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Halloween ethnography
Halloween ethnography
The perception of people toward halloween
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The Tupelo Community Theatre haunted house has been around longer than my measly sixteen years, but I only just heard about it a few months ago in August. With my extreme love of Halloween and frightful things, I knew I had to go. It took a lot of hard work to convince my friends to come; but now, as we wind closer and closer to the theatre entrance, they cannot stop smiling that adrenaline induced smile. My teeth keep chattering from the biting wind. One of my friends says something about clowns with horns that spit fire. My pace falters a bit, due to my extreme phobia of clowns. Suddenly, I am having second thoughts about this. As we walk along the sidewalk, I can feel the goose bumps popping onto my skin; but I cannot let my friends see. …show more content…
I am, after all, the bravest of the bunch. We walk mere feet from the doors plastered with posters of pumpkins and ghouls. My heart keeps beating a thousand miles an hour as we near the entrance of my most certain doom: TCT Annual Haunted Theatre. We walk through the doors and buy our tickets.
We are told to head up the stairs and to our left. As we reach the top of the steps, we are instantly engulfed by a narrow hallway. We take our seats in what appears to be the balcony. It is pitch black dark, other than the glow of the emergency exits and our usher’s flashlight. He tells us a chilling tale of the theatre being built on Indian remains. He also tells of a young woman who took her own life in the theatre due to her lover’s tragic death. There are faint hints of crying and screaming coming from the stage. People keep getting up and leaving, not wanting to continue; but I am not a coward. I will finish …show more content…
through. As the usher finishes up telling us about the rules and regulations of the theatre, an old woman in a worn-out, white wedding dress comes up and tells us to rise. We shuffle behind the woman and come to a set of descending stairs. Strobe lights flash on and off, confusing our eyes. The woman smiles devilishly at us and simply tells us, “Good luck.” We start down the stairs being chased by a masked man with a chainsaw.
He forces us into our first room. It appears to be a bedroom; and in the corner, on a small bed, sits a young girl clutching a teddy bear. She tells us of the boogeyman who visits her every night. All of a sudden, a bang comes from the door, drawing all of our attention to it. We turn back around and see the young girl being dragged under her bed. We all scream and push through the door. The next room contains dolls that move on their own and sing creepy nursery rhymes; and the room after that, is filled with shrunken heads that scream out names. As I leave the shrunken head room, I follow a dark path to a man with a red face and dreadlocks. In a husky, sinister voice, he tells me that I’m not supposed to be back here. I frantically tell him that I must be lost from my friends. He simply points to his left and remains silent. I follow his direction and wind up outside a black hallway. I see my friend in the dark red light and run to her side. I am about to explain where I have been, when a zombie bursts out of the wall, grabbing for us. We scream and run towards the end of the
hallway. My friends and I walk out of the zombie hallway and are met by same dreadlock demon from earlier. He gets within two inches of my face and says in the same spine-chilling voice, “Go that way if you want to live.” We follow his advice and come to a dead end. My friends and I bang on the wall, until a little girl with her left arm holding her bloody right tells us to head the other way to escape. We turn around and ignore the usher’s rules and sprint towards a black door lit by a red light. As we push open the door, the brisk October air hits us. We laugh and catch our breath when we realize that a surgeon with blood on his shirt and a heart in his hand tries to chase us out of the theatre. We run down the sidewalk, escaping him. As we slow our pace, I notice my friend staring quizzically at me. “What?” I ask. “You seem really calm considering what just happened,” she says. I laugh at her reply and say, “I’ll take a deranged surgeon over a psycho clown any day.”
The theatre can hold up to 1500 and more people, so each performance is in front of a huge audience. Many members of the audience can watch from the grounds directly in front of the stage. Up to 3000 people can stand there to be exact.
Halloween is the time of year that most people loved the idea of being scared beyond belief. But nowadays it’s harder to be genuinely scared because it seems like some people have become accustomed to most horrifying things that relate to Halloween due to the fact that it is the same every year. Nonetheless every year amusement parks use Halloween as a marketing scheme to get people and their friends to come to their horror nights, and spend money on ridiculous overpriced items, which all present the same things; clowns, clowns, chainsaws, and more clowns. Yes we can all agree that clowns are scary, but there has to come a time where the ones coming up with these “horror nights” step back and realize that what they are doing is no longer working anymore. But alas there is someone out there who knows what they’re doing, and it quite possibly could have to do with the fact that they are connected to the movie studio that did invent the horror film genre. But what makes Universal Studios Halloween Horror night so sinister? Universal Studios has a way where they take you out of reality and place you in a horror movie where you encounter many horror mazes, and also by the way they attack your senses in unexpected ways.
When the lights come up the audience is immediately thrown into an old and dingy movie theatre complete with popcorn strewn across the floor. It is within this set that deep social commentary is made throughout the
“Grrrraaaahhh” someone behind me yelled. I yelped loudly as I jumped and turned sharply around. There stood another zombie with a bright red mask who was also wearing a dark black cloak. But this zombie had a bloody axe in one hand causing me to scream very loudly. As I bolted in the opposite direction back out the entrance. I ran in between 2 of the arcade booths, then looked over my shoulder and sighed in relief as I realized this zombie hadn’t followed me.
