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Symbolism in the conrad's heart of darkness
Symbolism in the conrad's heart of darkness
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Conrad’s Congo Journey Joseph Conrad’s own experiences during his trip through the Congo helped him provide a foundation for the writing of Heart of Darkness. In 1890, Conrad took a job as a captain on the river steamer Kinshasa. Before Conrad took this job, he had worked for the French merchant navy as a way to escape Russian military service and also to escape the emotional troubles that had plagued him. Conrad had been in a financial crisis that was resolved with help from his uncle. After this series of events, Conrad joined the British merchant navy at the beckoning of his uncle and took the job as the captain of a steamboat in the Congo River. An important fact to remember is that Conrad was a young and inexperienced man when he was exposed to the harsh and dangerous life of a sailor. His experiences in the West Indies and especially in the Belgium Congo were eye opening and facilitated his strong outlooks that are reflected in the book Heart of Darkness. Conrad’s journey through the Belgian Congo gave him the experiences and knowledge to write about a place that most Europeans would never see in their lives. The diaries Conrad kept during his journey through the Congo gives detailed descriptions of the monotonous African landscape. Conrad wrote that the landscape of the African coast looked the same every single day.[1] This is reflected in Marlow’s narration of the jungle where shapes and forms cannot be made out clearly. The monotonous landscape differed from what Conrad had expected of this exotic location. When he was still a young kid, he had once boasted that he would someday journey to the heart of Africa. However, the actual journey was not at all what he expected it to be. Conrad was shocked at the men in the African colony. He was repulsed by the European colonizers because of the horrible treatment of the natives as well as the unlawful aggressive pursuit of loot. Conrad witnessed atrocities committed by the European colonizers, which helped to form his opinions on the colonization of Africa. In the novel, Conrad uses sarcasm to display his displeasure towards the European colonizers’ treatment of the natives. The Europeans in the book are called pilgrims and the natives are called cannibals, however the pilgrims are the ones who are much more willing to use force to resolve their problems.
Holt, David. Big League City: Oklahoma City's Rise to the NBA. Oklahoma City, OK: Full
Conrad’s main character Marlow is the narrator for most of the story in Heart of Darkness. He is presented as a well-intentioned person, and along his travels he is shocked by the cruelties that he sees inflicted on the native people. Though he is seemingly benevolent and kindly, Marlow shows the racism and ignorance of Conrad and in fact of the majority of white people in his era, in a more subtle way. Marlow uses words to describe the blacks that, though generally accepted in his time, were slanderous and crude. He recalls that some of the first natives he saw in the Congo looked at him “with that complete, deathlike indifference of unhappy savages” (80; part 1). Marlow casually refers to the Africans with the most offensive of language: “Strings of dusty niggers arrived and departed…” (83; part 1). To Marlow, and thus to Conrad, the Africans are savages, dogs, devils, and criminals. Even the stories that Conrad creates for Marlow to narrate are twisted and false. The natives that Marlow deals with in the book are described as cannibals, and they are even given dialogue that affirms th...
Mortgage crisis can evidently be associated with excessive borrowing from the financial institutions without proper considerations of the terms and conditions of the deal. The prospects that surround business in real estate are always promising and this presumption got into the mind of all stakeholders involved in the subprime mortgage lending business. This is because in 2000, the mortgage rates were low and everybody would afford a mortgage. Unfortunately, the financial models were flawed as the rate was adjustable. After many people were nested in the mortgage bracket, greed propelled the rates to levels subprime cannot afford thus leading to foreclosures. It can be concluded that greed, lack of sufficient knowledge and flawed financial models led to the emergency of subprime mortgage crisis.
The Heart of Darkness, a complex text was written by Joseph Conrad around the 19th century, when Europeans were colonizing Africa for wealth and power and were attempting to spread their culture and religion in Africa. It was also a period in which women were not allowed to participate in worldly affairs. Therefore, the text deals with issues such as racism, European imperialism, and misogyny. This essay will look at the different themes in the novel and argue whether or not The Heart of Darkness is a work of art.
Conrad’s shifting setting introduces new environments and attitudes for Marlow to cope with. Marlow begins the novel in “a narrow and deserted street in deep shadow, [with] high houses, innumerable windows with venetian blinds, a dead silence, grass sprouting right and left, [and] immense double doors standing ponderously ajar” (Conrad 45). Nearly all of the surroundings have intimidating connotations, which surprisingly fight Marlow into a comfortably safe and secure standing. Marlow notices the map in the office, and examines it to see just where his travels will take him. After observing the map, he points out that he was not going to the points of Africa that seem welcoming but he “was going into the yellow. Dead in the centre. And the river was there – fascinating – deadly – like a snake” (45). He already realizes he will have trouble transitioning into the new environment, being surrounded by what seems like death. Because Marlow grows accustomed to the urbanized streets of Brussels, the difficulty of the transition to the Congo develops exponentially. Before Marlow knows it, he travels to a land with “trees, tress, millions of trees, massive, immense, running up high” and they “made [him] feel very small, very lost” (75). Marlow, already apprehensive of the change to the Congo, shows his loss of confidence in his new environment.
