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A critical essay comparing and contrasting war poems
Effects of war on soldiers emotionally
A critical essay comparing and contrasting war poems
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FORM: A slight smile lies upon the lips of the supposed dying warriors, a characteristic unanticipated in one experiencing major discomfort. Upon the west pediment, a warrior pierced with an arrow appears to be disregarding his agony. He props himself up on a single arm, body tense, regardless of his fresh wound. Regardless he is still obviously in anguish, his smile perhaps ore of a grimace. Dissimilarly, the warrior atop the east pediment seems to be actually responding to his terminal condition with a body form proposing pain. His shield lingers in his clutch, his spare arm gravely attempting to sustain his weight. Both are nude expressing their weakness, utterly bare and defenseless. The configuration of the two bodies uncovers the fragility of life as well as men; how easily breath can be snatched from the beholder.
SYMBOLISM: These ancient pieces aid in the belief men’s lives are delicate, frail and liable to death. The position both retain, primarily the warrior upon the east pediment, exhibit the pain men must endure until death. Unclothed bodies further advance the idea, due to the vulnerability a bare figure conveys. One with nothing concealing their body leads to the perceived impression of helplessness, a thought a
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The warrior from the west pediment seemed to be part of a less destructive battle, neither a helmet nor any other mechanism defense worn. Perhaps the warrior from the east pediment was intertwined in a battle involving more gore, death more likely. Despite the war both combatted and met their demise in, both were willing to sacrifice their lives for their cause. Therefore, the warriors sacrificed their own lives for the benefit of their cause, an act bursting with valor. Examined from the view of a typical Grecian, the two warriors would have held a life of great value, for surrendering your life in war is a deed worthy of
Currently in the United States, many of us are afraid of the future. There have been many recent events that have stirred up fear in this country, especially tensions regarding human rights. In Carolyn Forché’s “The Colonel,” the speaker tells us her story of when she had to deal with the mistreatment of others. The speaker is telling us her story of meeting the colonel to show us the horrible things that have happened in the fight for justice and to encourage us to speak up. She tells us this story because she does not want others to end up the way that the ears did. The speaker wants us to stay strong and fight for justice when we begin to live in a state of constant fear.
The bodies lay as if there was an invisible battle line drawn, here some would meet for the last time, falling like dominos. The subject matter, like much of O’ Sullivan’s work, are of
Kim Addonizio’s “First Poem for You” portrays a speaker who contemplates the state of their romantic relationship though reflections of their partner’s tattoos. Addressing their partner, the speaker ambivalence towards the merits of the relationship, the speaker unhappily remains with their partner. Through the usage of contrasting visual and kinesthetic imagery, the speaker revels the reasons of their inability to embrace the relationship and showcases the extent of their paralysis. Exploring this theme, the poem discusses how inner conflicts can be powerful paralyzers.
Throughout the history of war poetry, no aspect of war can be said to feature more prominently than the representation of death and dying. While such representations are constant in their inclusion in war texts, the nature of the representation varies greatly, be it as a noble act for ones country, or as the defining negative of war. Poems such as Brooke’s ‘The Soldier’ and Seaman’s ‘Pro Patria’ are strong examples of the former; while others such as ‘Dolce et decorum est’ by Owen and ‘The Rear Guard’ by Sassoon best exemplify the latter. The question remains however as to why these representations of death and dying differ so, and whether there is a relevant relationship between the type of depiction and the time period or conflict, as well as the author’s proximity to death’s harsh reality.
In all works about war, the element of pain is essential. Without pain, there is no real happiness. The men described in these works all endured vast amounts of physical and emotional pain on their tours serving the country and the accurate representations of their time overseas wouldn’t be able to be complete without this element.
Clashing swords, miraculous survivals, pain of loss, and heroic sacrifice are all terrifying yet thrilling moments in a battle. The strong possibility of death and the frailty of human life add into the suspense of battle. Yet the reasons behind the wars, death, and suspense can be overlooked. The stories behind the warriors who have died will not be told again, but the stories of warriors still alive are what give the men strength to continue fighting against impossible odds. Ultimately, the reason of why a man would risk his life in battle is for someone, or something, he loves. Like in Gilgamesh and the Iliad, women help encourage and influence the protagonists to be the heroes and protectors they are meant to be.
The narrator in “The Things They Carried” deals with the subjective conditions of war. Throughout the story, straining emotions often brought O’Brien’s teams emotions, especially after a death, causes a “crying jag” with a “heavy-duty hurt” (O’Brien 1185). The fury of emotion associated with death begins to erode the sharp minds of the soldiers and become mentally effective. After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might dies” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taken place in the psyche of the narrator is repressed directly by the war. The protagonist in “The Yellow Wallpaper” is also faced with the task of coping with mental
In this poem there are military contexts like “death lane” which portray through visual imagery images such as trench fighting.
