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Stephen crane the open boat interpretation
Stephen crane the open boat interpretation
Stephen crane the open boat interpretation
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An Examination of Symbolism and Devices in The Open Boat The struggle for survival by mankind can be found in many different settings. It can be seen on a battlefield, a hospital room or at sea as related in “The Open Boat”, written in 1897 by Stephen Crane. The story is based on his actual experiences when he survived the sinking of the SS Commodore off the coast of Florida in early 1897. “The Open Boat” is Stephen Crane’s account of life and death at sea told through the use of themes and devices to emphasize the indifference of nature to man’s struggles and the development of mankind’s compassion. The story’s theme is related to the reader by the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The symbols used to impart this theme to the reader and range from the obvious to the subtle. The obvious symbols include the time from the sinking to arrival on shore as a voyage of self-discovery, the four survivors in the dinghy as a microcosm of society, the shark as nature’s random destroyer of life, the sky personified as mysterious and unfathomable and the sea as mundane and easily comprehended by humans. The more subtle symbols include the cigars as representative of the crew and survivors, the oiler as the required sacrifice to nature’s indifference, and the dying legionnaire as an example of how to face death for the correspondent. The opening paragraph of the story emphasizes the limitations of the individual’s vision of nature. From the beginning, the four characters in the dingy do not know “the colors of the sky,” but all of them know “the colors of the sea.” This opening strongly suggests the symbolic situations in which average peo... ... middle of paper ... ...and an equally indifferent relationship between humans. These styles are blended in the story by Crane’s varied role of Nature and humans throughout the story and the use of symbols and different imagery. The theme of this story is actually stated in the story if it is read carefully and Crane reinforces it innumerable times. The theme of the story is man’s role in nature and is related to the reader through the use of color imagery, cynicism, human brotherhood, and the terrible beauty and savagery of nature. The story presents the idea that every human faces a voyage throughout life and must transition from ignorance to comprehension of mankind’s place in the universe and among other humans. Works Cited Crane, Stephen. “The Open Boat.” Norton Anthology of American Literature. Ed. Nina Baym. 6th ed. Vol. C. New York: Norton, 2003.
In the short story “Touching Bottom”, the author Kari Strutt uses a variety of examples of symbolism as a way to emphasize important traits about the narrator to the reader. First of all, Strutt uses the yellow towel as a symbol for the narrator’s feeling of comfort and security. For example, when the narrator opens her eyes for the first time underwater as a young girl “[she] [is] afraid”(124), but when her father greets her with a yellow towel after she surfaces “the fear, what [is] left of it, [evaporates]”(124). This shows the reader how the narrator finds safety in her yellow towel since all of the fear that she has trapped in her body is released when she is wrapped in the yellow towel. Furthermore, Strutt uses the contrast between murky
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
Some of the most intriguing stories of today are about people’s adventures at sea and the thrill and treachery of living through its perilous storms and disasters. Two very popular selections about the sea and its terrors are The Perfect Storm by Sebastian Junger and “The Wreck of the Hesperus” by Henry Longfellow. Comparison between the two works determines that “The Wreck of the Hesperus” tells a more powerful sea-disaster story for several different reasons. The poem is more descriptive and suspenseful than The Perfect Storm, and it also plays on a very powerful tool to captivate the reader’s emotion. These key aspects combine to give the reader something tangible that allows them to relate to the story being told and affects them strongly.
Stephen Crane’s “The Open Boat” has long been acclaimed as a fascinating exemplar of Naturalism, generating many studies that range from the indifference of Nature to the “psychological growth of the men through the experience” (466). The psychological growth happens to every man on the boat, yet is mostly depicted through the voice of the Correspondent and in the form of his questioning and contemplating their desperate situation. Being a correspondent, who is innately able as well as inclined to interpret and communicate ideas, the Correspondent is singled out to articulate the mind of his three fellowmen and of Stephen Crane himself, should the story be seen partly as a journalistic account of his own adventure. Therefore throughout the story, the Correspondent takes the mediating role between the men and the outside world, combines a spokesperson with an interlocutor, and reflects the men’s growing awareness to the indifference of Nature.
In recent years, critical response to Stephen Crane's The Open Boat has shifted dramatically, focusing less on the tale's philosophical agendas than on its epistemological implications. The story no longer stands as merely a naturalistic depiction of nature's monumental indifference or as simply an existential affirmation of fife's absurdity. Instead, we have slowly come to realize a new level of the text, one that, according to Donna Gerstenberger, explores "man's limited capacities for knowing reality" (557). Gerstenberger's conclusion that the tale "may be best viewed as a story with an epistemological emphasis, one which constantly reminds its reader of the impossibility of man's knowing anything, even that which he experiences" (560), is further developed by Thomas L. Kent:
The seagulls in this story are used to symbolize human frailty and nature’s indifference to it. As the men continue their journey through the fierce waves, Crane incorporates the use of imagery to describe the nature around them by giving it gloomy colors that are often used to represent death. Toward the end of the story, as the men are still hoping to be rescued, they encounter a shark swimming around the boat that symbolizes that something bad is about to happen. At the end of the story, readers learn that the Oiler, Billie, dies, but if one pays close enough attention to the detail used in this story there is enough evidence to foreshadow the death of one character. In this story, “The Open Boat,” Stephen Crane uses imagery and symbolism through the use of colors and objects in nature to depict the characters lack of power over
However, Nietzsche debunks Edward’s idea of sin, claiming it as a contrivance used to invoke fear in the believers of Christianity and to denote ruling power to the Priest (Nietzsche, Sec. 49). Nietzsche proceeds to deride the value system of Christianity, spelling out what he sees through the will to power as definitions for happiness, good, and bad (Nietzsche, Sec. 2). For Nietzsche, happiness is the feeling bolstered by power: “that a resistanc...
