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The role of music in movies
Importance of music in a film
Importance of music in a film
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The 1931 film City Lights begins with the unveiling of a monument. The background music is typical of what people might hear when someone important is entering the scene or something is being revealed. It consists of trumpets, and slows down as it fades out. As the monument is being uncovered and the audience sees the Tramp half asleep, the music changes to fast playing violins. The trombone is very distinct during this part. The music vaguely resembles circus music, which is fitting for the comic scene that ensues. It also could signify a chase because of the speed of the violins. This matches the scene as well since the police are running frantic trying to figure out what to do about the Tramp. As a very inexperienced musician, I’m not sure …show more content…
The cello and violins are elegant, which could represent the Tramp’s personality. At first, he seems like a bum sleeping on a statue, but soon after, the audience can tell he is a misunderstood guy and means well with the things he does. This can be seen throughout the movie such as when he stopped the millionaire from killing himself, or when the Tramp money got money so he could take care of the flower girl. Especially toward the end of the film, it was easy to feel sorry for him and what he had to go through just to help the flower girl out. The mood of the music is hopeful. The Tramp is optimistic about life with the exception of when he gets released from prison and is walking around the town. Most of the time he has a very good outlook on life and the music reflects his …show more content…
The movie began with the unveiling of a monument. During the ceremony, there were a couple of speakers. The writers decided to use a squeaking noise to help convey the attitudes of the actors. However, this only lasted for the first scene of the film. From then on, the audience could only see the actors mouth words. Occasionally, there would be a screen that allowed the audience to know exactly what the actors were saying by reading the words that appeared. Also, the music played during specific scenes represented what was being said in the film. When the Tramp was being thrown out of the millionaire’s house the butler was yelling at the Tramp. The audience could not hear what he was yelling, but they could interpret that he was angry because of the harsh music
As, the scene fades back from black, non-diegetic sound takes place as the background sound source. Sound that hasn't been implied to be present in the action: added for the dramatic effect. The suspense in the scene is constructed from this sound. Furthermore, props throughout this movie are essential, the audience are
Betty’s father warns Betty Boop not to do it as he understands the consequences. The nature of the mood is also shown in the way the instrumentals are perceived. The dancing at the end shows it all. Sound and music is used at the start and the end of the music. At the start, the music is somewhat slow and the instrumentals set the mood expected from the film. The band and orchestra is more casual just as the characters in the film. This gives the author the expectation from the film as well as how the characters could utilize the environment. At the end of the film, the cab sings in a way that is more spiritual, ghost like and the skeletons nature scares everything. The music is related to the image on the screen since it indicates what Betty could expect. In most instances, the music goes with what is on the screen to create some sense of
The use of sound helped to create a story behind the scenes. The sounds of Drum’s gunfire and Ouiser’s dog barking create a humorous event outside of the set. This scene of family/neighborhood craziness is relatable to any audience member in some way and helped the audience to connect with the characters. The use of the radio at the beginning and end of each scene helped to establish a mood and in some cases a time change. It also worked as a signal to the audience when a scene was beginning or
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Disney has done a great job interpreting these pieces of music. One example is the Chinese dance: they have created a flawless masterpiece in the mushroom animated Chinese dance. All the animations are doing something joyful whether it’s dancing, or making the flowers bloom, all the actions of the characters are sending out a vibrant spirit. Animations are vital to creating a mood/setting to the music. Another great thing Disney has done to create a good vibe in the animations is the characters they used like: fish, or flowers, all these animals emit a pleasant vibe as well as the up-beat music. The dances in the song are a mix of elegant dances and up-beat dances that blend together perfectly
destruction seen in the film into their own lives, by using familiar, mundane sounds that make a
Sound is an incredibly relevant part of filmmaking. Although often misunderstood, it helps to generate a more realistic episode by recreating the sonic experience the scene needs. Its main goal is to enhance the emotions that each section is trying to convey by adding music and effects alongside moving images. Psycho (Hitchcock, 1960), is one of the most popular films of the XX Century (Thomson, 2009). Commonly recognised as a masterpiece for its cinematographic, editing and musical values, it changed cinema forever by “playing with darker prospects (…) of humanity such as sex and violence (Thomson, 2009)”. This paper will analyse the sound effects used in the shower scene and its repercussions
In the scene when Amélie’s perfume cap drops to the floor and hits the wall tile, sound effects emphasize the visual image of what actually happened. Before the cap hit the floor, the background music became silent, and all the audience heard was a loud band from the cap. After the cap hit the floor, it quickly rolled, and knocked a tile off the wall. After the cap hit the tile, a loud rumble emphasized that there was importance that lied behind that wall. The director applied multiple sound effects to key the importance as to the box that was behind the wall. Although the sounds were simple, it created an interesting vibe to the audience. Some of the key sounds of the scene were the cap hitting the floor, the cap knocking the tile of the wall, and the loud rumble that occurred after the hole in the wall was created. On the other hand, this film also uses silence expressively. In the final scene, when Amélie greets Nino at her door, silence expressively describes the mood of the two characters. The only sound the audience hears is the kisses they are giving to each other, but even their facial expressions describe that they are in love with each other and meant to be
Also, even those music that are performed by the orchestra, it is more in atonal and really has very little harmonic and melodic effects. By creating music like this, it somehow creates the mystery feelings and that fits the whole concept since finding the Ark is a very mystery journey and everything is unpredictable and I think the music really captures
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Then the sound of crying, chorusing angels screaming angry chants echoed around the theater (great surround sound effect). Images (clips from the movie) flashed sporadically on the screen. A dark, sinister voice retold Shakespeare's prologue given in the telecast moments before. The angels were still screaming, and then, silence. A big truck flashed on the screen and gave a hearty engine growl.
Music can decipher a narrative event by indicating a perspective. To unify a set of diverse images and provide rhythmic and formal continuity and momentum, a film’s structure is more often than not, directly articulated by a musical structure. Music can assist the dialogue and visuals of film and often is inaudible (e.g. music is meant to be heard unconsciously, not consciously). Music has been used by directors to reinforce or strengthen certain weak scenes in film and then on the other hand when music is not needed to reinforce a scene
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
Tati used diegetic sounds such as the loud car at the beginning of the movie, the children laughing during the beach scenes and the jaunty tune Hulot plays at the hotel and the couple plays on the beach. The same tune plays during the opening credits as nondiegetic sound. The main point of the movie was to observe peculiar human nature and find amusement in it. It was not meant to be a laugh out loud comedy as we think of today. According to film critic Roger Ebert, “Tati was a silent clown; he worked as a mime as a young man, and his Hulot seems to lack the knack of getting into a conversation.”
Sound is important in film and how it is used to drive a narrative progression. I will analyse how and why in this essay. Covering the history of sound in films and the essential component it plays in the film industry.