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Analitical view on steel magnolias
Essay on steel magnolias
Steel magnolias analysis
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Steel Magnolias The play Steel Magnolias is a heartwarming story about six friends who spend their free time with one another in their local beauty shop. The humorous yet deeply touching story held the attention of audience members young and old. From the set to acting, every aspect of this play created an experience that is truly unforgettable The use of lights throughout the play did not vary often. Throughout most of the play, bright overhead lights portrayed the play’s main set room: a small town beauty salon. The lights created an atmosphere that was not only cheerful, but also warm and inviting. On each side of the stage, warm, more natural lighting was used to make the small outdoor areas more realistic. Lights were also used to convey …show more content…
I knew Steel Magnolias took place in a beauty shop but I was not expecting the detail in which the set was built. The construction of the outside view of the house and an idea of the nature around it as well as the main salon room help to establish an idea of the characters’ personalities. The salon was set up like most beauty shops are in reality: Mirrors, spinning chairs, tables full of fashion magazines, but the small details are what made the set truly fantastic. Things such as pictures on the mirror and decorations like the big southern hat on the wall show Truvy’s personality. Also, the use of a rotary phone and the old wallpaper and the use of Christmas lights in the upstairs windows paired with a wreath outside the door helped to portray the time period in which the play was set as well as the time of …show more content…
Big hair, bright colors, and denim helped to establish the time period the play was set in. Each actress’ outfit gave the audience an idea of her character’s personality. For instance, Clairee wore pant suits and looked the part of a sophisticated, classy former mayor’s wife. On the other hand, Ouiser wore comfortable clothes; often sporting a pair of jeans and a flannel shirt over a t-shirt showing her practical and simple lifestyle. The use of jackets and scarves portrayed the change in season and helped establish the different time frames from scene to scene. The costumes reflected each character well and were fitting for the time in which the play was portrayed. The use of sound helped to create a story behind the scenes. The sounds of Drum’s gunfire and Ouiser’s dog barking create a humorous event outside of the set. This scene of family/neighborhood craziness is relatable to any audience member in some way and helped the audience to connect with the characters. The use of the radio at the beginning and end of each scene helped to establish a mood and in some cases a time change. It also worked as a signal to the audience when a scene was beginning or
The setup of the stage was very simple. It was the living room of a home in the early 1980’s. It looked like a normal household, and it had small things such as crumpled up pieces of paper lying around the wastebasket. It also had a couch, circular class table and a recliner in the living room. The dining room was to the left side of the stage and only had the dining table and surrounding chairs. There was a door in the back of the set where characters entered and exited through. Beside the door was a table and stool where Willum presumably worked on his blueprints for the hotel. The lighting design was great; it put you into the atmosphere of the
In "Constant Star", lighting told much about the play as soon as it began. Low, yellowish lighting and a bit of fog spread by ceiling fans filled the stage as the play started. This gave the stage the look of an old photograph, so the audience immediatly gathered that the show was taking place in the past. The mood was often set by lighting as well. Red lighting gave the audience a sense of foreboding while yellow indicated happy times. Also, lighting could substitute for props. During scenes involving the train, lights would flash on and off, making the stage look as if it was actually moving. This effectively created the illusion that the cast was on a train. Also, lighting was innovatively used to create a "jail" in one of the scenes by creating vertical bars on the stage around the convicts.
The Hippodrome setting played a big role in the success of the play, because the seats were close to the stage, which made the audience feel more intimate with the actors. The set was filled with everyday electronics and video games that were popular with today’s generation, and it was good way to capture the attention of the younger audience. The costumes worked for the actors because they were outfits that teens and young adults would wear, which made it easier to relate to the characters. The lighting for the production was awesome because it went well with the sound effects. For example, when Ian was doing a simulation for his new job, he set off a missile and when it exploded the lights changed from blue to red to symbolize seriousness of the situation.
The lighting played a major role in setting the tone for both the theatre performance and the movie. In both the film and play, the lighting was dimmed and the non-important elements, such as background elements, were often hidden in the shadows. In the film the murky lighting also hid Todd in the shadows, in order to increase the suspense and further emphasize his intimidating demeanor. In the play,
Clothing that is worn by the actors during the play can be a reflection of the characters personalities. Nick, Lucy, Lewis and Julie all seem to be in normal clothing, reflecting the fact they are relatively normal, and don’t show signs of extreme ‘Madness.’ Ruth wears simple, old, and neat clothes that reflect her OCD, and the colours and patterns that Roy wears reflect his crazy and upbeat personality. Meanwhile, Henry wears business-like outfits that you would expect to see a lawyer wear. This helps to inf...
