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Darkness motif in heart of darkness
Literary analysis of heart of darkness
Literary analysis of heart of darkness
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Joseph Conrad’s Heart of Darkness is a novella that highlights the dark side of European imperialistic ideals through the eyes of an experienced seaman, Charlie Marlow. Marlow tells his story to four other unnamed men while on board the Nellie sitting at the mouth of the Thames River. The story is told through the Narrator, who serves as the voice of the four other men on board. Marlow’s story is of European conquest, “which mostly means taking (the earth) away from those who have a different complexion or slightly flatter nose than ourselves” (Conrad 6) to gain profit through ivory trade. Although his intent is not to tell his story of freshwater exploration, he explains the effect that his journeys had on him and how colonization affected the European settlers and the native “cannibals”.
Charlie Marlow, a young sailor, begins his adventure in the core of Africa piloting a steamboat up the Congo River. He becomes acquainted with the managers at the Outer Station and is told of an extraordinary man named Kurtz, a first class trader and commander of the Inner Station, who is said to obtain more ivory than the rest of the Company combined. Marlow discovers that many people within the Company are quietly hypocritical, being in opposition Kurtz for his nonconformist techniques, even though he is known to contend for humanizing, improving and instructing the indigenous population. It is then that Marlow’s obsession and intrigue with this “remarkable man” (Conrad 104) that is publicly despised despite being respected and virtuous, begins.
After many months idolizing Kurtz, Marlow arrives at the Station to discover that his righteous image of Kurtz has been shattered. Stakes flaunting the decapitated heads of rebellious natives surrou...
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By the last pages of Heart of Darkness, “the horror! the horror!” (Conrad 96) of the colonization and imperialism of the Congo creates a clear message against wrongful suppression of indigenous populations. Through interesting use of symbolism, motifs and foreshadowing, Conrad pleads against corruption of good intent for wealth and how absolute power ultimately leads to madness. The use of a framed narrative, multiple perspectives are offered which gives the reader more information and multiple points of view to have a better understanding of the text. The mix of Victorian values, and modernist ideals, such as multiple perspectives, combine to create a text that appeals to the modern writer and reader that demonstrates that the dangers of the Congo and its lure to the dark side of the jungle that prove that when one enters, it is impossible to leave unscathed.
Three Works Cited The story is about a man named Marlow, who is hired by The Company, which is a shipping company located in England. Although Marlow had sailed before, he had never sailed to Africa. The people who operated The Company (those located in England) are so far removed from reality, that they have no concept of the devastation caused in order to ship vast loads of ivory. The Company is a perfect example of how these profit driven industries obtain their wealth – through the blatant disregard of the environment and their fellow man.
The novel begins and ends with a dark ominous setting aboard the Nellie. “And this also,” said Marlow suddenly, "has been one of the dark places of the earth" (Heart of Darkness pg. 65). Here Marlow underlines England right before he part takes in his tale about the Congo. Next Marlo illustrates the overture of his journey, “The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much” (Heart of Darkness pg. 67). This highlights Conrad’s idea that colonizing can be alluring but in the end discrimination takes place, which evidently leads to destruction.
In Joseph Conrad’s novel Heart of Darkness, he asserts man’s extensive capacity for evil. Through the method of European imperialism, Conrad contrasts the civilized outer European world to the dark uncharted African jungle. Charlie Marlow, the protagonist of the story, recounts his journey into the Congo to resupply the ivory stations and his quest for a man named Kurtz while explaining his adventures to four other men on ship called the Nellie, which happens to be heading towards London on a river called the Thames. Marlow decides to share his trek when he notices the London skyline and begins to think of “ ‘one of the dark places of the earth,’ ” thus referring to the African Congo (11). Mr. Kurtz serves as the mysterious character in the
In the present era of decolonization, Joseph Conrad’s Heart of Darkness presents one of fictions strongest accounts of British imperialism. Conrad’s attitude towards imperialism and race has been the subject of much literary and historical debate. Many literary critics view Conrad as accepting blindly the arrogant attitude of the white male European and condemn Conrad to be a racist and imperialists. The other side vehemently defends Conrad, perceiving the novel to be an attack on imperialism and the colonial experience. Understanding the two viewpoints side by side provides a unique understanding that leads to a commonality that both share; the novel simply presents a criticism of colonialists in Africa. The novel merely portrays a fictional account of British imperialism in the African jungle, where fiction offers maximum entertainment it lacks in focus. The novel is not a critique of European colonialism and imperialism, but rather a presentation of colonialism and the theme of darkness throughout the novel sheds a negative light on the selfishness of humanity and the system that was taking advantage of the native peoples. In Joseph Conrad’s novel, Heart of Darkness, Conrad presents a criticism of British imperial colonization not for the purpose of taking sides, but with aims of bettering the system that was in place during Conrad’s experience in the African Congo. Conrad uses the character of Marlow and his original justification of imperialism so long as it was efficient and unselfish that was later transformed when the reality of colonialism displayed the selfishness of man, to show that colonialism throughout history displaces the needs of the mother country over the colonized peoples and is thus always selfish.
