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Short note on war poetry
Short note on war poetry
Short note on war poetry
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Joseph Conrad’s Heart of Darkness critiques the cause for expeditions and its effects on the land they voyage too. Kurtz accounts of expedition shows ironic details of patriotic intentions of creating goodness and prosperity in a country, but leaving it in disaster and chaos. However, in Conrad’s Heart of Darkness, Kurtz uses cluster images to describe the river and its services in numerous expeditions, yet masquing the truth of death as effects to the performance of change by the water and ship’s patriotic duty through the changes in the atmosphere, alluding of ships and their expeditions, and the anarchic depiction of travellers and their reasons for travelling.
The changes in atmosphere from tranquility to uproar and chaos, creates this uneasiness and striking opposite in the details of the river. Kurtz shows this atmospheric change when he says, “… in its curved and imperceptible fall, the sun sank low, and from glowing white changed to a dull red without rays and heat,” (Conrad 104). The imagery of the sun setting creates this ideal calm and tranquil feeling, yet he juxtaposes this by saying, “… to go out suddenly, stricken to death by the touch of that gloom brooding over a crowd of men.” (104). Kurtz changes the atmosphere and makes the reader feel eerie, dreadful and struck with fear. With this said, the atmospheric change in this line critiques the reasons for these nationalistic expeditions on the river in anticipating death and destruction during these expeditions through the allusions of ships and their reason for sailing.
Also, Kurtz alludes to ships and their expeditions as a way to foreshadow the truth of their nationalistic duty in the Congo. Kurtz narrates to the reader that the river’s service was only to ...
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...numerous expeditions, by covering the truth of death as effects through the performance for change on the water and the ship’s patriotism through the atmospheric changes, the suggestions of ships and their historical background, and the anarchic depiction of travellers and their reasons for travelling. The portrayal of life and death are seen in the shifts as a way in suggesting that Marlowe’s expedition is not for the betterment of the Congo.
Works Cited
Conrad, Joseph. Heart of darkness and other tales. New York: Oxford University Press, 1998. Print.
"Franklin, Sir John - The Canadian Encyclopedia." The Canadian Encyclopedia. N.p., n.d. Web. 20 Oct. 2011. .
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Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
Conrad’s interpretation of imperialism is an interesting view of the matter. He successfully portrays his perception of imperialism through his novella, Heart of Darkness. He developed his own impressionistic style within his novel and is coined as one of the most difficult authors to comprehend. His use of the tools within his area of expertise allows the novella to unfold before the readers’ eyes. His ability to manipulate the art of language into an intricately woven design made of simple words is an astounding capability and is a primary reason for the success of Heart of Darkness. In the final chapters of the novella, the protagonist Marlow is sailing away from the dark heart of the Congo with an ailing Kurtz. As the boat makes its decent from the depth of the jungle, symbolically, Kurtz is leaving the savagery in which he was engaged. With each passing mile, he becomes more civilized and ultimately comes to the realization of the error of his ways. Symbolically, as he leaves the darkness of the heart of the river, he becomes sane and civilized and comprehends th...
Conrad, Joseph. Heart of Darkness. The Longman Anthology of British Literature. Ed. David Damrosch, New York: Pearson. Copyright 2004.
Robert had invited Edna to go to the beach with him and at first she denied but compelled by the spell of defiance followed along allowing herself to indulge in deep self understanding. “A certain light was was beginning to dawn dimly within her,- the light which, which showing the way, forbids it.The voice of the sea speaks to the soul. The touch of the sea is sensuous, enfolding the body in it’s soft, close embrace” (Chopin 13), that night Edna had formed a fatal attraction to the sea and its seductivity for the presence of the river weighed heavy that night. Causing her to develop a great love for swimming for it gave her a reason to be wrapped up in the ocean’s smothering
In Joseph Conrad’s novel Heart of Darkness, he asserts man’s extensive capacity for evil. Through the method of European imperialism, Conrad contrasts the civilized outer European world to the dark uncharted African jungle. Charlie Marlow, the protagonist of the story, recounts his journey into the Congo to resupply the ivory stations and his quest for a man named Kurtz while explaining his adventures to four other men on ship called the Nellie, which happens to be heading towards London on a river called the Thames. Marlow decides to share his trek when he notices the London skyline and begins to think of “ ‘one of the dark places of the earth,’ ” thus referring to the African Congo (11). Mr. Kurtz serves as the mysterious character in the
The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent.
