Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Technological evolution of cinema
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Technological evolution of cinema
"I think people just see Cinematography as being about Photography and innovative shots and beautiful lighting. We all want our movies or our work to look visually perfect, to be beguiling and enticing, but I think that what really defines a great Cinematographer is one who loves a story."
Introduction
We love cinema, no matter how much the formats, audiences, and distributions may have changed, Cinematographers have been telling stories in motion ever since the Lumiere Brothers first brought us this gift of Cinematography. There were many great thinkers who have attempted to explain our connection with this glorious field. They said that movies are dreams, and that they are windows into the world and the lives that are not our own but they
But because Cinematography is often so beautiful and and sometimes so emotional, makes others assume that the process of filming movies might be built on something really mysterious. But instead, like all diciplines Cinematography is built on pure concrete understanding. It sounds so simple but it’s like zooming in on to the atomic level where you get to see how it really works on people. Lets take words as an example right, we have nouns, adjectives, verbs and sentence structure. Some of them are difficult and hard to understand, agreed but we use read them somewhere, and use them ironically. The key to understanding is that Rules actually help in speaking to eachother and our understanding of Cinematography works the exact same
When the Lumiere brothers did their first ever private screening of motion pictures, there were only 200 audiences. It was much to their surprise that the black and white moving images got more attention as compared to the colored still photographs. After a while, both the brothers withdrew from the film business. The brothers said that the cinema is the invention without any future followed by declining to sell their camera to other film makers.
The Lumiere brothers were’nt the only ones to claim the title of the first cinematographers. Eadweard Muybridge, Etienne Jules Marey, and Ottomar Anschutz developed the choronophotography device. There were other people who didn’t wanted to be left behind. People were coming up with new and brilliant ideas. Max and Emil Skladanowsky are the inventors of the Bioscop actually offered the projected moving images to a paying public on 1st November 1895 in
There first invention produced was the Technicolor System 1 Additive Color, which I’m sorry to say flopped massively due to the unfortunate screening of The Gulf Between in 1917 which only a few frames remain of this film today. This was the first public premier of the technology and was disastrous. The film was captured through two separate filters red and green and the light through those two filters was captured on a single reel of film, when processed this negative had red and green information captured on a black and white reel, when this was processed the reel was placed into a projector and then threw red and green filters. To project the image an adjustable prism that had to manually lined up by the projectionist as two separate images formed on the projection screen this did not work as planned as the projectionist failed to line up the images correctly.
Cinematography, if used properly, adds immensely to the action and effects of a film. Thelma and Louise greatly benefited from panning shots, reactions shots, and dissolve. To the untrained eye these effects go completely unnoticed and unappreciated but to those who do appreciate them know that because of cinematography Thelma and Louise is a masterpiece.
Before talking films were big people were fascinated with the idea of moving pictures in the
Within every history class, English class, and even some science classes, the art of storytelling is a primary foundation for human communication and understanding. Whether it be through myths – Greek, Roman, Egyptian, you pick – or wives tales or even Grandpa telling his old war stories, stories have power. Now, through technological advancements in the last 150+ years (thank you Thomas Edison for your obsession), we have film as a mode to tell stories. Fictional or not, films tell a story; they have the power to give you not only entertainment but enlightenment too. Through continuing advancements, filmmakers have the ability to challenge and manipulate the power of the story through creative resistance; by exploring other elements of storytelling via film, filmmakers can create dramatically different films from similar ideas by using a multitude of techniques. Films are even used to create social commentary.
...Lewis' assessment of cinema, with the increase in technology, and modern home theatre capabilities; at this point there is no turning back, and cinema as it once was will never be again. Even with the upheaval of classic film remakes, the technology that is at film-makers disposal makes it impossible for films to ever be made in the way they once were. This is evident in the way films have progressed through their periods as human knowledge expanded bringing new techniques to filming, and acting themselves, where technology is concerned there is no roof yet, and cinema is certain to change with each advancement.
On December 28, 1895 Georges was an audience member of the first seen movie or “moving picture” made in the world. This was a very short single reel, one shot film documenting a train pulling into the station. When the image of the train started approaching the audience, the audience screamed thinking they would actually get run over by the train. This revolutionary new type of “magic” was discovered by the Lumiere Brothers, who used their invention, the Cinematographe, to capture the first movie ever made. Melies soon after asked to purchase a camera from the Lumiere Brothers, but they refused. In desperate attempt to utilize this new entertainment tool, he set out to build his own camera.
We can start off with something that we all easily take granted for in movies and that is the imagery. We all have imaginations that can produce an accurate image depending on what we read or see, but something the books or plays couldn’t accomplish is give the image to us. So we wouldn’t have to seco...