Heart of Darkness ?gHeart of Darkness?h, written by Joseph Conrad, holds thematically a wide range of references to problems of politics, morality and social order. It was written in a period when European exploitation of Africa was at a gruesome height. Conrad uses double oblique narration. A flame narrator reports the story as told by Marlow, assigned to the command of a river steamboat scheduled to transport an exploring expedition. Kurtz is a first-agent at an important trading post of ivory, located in the interior of the Congo. Both Marlow and Kertz found the reality through their work in Africa. Marlow felt great indignation with people in the sepulchral city after his journey to the Congo region because he discovered, through his work, the reality of the universe, such as the great virtue of efficiency, the darkness in society and individuals and the surface reality. When Kurtz found himself on his deathbed and he said ?gThe horror, The horror referring to his life in inner Africa, which caused him disintegration. Marlow emphasized the virtue of ?gefficiency?h throughout the story because he thought of it as the only way to survive in the wilderness. After seeing the dying natives in the forest of the outer station, Marlow described them as ?ginefficient.?h Under ?gthe devotion to efficiency,?h incompetent people were excluded from society. Only efficient people can survive. For example, since Kurtz was the most efficient agent, with regards to producing ivory, his employers respected his achievement and regarded him as an essential person.
“ The conquest of the earth, which mostly means the taking it away from those who have a different complexion or slightly flatter noses than ourselves, is not a pretty thing when you look into it too much.” (Conrad 65) So stated Marlow as though this was his justification for ravaging the Congo in his search for ivory. Joseph Conrad’s Heart of Darkness shows the disparity between the European ideal of civilization and the reality of it as is evidenced by the domination, torture, exploitation and dehumanization of the African population. Heart of Darkness is indicative of the evil and greed in humanity as personified by Kurtz and Marlow.
"I don't want to bother you much with what happened to me personally,' [Conrad] began, showing in this remark the weakness of many tellers of tales who seem so often unaware of what their audience would most like to hear" (Conrad, 9). Heart of Darkness, Joseph Conrad's best-known work, has been examined on many bases more than I can possibly list here, but including imperialism, colonialism, and racism. I would reason that all bases of analysis are perfectly acceptable through which to critique Conrad's novella, or any piece of writing. I would reason this, were some of these bases mainly, racism not taken to an extreme level. In arguing racism, many critics seem to take Heart of Darkness as Conrad's unwavering view on Africa, Africans, life, or whatever else one may please to take it as. I, therefore, propose that Heart of Darkness be taken for what it truly is: a work of fiction set in late 19th century Europe and Africa.
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
Kurtz was the chief of the Inner Station, where he was in charge of a very important ivory-trading post. Marlow learns that because of Kurtz’s ability to obtain more ivory than anybody else, he is of “greatest importance to the Company” and is to become a “somebody in the Administration” (Conrad 143). However, a critical aspect is the way in which he went about his business, as it was ruthless and selfish, characteristics that go hand-in-hand with European colonization.
In the opening of his novel, Heart of Darkness, Conrad, through Marlow, establishes his thoughts on colonialism. He says that conquerors only use brute force, "nothing to boast of" because it arises, by accident, from another's weakness. Marlow compares his subsequent tale of colonialism with that of the Roman colonization of Northern Europe and the fascination associated with such an endeavor. However, Marlow challenges this viewpoint by painting a heinous picture of the horrors of colonialist ventures as we delve deeper into the recesses of the novel. Here we find that Marlow sees colonization as "robbery with violence, aggravated murder on a great scale, and men going at it blind - as it is very proper for those who tackle darkness." Further, he sees such conquests as taking land and materials away from those people who "have a different complexion or slightly flatter noses." As he understands it, colonization is only successful if there lays within it a "devotion to efficiency" and a creation of civilization, not exploitation (Conrad, 4). In the novel, as seen through the eyes of his narrator Marlow, Conrad offers a frank critique of European imperial colonialism be alluding to the poignant differences between black and white and dark and light.
In Heart of Darkness by Joseph Conrad, Marlow’s journey across Africa is seen as a journey inwards into the truths of imperialism. Through literary devices such as paradox, syntax, and antithesis, Conrad is able to delineate Marlow’s realization of the realities of European colonialism as he ventures deeper into the African jungle. Marlow’s journey up the Congo River is described in a strange way that suggests an air of haziness and blurriness of the surrounding atmosphere. Through repetition of “unearthly,” Conrad reinforces the idea that Marlow and his men are entering a “prehistoric earth,” where they are out of reach from their civilized customs.
Marlow "would have as soon expected restraint from a hyena prowling amongst the corpses of a battlefield." The cannibals action is "one of those human secrets that baffle probability." This helps Marlow keep his restraint, for if the natives can possess this quality Marlow feels he certainly can. Kurtz is the essence of the lack of restraint Marlow sees everywhere. Kurtz has "kicked himself loose from the earth."
In Joseph Conrad's novel Heart of Darkness the story of Marlow, an Englishman travelling physically up an unnamed river in Africa and psychologically into the human possibility, is related to the reader through several narrational voices. The primary first-person narrator is an Englishman aboard the yawl, the 'Nellie', who relates the story as it is told to him by Marlow. Within Marlow's narrative are several instances when Marlow relies upon others, such as the Russian, the brickmaker and the Manager at the central station, for information. Therefore, through complicated narrational structure resulting from the polyphonous account, Conrad can already represent to the reader the theme of the shifting nature of reality. As each narrator relates what is important to them, the audience must realise that each voice edits, absents information and is affected by their own experiences and the culture and ideology within which they judge and respond. Therefore the text reveals itself as non-essentialist. It is also seen through the narratorial voices, who are all significantly European males, although challenging the received view of imperial praxis as glorious and daring, a racist and patriarchal text, which eventually, through Marlow's own assimilation of the ideology of his time, reinscribes and replicates that which it attempts to criticise: European action in Africa.
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
This sight angers Marlow, and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.