The target demographics for FOX include an average age of 28 years with a $55,000 annual income. 56% of viewers are male while 43% are female, and of these only 37% have a college degree. Due to such specifics, it is imperative that keep a variety of shows that appeal to a wide range of young adults. The FOX Family Channel is more oriented towards children and families.
In the short story “ The Open Boat,” by Stephen Crane, Crane does an outstanding job creating descriptive images throughout the entire story. With saying this, Crane uses symbolism along with strong imagery to provide the reader with a fun and exciting story about four guys who 's fight was against nature and themselves. Starting early in the book, Crane creates a story line that has four men in a great amount of trouble in the open waters of the ocean. Going into great detail about natures fierce and powerful body of water, Crane makes it obvious that nature has no empathy for the human race. In this story, Crane shows the continuous fight that the four men have to endure in able to beat natures strongest body of water. It 's not just nature the men have to worry about though, its the ability to work together in order to win this fight against nature. Ultimately, Crane is able to use this story, along with its vast imagery and symbolism to compare the struggle between the human race and all of natures uncertainties.
The couple in the story is a couple that has been together a long time and persevered through life together. When they first see the whooping cranes the husband says “they are rare, not many left” (196). This is the point in the story where the first connection between the couple and the cranes are made. The rarity of the cranes symbolizes the rarity of the couple’s relationship. Although they have started developing anomalies in their health, with the husband he “can’t smoke, can’t drink martinis, no coffee, no candy” (197) ¬—they are still able to laugh with each other and appreciate nature’s beauty. Their relationship is a true oddity; filled with lasting love. However this lasting love for whooping cranes has caused some problems for the species. The whooping cranes are “almost extinct”; this reveals a problem of the couple. The rare love that they have is almost extinct as well. The wife worries about her children because the “kids never write” (197). This reveals the communication gap between the two generations, as well as the different values between the generations. These different values are a factor into the extinction of true love.
Stephen Crane’s short story, “The Open Boat” speaks directly to Jack London’s own story, “To Build A Fire” in their applications of naturalism and views on humanity. Both writers are pessimistic in their views of humanity and are acutely aware of the natural world. The representations of their characters show humans who believe that they are strong and can ably survive, but these characters many times overestimate themselves which can lead to an understanding of their own mortality as they face down death.
The characters also are involved in the belief of the anti-transcendental philosophy. The story shows how each character acts with nature and each other. Many of the whalers must protect the boat and each other as they trek through the wild tides and horrible weather conditions. They try their hardest to fight these conditions, but sadly the narrator is the only survivor. These men exemplify the philosophy by fighting the animals; especially the whales ...
HIV and AIDS have affected millions of people throughout the world. Since 1981, there have been 25 million deaths due to AIDS involving men, women, and children. Presently there are 40 million people living with HIV and AIDS around the world and two million die each year from AIDS related illnesses. The Center for Disease Control estimates that one-third of the one million Americans living with HIV are not aware that they have it. The earliest known case of HIV was in 1959. It was discovered in a blood sample from a man in Kinshasa, Democratic Republic of the Congo. Looking further into the genetics of this blood sample researchers suggested that it had originated from a virus going back to the late 1940’s or early 1950’s. In 1999, researchers had discovered that HIV is derived from chimpanzees native to west equatorial Africa. This epidemic is spreading throughout countries and infecting 14 thousand victims every day. Learning about HIV includes knowing how to contract the virus, understanding most of the people it affects, how to prevent the spread of it, and knowing what treatments are available.
In 1899, Rutherford had hypothesized an atomic model, which he described the hydrogen atom as a small, heavy, and dense nucleus. Electrons were placed on the outside of the atom. Neils Bohr proposed his atomic model in 1913. Bohr adapted the Rutherford model by requiring that the electrons exist in different energy levels, but only certain amounts were possible. So the electrons were narrowed to definite orbits. Therefore, Bohr improved Rutherford’s atomic model by saying that electrons travelled in round orbits with specific energy levels. The Bohr’s models main principles are, “1.) The electron in a hydrogen atom travels around the nucleus in a circular orbit. 2.) The energy of the electron in an orbit is proportional to its distance from
The “Open Boat” and “A Mystery of Heroism” are both fantastic displays of Stephen Crane’s mastery with naturalism. The first depicts the struggles of four men trying to survive the open ocean, the latter a commentary on the obscure requirements of heroism. Both stories shared similar characterization by letting the reader decipher the protagonist through their actions and thoughts. The themes of the two stories differed, one emphasizing the indifference of nature and the other musing the ambiguity of what constitutes a hero. The conflicts also shared a likeness, with the power of repetitive nature of waves connecting to the force and persistence of artillery fire. The values of the stories still hold prevalent to modern society. Wars still rage on, many heroes are lost and forgotten, and nature still holds her unrelenting grasp on human complexion.