Eadweard Muybridge was a director who made the first movie in 1878, The Horse in Motion. He used multiple cameras and put the individual pictures into a movie. Muybridge’s movie was just pictures of a galloping horse. Muybridge also invented the Zoopraxiscope,the first ever movie projector that made short films and movies. It was able to quickly project images, creating what is known as motion photography and the first movie to ever exist. To use the Zoopraxiscope a disc is put on the device and is turned. As the disc turns, the images are projected onto the screen and the movie starts ...
In short, cinematography is the art of making motion pictures; which includes the photographic and electric aspects of making images. Filmmakers use cinematography for many reasons, such as: producing emotion, telling a story, giving off a specific look, and making characters. In the film Run Boy Run, the cinematography absolutely stimulated much emotion. For example, in the parts of the movie that Srulik was freezing and ravenous with chapped skin and a limp in his walk, the lighting is dark and hazy. On the other hand, in a scene in which Sruilk is dreaming about being reunited with his dear mother again, the lighting is brilliant and golden. The darker, hazier lighting evokes a melancholy emotion from viewers, while the brilliant, golden lighting evokes a cheerful emotion from viewers. Another example of the cinematography evoking emotion is through camera movement. Whenever Srulik is staggering toward Magda’s house, cameras captured each angle so viewers could see just how pitiful and ill he was. Then, when he finally gets to her house, Srulik passes out, and the camera cuts off to go along with
In short, cinematography is the art of making motion pictures; which includes the photographic and electric aspects of making images. Filmmakers use cinematography for many reasons, such as: producing emotion, telling a story, giving off a specific look, and making characters. In the film Run Boy Run, the cinematography absolutely stimulated much emotion. For example, in the parts of the movie that Srulik was freezing and ravenous with chapped skin and a limp in his walk, the lighting is dark and hazy. On the other hand, in a scene in which Sruilk is dreaming about being reunited with his dear mother again, the lighting is brilliant and golden. The darker, hazier lighting evokes a melancholy emotion from viewers, while the brilliant, golden lighting evokes a cheerful emotion from viewers. Another example of the cinematography evoking emotion is through camera movement. Whenever Srulik is staggering toward Magda’s house, cameras captured each angle so viewers could see just how pitiful and ill he was. Then, when he finally gets to her house, Srulik passes out, and the camera cuts off to go along with
Hurlbut, Shane. "Digital Cinematography vs Film: Tides Are Turning." Hurlbut Visuals. N.p., 06 Feb. 2013. Web. 04 Dec. 2013.
The art of filmmaking has been around for over a hundred years and now has over a hundred different specialized jobs in its field. According to the Bureau of Labor Statistics, “key grip, gaffer, best boy, boom operator, and director of photography are just a few of the jobs in the field of filmmaking that are essential to the process of creating a movie or TV show” (From Script #1). But before any of these people are able to get a job, they must go through an average of four years of college in order to specialize in film (Zeke). Filmmaking is a very complex and involved career that is crucial to the pursuit of happiness on earth and the telling of history.
The idea for photographing came around in 1814 when Joseph Niépce wanted an image of his son before he left for war. He succeeded in making the first camera in 1827, but the camera needed at least eight hours to produce one picture. Parisian Louis Daguerre invented the next kind of camera in 1839, who worked with Niépce for four years. His camera only needed fifteen to thirty minutes to produce a picture. Both Niécpe’s and Daguerre’s cameras made pictues on metal plates. In the same year Daguerre made his camera, an Englishman by the name of William Henry Fox Talbot made the first camera that photographed pictures on paper. The camera printed a reverse picture onto a negative and chemicals were needed to produce the photo up right. In 1861, color film came along and pictures were produced with color instead of being just black and white. James Clerk Maxwell is credited with coming up with color film, after he took the ...
Many people don’t think about it so much, but movies (or just film in general) have become such a big part of our lives that we don’t think much of it because it just feels like a usual part of living. But have you ever wondered why this is, and how far back film started? Movies and film have been around for a long time, have developed in big ways throughout time, and has advanced in such a big and new way to this day.
Movies take us inside the skin of people quite different from ourselves and to places different from our routine surroundings. As humans, we always seek enlargement of our being and wanted to be more than ourselves. Each one of us, by nature, sees the world with a perspective and selectivity different from others. But, we want to see the world through other’s eyes; imagine with other’s imaginations; feel with other’s hearts, at a same time as with our own. Movies offer us a window onto the wider world, broadening our perspective and opening our eyes to new wonders.