Joseph Conrad’s own experiences during his trip through the Congo helped him provide a foundation for the writing of Heart of Darkness. In 1890, Conrad took a job as a captain on the river steamer Kinshasa. Before Conrad took this job, he had worked for the French merchant navy as a way to escape Russian military service and also to escape the emotional troubles that had plagued him. Conrad had been in a financial crisis that was resolved with help from his uncle. After this series of events, Conrad joined the British merchant navy at the beckoning of his uncle and took the job as the captain of a steamboat in the Congo River. An important fact to remember is that Conrad was a young and inexperienced man when he was exposed to the harsh and dangerous life of a sailor. His experiences in the West Indies and especially in the Belgium Congo were eye opening and facilitated his strong outlooks that are reflected in the book Heart of Darkness. Conrad’s journey through the Belgian Congo gave him the experiences and knowledge to write about a place that most Europeans would never see in their lives.
...s of the jungle, which sought to swallow him whole like the snake devouring its prey, sending it deeper within its body digesting it by stripping it of its layers one by one, paralleling the snake-like qualities of the river that drew Marlow deeper and deeper into its dark nothingness. And just like the Ancient Mariner, who is doomed to tell his tale for the rest of his life for the sake of penitence, Marlow, too, seems to retell his story of the tragic loss of innocence, of death and rebirth. Regardless of how many times the story had been told before it got to the narrator who eventually transcribed the events, it is one of great importance. It tells us that we must not judge a book by its cover, regardless of how convinced we may be of what is inside.
* Conrad, Joseph. “Heart of Darkness” in The Norton Anthology of English Literature, M.H. Abrams, general editor. (London: W.W. Norton, 1962, 2000)
This story is set in the backdrop of the Congo River, in the African jungles. Joseph Conrad, the author of this novel himself had piloted a small steamboat up the Congo River amidst a dense land which was being heartlessly exploited as the private property of King Leopold. Although Conrad wasn’t to meet any Kurtz, the entire experience of the journey left him morally, mentally and physically crippled. Thus, this novel possesses many auto-biographical elements as Conrad has included many inferences based on his own experience in the African jungle. And this also heavily impacts the psychological nuances which the characters in the story go through.
The novel begins with the narrator, Marlow, and some of the ship's crew waiting at dusk for the tide to change so that their "cruising yawl" the 'Nellie" may enter the London harbour. The frame narrator expresses quite optimistic views on colonialism especially pertaining to London, which is described as the greatest city on earth, yet these opinions are then challenged by both marlow and the use of imagery. The coastline is described as being shrouded in "diaphanous folds" of fog...
“The offing was barred by a black bank of clouds, and the tranquil waterway leading to the uttermost ends of the earth flowed somber under an overcast sky – seemed to lead into the heart of an immense darkness.” (96)
In his novella Heart of Darkness (1899), Joseph Conrad through his principal narrator, Marlow, reflects upon the evils of the human condition as he has experienced it in Africa and Europe. Seen from the perspective of Conrad's nameless, objective persona, the evils that Marlow encountered on the expedition to the "heart of darkness," Kurtz's Inner Station on the banks of the snake-like Congo River, fall into two categories: the petty misdemeanors and trivial lies that are common- place, and the greater evils -- the grotesque acts society attributes to madmen. That the first class of malefaction is connected to the second is illustrated in the downfall of the story's secondary protagonist, the tragically deluded and hubristic Mr. Kurtz. The European idealist, believing the lies of his Company and of the economic imperialism that supports it, is unprepared for the test of character that the Congo imposes, and succumbs to the potential for the diabolical latent within every human consciousness.
Joseph Conrad’s Heart of Darkness is a novella that highlights the dark side of European imperialistic ideals through the eyes of an experienced seaman, Charlie Marlow. Marlow tells his story to four other unnamed men while on board the Nellie sitting at the mouth of the Thames River. The story is told through the Narrator, who serves as the voice of the four other men on board. Marlow’s story is of European conquest, “which mostly means taking (the earth) away from those who have a different complexion or slightly flatter nose than ourselves” (Conrad 6) to gain profit through ivory trade. Although his intent is not to tell his story of freshwater exploration, he explains the effect that his journeys had on him and how colonization affected the European settlers and the native “cannibals”.
Conrad, Joseph. Heart of Darkness 3rd ed. Ed. Robert Kimbrough. New York: Norton Critical, 1988.