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Topics on how American film affects culture
Importance of cinematography in filmmaking
Topics on how American film affects culture
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Little Terror with a Dose of Awe Looking at the movie The Village, written and directed by M. Night Shyamalan, there are four pieces of criteria that I used; audience’s feelings, audience interest, originality and genre to decide if this movie was worth others seeing. When looking at the genre, I wanted to see how well it lined up with the movie’s preview. The feeling of the audience is also important because that is what makes the lasting impression. Feeling the emotions the character faces, anger, sadness, suspense, or shock will ultimately determine if the movie is great enough to leave a lasting mark imprinted in the viewers’ brain. Movies have to be able to capture and hold the audience’s interest by giving plot twists. So many movies …show more content…
The focus wasn’t solely on the romance side. It had more substance to the story line than the lovey-dovey relationship of Lucius and Ivy. The director was crafty in finding new ways to add a spin and leave mouths aghast. For example, the Walker family had been paying off the government to let them live in peace. The time period wasn’t in the 1800’s like it led the audience to believe, but in present day. The final twist left the viewer in awe. What set the movie apart from others was its resolution; the ending was unexpected and different from any other movie. Not only did it build up suspense of Ivy’s adventure as she made her trek through the forest. Gone with predictable, Shyamalan found a new way to make the movie’s plot stand out from others. Many movies use the plot of the prince saving the princess, but the director took another stance. Making Ivy save the male character in the movie instead, it represented the turn we have come to in our recent history. Women are stepping up and taking on new roles. This film was original and …show more content…
Looking at the set criteria, the genre wasn’t what was anticipated. When watching the preview an eerie feeling is betrayed appealing to those who love the adrenaline of terror. The sneak peek shown shows the goriest parts of the movie, which compared to other horror movies isn’t very gory. Most horror films will show the audience the sinister, evil beings that are feared. The movie goer watching this preview gets the sense that The Village is going to send them home double checking to make sure all doors are locked and windows are closed. Surprisingly, romance ends up being the majority of the movie with a great deal of mystery. The genre was a major twist that left audiences feeling kind of sour but what they didn’t seem to consider was the marketing used and the unique approach behind it. The genre may have come off a little different than the reality of what it turned out to be, but it still hooked the audience and created suspense making the audience want to see it. After watching the movie, the appeal it has can hook anyone into watching it. It gives mystery with a little romance for the girls. Although it wasn’t a horror movie as betrayed by the preview, the suspense made up for the lack of adrenaline left by
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
Dear Zachary is a heart-wrenching documentary made by filmmaker Kurt Kuenne. Originally intended as a tribute for the deceased Andrew Bagby’s unborn son, Zachary, the purpose changes drastically when Shirley Turner, Andrew’s ex-girlfriend and killer (and Zachary’s mother), kills Zachary in a tragic murder-suicide. Believing that Shirley Turner should never have had custody of Zachary and that poorly made bail laws led to Zachary’s death, Kuenne alters his documentary to have a more argumentative message. Kurt Kuenne’s argument in his documentary Dear Zachary is that bail laws for those charged with a serious crime need to be reformed in order to protect people – especially any children – who may fall under the custody of the accused criminal.
Although I will always love the original, the script, the movie was so fun to watch. We got know why lady bracknell is who she is since she apparently was a dancer and got life by having a baby. We found out instead of hugging miss prism got engaged to dr. chasuble which was interesting. Although I want to say what the real change was in the movie compared to the script you got have to watch the movie all the way through. It will be the biggest surprise of your
The movie teaches us to look beyond the cover and into who someone is as a person. We also learn that sometimes contact with people makes us reconsider our judgement towards them, to find out the real person underneath.
Sex, love, depression, guilt, trust, all are topics presented in this remarkably well written and performed drama. The Flick, a 2014 Pulitzer Prize winning drama by Annie Baker, serves to provide a social commentary which will leave the audience deep in thought well after the curtain closes. Emporia State Universities Production of this masterpiece was a masterpiece in itself, from the stunningly genuine portrayal of the characters of Avery and Rose, to the realism found within the set, every aspect of the production was superb.
To begin with, some people would say they enjoy a horror movie that gets them scared out of their wits. They go see these movies once a month on average, for fun, each time choosing a newer sequel like “Final Destination” or “The evil Dead”. King says “When we pay our four or five bucks and seat ourselves at tenth-row center in a theater showing a horror movie we are daring the nightmare” (405). As a writer of best-sel...
