Account of a Theatre Workshop
Before we did the actual workshops in class we read “The Visit”
because the workshops that were to follow would be based on and around
the play. To remind us all what the theme of the play was and what
it’s actually about we started our first workshop by going around the
group with everyone saying what they thought the play was about. This
exercise I found very helpful because when reading the play in class I
didn’t pick up on some of the main aspects of the play and was
therefore at a loss, but due to this exercise I now knew everything
that was going on in “The Visit” and could work and interact far
easier.
In this workshop we then were asked to pick a prominent member of the
town in “The Visit” for example the policeman, doctor or pastor. We
were then instructed to walk around the room in character, whilst
walking up to others and asking indirect questions to one another to
try and find out which town member they had chosen. We were then told
to group together into groups of the same town members.
This in fact turned out very nicely as it ended up having three
groups: (1) Cameron, Katie and Richard.W who were pastors or priests.
(2) Lydia, Tayah, Olivia and Richard.S who were all policemen. And
finally (3) Tom, Rupert, Yomna and I were doctors. We were all told by
Mr. Watson that he is running an investigation to find out why each
group thinks they need the money and why they need it more than
everyone else does. We were also asked about Schill and what we
thought we should do with him.
After a long arduous discussion, we were all told to elect a
spokesperson that had to address chill a...
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...ew what to do, however, we still had no Schill. Cameron was
elected by the group to be our new Schill, and in a small space of
time he had to learn everything we’d decided Richard.S would
originally do.
Even though the factor of two of our actors being missing, I thought
we coped extremely well. The fact that we used a T.V. reporter
(Rupert) added to the grotesques of the play by making it even more
chilling as it was for everyone else’s amusement,
The hypocrisy in “The Visit” and the fact that people can lose their
morale scarily easily we showed extensively throughout our final
workshop as well as our previous ones.
This was the end of our workshops and I felt that they were extremely
helpful as an actor as well as helping to understand the play, and I
think that throughout the group everyone did very well.
...the betrayal and dishonesty that is omnipresent in the play. Not only do they simply embody this concept, but they also serve to conclude the events of the play, by being the ending to what started the beginning.
reach into the ideas and themes of the play so we will have a good
project of the play, of which is touched upon in Act One. It is this
the main theme of the play. With out this scene in the play I don’t
“Devised theatre can start from anything. It is determined and defined by a group of people who set up an initial framework or structure to explore and experiment with ideas, images, concepts, themes, or specific stimuli that might include music, text, objects, paintings, or movement.” (Alison Oddey 1). Devised theatre, also called collaborative creation, is a form of theatre in which the script is created through a collaborative process with the actors and the playwright, rather than the traditional method of theatre with a premade script. Devised theatre is created through the process, collaboration, and multi-vision of the group. Similar to improvisational theatre, a devised theatre play is created in the rehearsal process from the performers interacting with each other. By the time the devised play is performed the work is a cohesive piece that is, for the most part, set in stone. This form of theatre is a modern form of theatre, that came about from the collaboration of many different type of artists, because of the need of the performers to have some input into what they are performing. The devised theatre form is most utilized in the USA, Great Britain, and Australia, but especially in our country. Devised theatre utilizes physical movements, rather than focusing on only the language.
People have dreams of what they want to do or accomplish in life, but usually musical theatre is just pushed into the non-realistic void. It isn’t a dream for me. In the past four years, musical theatre has been clarified as my reality. Musical theatre has been the only thing I have seen myself wanting to do. My first love was The Phantom of the Opera, seeing how I watched it almost every day and it was one of the first shows I saw. Of course, I started doing all of those cute shows in middle school and making a huge deal about it to my family and friends, but I have never felt so passionate about something. The minute I get up on that stage I throw away Riley for two and a half hours and it’s the most amazing feeling! Being able to tell a story
At the start of the play, in Act 1 Scene 1, there is a theme of
the play, so we can see the way they change when they meet for the
The theme of the play has to do with the way that life is an endless cycle. You're born, you have some happy times, you have some bad times, and then you die. As the years pass by, everything seems to change. But all in all there is little change. The sun always rises in the early morning, and sets in the evening. The seasons always rotate like they always have. The birds are always chirping. And there is always somebody that has life a little bit worse than your own.
Theatre has heavily evolved over the past 100 years, particularly Musical Theatre- a subgenre of theatre in which the storyline is conveyed relying on songs and lyrics rather than dialogue. From its origination in Athens, musical theatre has spread across the world and is a popular form of entertainment today. This essay will discuss the evolution and change of musical theatre from 1980-2016, primarily focusing on Broadway (New York) and the West End (London). It will consider in depth, the time periods of: The 1980s: “Brit Hits”- the influence of European mega musicals, the 1990s: “The downfall of musicals”- what failed and what redeemed, and the 2000s/2010s: “The Resurgence of musicals”- including the rise of pop and movie musicals. Concluding
The theme of the play is also change. At the end of the play when
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In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
Theatre will always survive in our changing society. It provides us with a mirror of the society within which we live, and where conflicts we experience are acted out on stage before us. It provides us with characters with which we identify with. The audience observes the emotions and actions as they happen and share the experience with the characters in real time.
My experience watching a live theatre performance on stage was a fascinating one, most especially since it was my first time. I attended a staged performance of “The History Boys” in a small theatre called “The Little Theatre of Alexandria” at 8:00 pm on Wednesday June 8, 2016 in Alexandria, Virginia. The overall production of the play was a resounding experience for me particularly the performance of the actors and the design of the scene made the play seem real.