In the early 2000’s the housing market boomed, real estate was a hot investment and everyone was looking to buy a home. However not everyone can afford a home and a majority of people were forced to take out a mortgage to purchase real estate. During the housing boom banks were supplying subprime loans and upping the risk in the real estate market. These loans were not only risky but irresponsible on the part of the banks’ lending them, and although individuals receiving the loans thought they were being helped at the time, these loans were a major reason why so many people their homes, almost crippling toe U.S economy as a whole.
eclampsia in a pregnant woman can put her and her unborn child at risk. A risk
Ebner, A. L. (2010). What nurses need to know about healthcare reform. Health Policy and Politics, 28(3), 191-194.
Genetic testing, also known as screening, is a rapidly advancing new scientific field that can potentially revolutionize not only the world of medicine, but many aspects of our lives. Genetic screening is the sequencing of human DNA in order to discover genetic differences, anomalies, or mutations that may prove pathological. As genetic screening becomes more advanced and easily accessible, it presents society with difficult questions that must be asked about the boundaries of science and to what degree we are allowed to tamper with the human genome. To better understand the potential impact of genetic screening on our society, we must examine the potential benefits in comparison to the possible negative impact it may cause. With this knowledge in hand, we can examine what the future holds for this field of study and the best possible direction to take.
Heart of Darkness describes a voyage to Africa, common for the British still, despite the horrific treatment which was apparent of colonization. The chaotic, stream-of-consciousness style Conrad took on helped to display the confusion, and made the reader have to interpret for themselves what they thought the writer meant. Conrad experiments with this style, leaving some sentences without ending: "not a sentimental pretense but an idea;…something you can set up…and offer a sacrifice to…." (Conrad, Longman p. 2195), a very choppy form of literature and causes the reader to fill in the holes and interpret themselves, alone. Conrad skips about from talking of the "two women knitted black wool feverishly" at the gate of the city (of hell), to his aunt which he feels women are "out of touch with truth," to how the British are as "weak-eyed devil(s) of a rapacious and pitiless folly" (Conrad, Longman pp. 2198, 2199, & 2202). Conrad's mind moves about as ours do along a large duration of literary monologue to convey to the reader the author's ideas, as interpreted by the reader.
Online communication lacks body language and facial expressions (Barlow). There is no tonal quality to Internet prose. The expression of elation, sadness and confusion are inherently compromised. Emoticons are symbols, like “smiley faces,” that can be used to represent emotions via online communications. The usage of emoticons can help in adding flair to textual interactions. They do fail to incorporate unique aspects of personality. Sad face looks the same for everybody online, but has individual characteristics when it presents itself in “real” life. Several studies have shown when Internet users are faced with pure text without emoticons, most people cannot perceive the correct emotion, attitude, and attention intents (Lo). The acronym of LOL means laughing out loud. If online interactions are as fulfilling as face to face interactions, then stand-up comedians could perform a webcast to an online chat room. Using LOL is the equivalent of a lackadaisical person saying “that’s funny.” There’s a lack of personality and uniqueness that people need in social interactions to feel fulfilled.
The Significance of the Congo River For Marlow, the journey on the Congo River is one of the most difficult and ominous journeys he will ever take. The fact that it takes him around and not completely into the jungle is significant of Marlow's psychological journey as well. He never really goes on land but watches the shore from the outside. The only time he goes on shore he finds a wasteland. For Marlow the jungle of the Congo is representative of evil that man is capable of. In Heart of Darkness, it seems that the further Marlow travels into the jungle, the deeper he looks into himself. All this time is spent on the Congo River as he looks from the outside. This is symbolic as he is looking at his soul from the outside but never really sees himself until he goes on land to get Kurtz. When he arrives on land is symbolic of when he looks the deepest into himself. He goes to find Kurtz on his deathbed and is given he choice to take over for him as a god among an African tribe. Marlow is faced with the ultimate choice between good and evil. For a moment it is uncertain what choice Marlow will make. But, unlike Kurtz, Marlow picks the good over evil, as he rescues Kurtz back to the steamer. The fact that Marlow sailed along the Congo River, around the jungle, and not actually into the jungle is an important symbol also. Marlow never walks the path that Kurtz did to self-destruction. He went around the jungle to avoid getting captured by evil. Kurtz was a decent Englishman until he gave into the desires of his heart of darkness. Kurtz spent all his time in the jungle and eventually forgot all of his self-control, manners, and upbringing. He truly looked in the deepest part of himself and found that his evil desires would reign. This is symbolic because he was deep inside the jungle. In this respect Conrad uses to men to show the reader both the good and bad of humankind. He shows the true evil and good that man is capable of If proper restraints had been there would Kurtz have done things differently?
Translated into English from the Japanese form 絵文字, the term “emoji”1 means “picture characters” (Danesi, 2016). Typically, emoji are small, graphic depictions of facial expressions or other phenomena in text-based conversations (Cramer et al., 2016). Since Japanese designer, Shigetaka Kurita, introduced emoji in the 1990s (Negishi, 2014), they have had a vast impact on the world. Now with the celebration of World Emoji Day (Worldemojiday.com, 2014), emoji being selected as word of the Year (Oxford Dictionaries 2015), the release of an Emoji Movie (Sony Pictures, 2017), emoji-only books and restaurant menus (Flood, 2016; Bruner, 2016) and even emoji going so far to be used in court as evidence (Berels, 2017) - these “picture characters”
If you’ve ever seen this in a text or chat window, you have witnessed one of the most fascinating facets of emoji!
I will show how today, communication lacks emotion and it is impossible to read into what a person is saying when communicating through a screen, regardless of how many emoji’s they use, (Derks and Baker 2010).