This work of art is a war story, with love, tragedy and personal responsibility, giving details of what one carries, survives and ponders during events that take place out of our control. The Thing Things They Carried, by Tim O’Brien depicts human beings just like us that don’t get a choice of what happens around us but how to survive with the things we hold dear that help us make it through. It also shares with us the fear, risk and aftermath of the death of one of their men and the personal responsibility the narrator feels as the loss of one of the men under his care.
The decursio sides are representations of Antoninus Pius’ deification and funerary rites. The depiction consists of the cavalry circling the standing figures, two of whom carry military standards, while the rest are wearing their cuirass. These scenes represent the ceremony that is essential for the deification of the imperial members. The style that is used within these sides is in relief form, yet they also break from the traditional Classical style. The variation of the Classical style is prominent by depicting stocky human forms and using two types of perspective within a single space. The figures also lack the gracefulness of other works during this time that follow the Classical style. The perspective of the piece is unclear where the figures seem to be suspended in space for what seems to be an overhead view while at the same time using a single perspective. Despite the deviation of the Classical style this p...
Over the course of the semester, we read several hybrid genre books and some with hybrid themes. For the topic of my personal narrative, I settled on a subject near to my heart, the prospect of summer. To establish my theme of a blissful summer surrounded by nature, I implemented several elements from parts I and II of Jean Toomer’s Cane, Maggie Nelson’s Bluets, and Anne Carson’s Autobiography of Red.
Trotting tirelessly through various terrains, witnessing death and other atrocities at every corner, and slowly losing oneself in the process is the life of a soldier. The poem "Dedicated to the Infantryman" by Gary McDonough accurately and thoroughly depicts this. Although it is vague and does not directly mention any one soldier, it is an overarching poem which can apply to the life of a soldier overall. Especially, it relates to the death of Kiowa and the ramifications this loss has on Norman Bowker from the novel The Things They Carried by Tim O'Brien.
Typically, people come out of a war either dead, or scarred physically or mentally . Unfortunately, though, not every person will be damaged to the same extent, for war does not treat every person fairly. The characters in The Things They Carried are each affected differently based on their roles and characterization. The soldiers in the story are physically unequal based on the actual objects they carry. They carry several similar objects to one another, however there were a few objects that only certain people carried. Henry Dobbins carries “the M60, which weighed twenty-three pounds unloaded” (10) whereas the majority of what Dave Jensen has to carry is “toothbrush[es], dental floss, and several hotel-size bars of soap” (2). They do not bear the same physical burden. Some people may argue that although they are physically unequal, mentally they are all treated the same. This is not true. They all have feelings of “Grief, terror, love, [and] longing” (76), however Lieutenant Cross in particular holds “the responsibility for the lives of his men” (7). When Lavender dies all of the men grieve, but Lieutenant Cross feels ashamed and believes that the death was completely his fault. In this aspect the war does not treat all men fairly and equally. Komunyakaa’s poem furthers the idea that war is unfair at its
Fighting and dying in war can sometimes be seen as an honor, but during actual battles, there is a horrific, scary side of war. Both “The Charge of the Light Brigade” written by Alfred Lord Tennyson and “Dulce et Decorum Est” written by Wilfred Owen reflect on warfare, yet the authors’ conclusions about death during war are different. Tone, imagery, and point of view in the poems are dissimilar to display the contrasting conclusions. In the first poem, Tennyson develops a tone of reverence from a third person point of view in order to convey the idea that one should honor the heroism of soldiers, while in the second poem, Owen employs graphic imagery from first person point of view in order to covey the idea that dying in battle is not honorable or heroic.
‘The Falling Soldier’ is one of many poems by Duffy which deals with the subject of human mortality. Duffy expresses what could have been over a harsh reality; this is characteristic of her as also seen in ‘Last Post’ and ‘Passing Bells’ which both seem to be largely influenced by poet peer Wilfred Owen’s personal experiences of war. In the ‘The Falling Soldier’ Duffy paradoxically captures the essence of Robert Capa’s famous photograph of a man falling after being shot during the Spanish Civil War (1936). She employs the form of an impersonal narrative voice, using second person to question the possibilities, to explore the tragic and cyclical nature of war. The futile reality of war contrasts to her central theme in ‘The Bees’ anthology of bees symbolising the grace left in humanity.