film produced as a modern-day Frankenstein. Elsa and Victor share a similar relationship with their creatures; both become obsessed with creating their creatures and both in a constant battle between science and nature.
In Frankenstien, Victor and his creature show many differences and many similarities. In this essay, I will be exploring their characteristics, and ultimately voicing my opinion on who is the bigger monster.
In the book Frankenstein, both Victor and the monster share very many significant similarities, along with qualities and traits. Each of the two always strive to gain as much knowledge as possible. They love learning new things in life.
Fear is heavily instilled upon its readers in Frankenstein and Dracula. These gothic authors find many a way to create a dark, dreary mood and leave the reader feeling haunted yet very much intrigued. Their use of the supernatural allows for extreme emotions and situations. Fear and the sublime play heavily in Frankenstein, and evil is very much present in Dracula. The past comes to haunt the present throughout these novels. Through the author's use of adverse weather and dreary nights, the creatures of the night are as mysterious as ever.
A lot of stories, shows, and movies are written based on another story, but with a little twist. The Rebellious Robot was written based on the story, Frankenstein. They change a few things about the story. The author of The Rebellious Robot tells the story of Frankenstein but some things are different such as: the characters, plot, and the point of view.
However repugnant he was on the outside, when Frankenstein’s creature begins to tell his tale of sorrow and rejection the creature does not seem to be monstrous. Although rejected multiple times by the humans around him when he finds a family in poverty and “suffering the pangs ...