Sound also draws attention to specific scenes and can cue expectations of what will occur. The sound viewers hear first is that of thunder and rain. The external sound is both accessible to characters within the scene and the audience. Although the rain and thunder are unnoticeable viewers can presume that the weather is rainy outside which explains the minimal lighting coming through the windows. Lionel stomping up the stairs, the sound of jacks, and the chewing as the three young boys eat are all examples of diegetic sounds which appear natural. By using diegetic sound viewers perceive the story as more realistic because it places the audience within that scene. The use of the recorder and orchestra music is also important because it adds drama to the scene. When Susy picks up her book the loudness of the music increases which intensified the scene to make it appear more dramatic. As Susy opens the curtains again the music gets louder, the combination of music and camera distance in this shot hint that perhaps Susy saw something of importance through her
The lighting was also very effectively used to show the coming and going of cars on the set. The reflection of lights on the front door of the house were used resemble those of an automobile. Even the final scene had just enough absence of light that the shadows of the characters could be seen sitting around the dinner table and praying by candlelight. At the very end of the performance the candles were extinguished consuming the set in blackness in turn signifying the end of the production.
A significant aspect of the play is the acting and wardrobe, because it helps demonstrate the personalities of the characters.
The use of clothing as a disguise is primarily apparent in its role of covering up the secret sexual lives of the characters. Each time she calls, Henry’s date asks the person on the other line, “What are you wearing?” Her constant desire to know the character’s clothing reveals the importance that outward appearance holds in a sexual connotation; the characters are repeatedly in various states of dress and undress. Nate’s mother, whom Paul refers to as Mrs. Apple, answers her door wearing her husband’s shirt. The incongruity lies in the seeming normalcy of her appearanc...
The lights helped the audience determine who was speaking, by putting a spotlight over the actor and dimming the rest of the lights. Also, the color of the lights changed according to each scene and the mood for that particular scene. For instance, a musical number about a character’s tragic past would include soft, golden lighting while a scene about dancing in dance class might include purple lights to show the overall mood of the scene. In addition, the costumes used in the musical added even more life to the musical by providing a visual representation of each character and his or her personality. The costumes allowed the audience to determine the character traits of each character while also deciding the type of homes the characters came from. For instance, one of the characters was dressed in pants and a shirt that would normally be seen worn by an older man or a father. This lead the audience to believe that the character might be an older person who has a family of his own. Later, it was revealed that the character actually had a wife and two kids, proving the audience
Lighting is the perfect way to deliver the mood, which I want to present during the play. The lighting will be dimmed throughout most parts of the play. Most of the lighting will be produced with candles due to the setting and the lack of technology. Also most of the scenes happened at night so we have to create a night time setting with the absence of light. The lighting will be able to add onto the dull and depressing feeling Cyrano feels when he has to live everyday watching Roxane and Christian in love. The increase of brightness will not only correspond with the time of day in the play, but it will also correspond with Cyrano’s increasing hope that he will finally take the opportunity to tell Roxane how he feels about her. I was thinking about incorporating spotlights during the monologues of some of the characters to intensify the attention of the audience on them. Cyrano’s dialogues are so powerful. His words are beautiful and angelic. I was thinking about to only having the spotlight on only Cyano whenever he is on stage, but then I realized that it will distract and interrupt the dialogue between other people on stage so I decided to only have the spotlight on Cyrano during his serious, more crucial scenes instead of the entire
By the use of visual design elements, the overall production of the play can be considered abstract. For example, the set design uses very little props and forces the audience to focus more on the actors and costumes. In addition, the set designer used very dark and dreary color such as black and grey to display the plague that was taking over the city of Thebes. During this time period that the play produced, the plague has made the people in the city weak, bitter, and unhappy. By using colors that represent this internal feeling that the characters are experiencing, the actors move in a certain way that coincidentally goes hand and hand with the set design. In further detail, the costume designer did a fantastic job of portraying certain status ranking by the color of robe they were wearing. For example, Oedipus was wearing a silk, garnish robe that represented royalty and a sophisticated man. Whereas, the ordinary people of Thebes were wearing dull, grey robes that displayed their lack of social ranking. All in all, the visual design elements were used in an appropriate manner that allowed the audience to get a better understanding of the abstract world that this play took place
To follow the parameters of the production concept being the interior of Kornberg castle, controlled lighting will be necessary, especially with the use of practical lights along the walls of the set to play with shadow. Wash lights should only be used during scenes such as the opening with Juliet and Hamlet which is among one of the few tender moments in the play.
What is the importance of sound in TV or Film, and how can it be used creatively in driving the narrative forward?
Clothing of this play is, also, unseen because there is no sense of what time period or location it is so we cannot assume what type of clothing they are