Theatre has always been riddled with superstitions and curses throughout history. Be it the last lantern lit to ward off ghosts, to saying “break a leg”, to prohibiting whistling in the theatre. ( ) However one of the most popular superstitions is about Shakespeare’s Macbeth. This superstition states, that if the name “Macbeth” is spoken outside the lines of the play, disaster will strike the theatre. Performers, stagehands, producers and essentially all who interact with the play can bypass this “Scottish Curse” by referring to the play as “the Scottish play.” Macbeth is full of violence, disorder and blood, it's got ghoulish ghosts, manipulation, deceit, assassination, and witchcraft and provides bountiful ground for dark musings. This “Curse” has run rampant throughout the ages. The cause of this is most likely its mild hazing aspect. Veteran actors spin a tale of woe and tragedy that they witnessed due to someone invoking the curse, lending credibility to the “Curse” Then when accidents occur around Macbeth, those that believe in the superstition mention and mutter about the “Curse”. Thus the “Curse of Macbeth” has grown into one of the most infamous theatre superstitions because of the many legends behind its origin, the numerous rituals to “cleanse” the evil the “Curse” invokes, and the multiple tragic accidents and events the “Curse” supposedly caused.
There were many factors that contributed to the changes made to the Broadway theaters in the 20th Century. Broadway faced many problems during the time period of 1945-1955, resolved by numerous different solutions. This included impacts of World War II and the Great Depression, the decline in audience interest and the loss of many actors and producers.
Boogeyman opens with one of the most effective scare sequences in recent memory, one that recalls us to the fears of childhood and sets the tone for the rest of the picture. In the traditional old, dark house, eight-year-old Timmy (Caden St. Clair) is in bed, too scared to sleep. Commonplace items in the room take on a sinister appearance until he turns on his bedside lamp, revealing the hulking shape across the room to be just a chair strewn with clothes and sporting equipment. But when he turns the lamp back off, the shape begins to move toward him. Switch the light back on, and the shape collapses to the floor, an innocent bathrobe. It’s a clever illustration of the ways in which, as children and even sometimes as adults, we can believe that the forms we see in a dark room might be alive and wicked; the ways a fertile imagination can even trick us into believing we see it shift its weight, sharpen its claws, and lick its lips in anticipation. This being a horror film, it turns out that there's more going on than an overactive imagination. Timmy causes a clatter that attracts the attention of his father, who comes in and lectures him about being scared of the Boogeyman. Daddy is then, of course, dragged into the closet by an unseen figure, never to return.
Sitting in the theater, watching this movie for the first time, I heard static break in to interrupt the beginning credits. A newscaster, sounding serious, came on the screen in a special report. I sat up to pay attention. She was reporting a tragedy that had recently happened in some place called Verona. I was pulled in thinking it to be a true special report. Ah-hah!! It was a trick. A trick to get people to do just what I did. Trained are we to listen to newscasts, our life-line in present day society, where we receive a lot of our information. A trick, and I fell for it--so did everyone else--how clever. Then the sound of crying, chorusing angels screaming angry chants echoed around the theater (great surround sound effect). Images (clips from the movie) flashed sporadically on the screen. A dark, sinister voice retold Shakespeare's prologue given in the telecast moments before. The angels were still screaming, and then, silence. A big truck flashed on the screen and gave a hearty engine growl. The truck sped loudly down the road. Stringy electric guitars and booming drums thump a loud vengeful beat. The Montague bo...
Adrenaline invigorates people and feeds the natural human desire for it. The easiest way to supply this craving is by being scared. Halloween is a day revolving around this beast and all wishes for it will be fulfilled, causing my time to be spent at a haunted house. Right before Halloween, my friends, Caroline, Sydney, Amanda, and Abe, decided that being scared was the best way to celebrate the coming of our favorite holiday. Sydney found a place that claimed to be the scariest place in New Jersey. I agreed because I knew that it was only going to be actors wearing makeup who were just trying to startle people. We were told that it would take us around thirty minutes to get through the house, so it would not be too bad if one of
I asked other students for their thoughts about the issue, and the majority feel that the clowns were mentally harming students even though they claimed to be unharmful. On the other side, I also believe that “clown hunters” were also in the wrong. They have caused a lot of chaos on campus that resulted in police taking the hunters to the station. The madness has been overwhelming, but it has also calmed since Halloween has passed. Most people are open about their opinions, however the author seemed to keep her thoughts to herself during the
Sunday afternoon, a cloudy day. Right after lunch, I was heading West to see the play. I was excited already to start with the Christmas spirit, even though, Thanksgiving still far. I got to the theatre, on the second floor. I bought my ticket on this little window at the end of the hallway. As I entered the theater I could hear the Christmas songs and notice the big Christmas tree in the middle of the stage. The type of stage is proscenium with an extended apron; its structure was very different. The audience seats are arranged in an arch, the entrance was made from the back of the theater and the stage was below the audience. This theater, even though small, it accommodated everybody well, giving everybody a very good
One of the newest upcoming horror movie that just came out is IT. IT is the rendition of Stephen King’s classic killer clown story “Pennywise the Dancing Clown.” I honestly have mixed emotions about this movie; two polar opposite sides of me are telling me two different things. One is saying “Go watch it now. Feel the thrill. You will love it” and the other side is begging me “No, no, no, please don’t watch it. You will hate it. Seriously out of anything why did it have to be freakin clowns ?” That’s the thing that I never understood about myself and others like me. Why in the world do people put themselves in a situation where they purposely make themselves vulnerable to be scared? Stephen King describes the reasons
Theatre serves to reflect society. From Shakespeare to Sophocles, a playwright’s work illustrates the different mechanics within a culture or time period or society. Theatre offers viewers the experience of taking a step back and looking in on themselves. In this way, theatre is a mirror for the world and the way it functions.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
elected by the group to be our new Schill, and in a small space of