It is no secret that there is an obvious difference of how women are portrayed in the media versus men. This movie discussed female characters never having lead roles and stated that when they did it ended in the women depending on, loving, or having to have a man. One young high school girl said, “Women never play the protagonist. The girls are
In 1971 on June 17, President Richard Nixon delivered a special message to the Congress on drug abuse prevention and control. During the presentation, Nixon made it clear that the United States was at war with this idea of drug abuse. What baffled Americans then, and still baffles Americans today, is that we are at war with our own nation with drugs; it is not some foreign affair like the media tends to focus on with Mexico. Nixon stated that at the time of his speech, what was implemented to control drug abuse was not working…“The problem has assumed the dimensions of a national emergency. I intend to take every step necessary to deal with this emergency, including asking the Congress for an amendment to my 1972 budget to provide an additional $155 million to carry out these steps. This will provide a total of $371 million for programs to control drug abuse in America.”(Wolleey and Peters) Since the publicizing of the term “War on Drugs” in 1971, it has been used by many political candidates in elections over the years. In the movie, it was stated, “ every war begins with propaganda …[and] the war on drugs has never been actually on drugs… [Additionally] drug laws are shaped less by scientific facts, but more by political [reasoning].” (Jarecki) The movie, The House I Live In, directly relates to certain themes and terminology that were discussed in Martin and Nakayama’s Intercultural Communication in Contexts book, that have been used in class. Through the analyzing and comparing of The House I Live In and Intercultural Communication in Contexts an individual can begin to localize the ideals behind this everlasting war on drugs; some ideals focus on terms from the text like ethnocentrism, diversity training, and culture while ...
"The Breakfast Club" begins with an old dramatic standby. You isolate a group of people in a room, you have them talk, and eventually they exchange truths about themselves and come to new understandings. William Saroyan and Eugene O'Neill have been here before, but they used saloons and drunks. "The Breakfast Club" uses a high school library and five teenage kids.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
The room is silent. The only noise that can be heard are the soft inhales and exhales coming from the audience. Dazzling lights illuminate the stage. The spotlight is on Nate Parker. The writer and director of the period drama, The Birth of a Nation. That night, Nate Parker was awarded the grand jury prize and the audience award at the Sundance Film Festival. As a black man in America, he defied the odds by attaining a prestige award that most only dream of. The crowd roared with excitement as Parker stood on stage with his unblemished prize. Months before its nation wide release, The Birth of a Nation was already getting Oscar buzz and was being praised by dozens of critics across the country as one of the best films
People are addicted to the synthetic feeling of being terrified. Modern day horror films are very different from the first horror films which date back to the late nineteenth century, but the goal of shocking the audience is still the same. Over the course of its existence, the horror industry has had to innovate new ways to keep its viewers on the edge of their seats. Horror films are frightening films created solely to ignite anxiety and panic within the viewers. Dread and alarm summon deep fears by captivating the audience with a shocking, terrifying, and unpredictable finale that leaves the viewer stunned.
...movie that I fell in love with. But most of all I love how the story line is a great overlap into the cinematically engaging movie. There is a great use of camera, timing, shots and story line that are portrayed in this movie without being too overwhelming. This allows the audience to relax during the movie and just take in the scenes as a story from reality. To this day, and even still doing this paper I still come to find different aspects of the movie that I missed the previous times I have watched it.
Would you rather be horrified beyond repair or thrilled to the point of no return? In horror, the main purpose is to invoke fear and dread into the audience in the most unrealistic way. Horror movies involve supernatural entities such as ghosts, vampires, teleportation, and being completely immortal. As thriller films are grounded in realism and involve more suspense, mystery, and a sense of panic. Though both genres will frighten the audience, it will happen in two different ways. Whether the horror thrills or the thriller horrifies, a scare is always incorporated.
The film Family Weekend was not given a fair shake. Family Weekend is story of a dysfunctional family. Eldest daughter Emily comes up with the plan of kidnapping her parents in order to save her broken family. Emily is a driven girl who is an accomplished jump-roper. Her siblings consist of her older brother Jackson (Eddie Hassell) who is openly gay, her younger sister Lucinda (Joey King) who is movie obsessed, and her youngest brother Mickey (Robbie Tucker) who has the perfect memory. Along with Emily’s crazy siblings she also has two self-absorbed parents, Samantha (Kristen Chenoweth) and Duncan (Matthew Modine). The bases of the film story are surround by the problems that go along with Emily kidnapping her parents. Critics