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Psychoanalysis of the sailor who fell from grace with the sea
The sailor who fell from grace with the sea symbolism
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Yukio Mishima’s The Sailor Who Fell from Grace with the Sea, is the story of three people: Fusako, a widow who owns her own luxury brand store, her son, thirteen-year old Noboru and a sailor Ryuji Tsukazaki. The novel examines the constantly evolving relationships among the three and explores their relations with ideas of glory, loyalty and even death. Many minor characters are also featured to complicate and characterize the protagonists. Mishima uses one character called Yoriko juxtaposed with the protagonist, Fusako to reveal conflicts that are not on the surface in order to comment on the dangers of westernization and modernity. Yoriko is introduced fairly early in the book as Fusako’s best customer, early- on establishing Fusako and Yoriko’s relationship as one of a seller and buyer. Yoriko, wearing a “huge sunflower as a hat” and obsessed with “winning a best- actress award” is initially portrayed as the epitome of westernization (Mishima 32). The juxtaposition of Yoriko and Fusako brings out a new side of Fusako. Before, Fusako used to be the exemplar of …show more content…
After the demilitarization and westernization of Japan after World War II, there is an absence of an emperor, which parallels with Fusako’s situation as there is an absence of a male figure in the form of a husband and a father for Noboru. The decline of male power is demonstrated between conflict between Yoriko and Fusako when Yoriko talks about how her ex-fiancé, “was planning to kick the rest of [her] family out as soon as [they] got married so he could sit around swilling beer while [she] supported [them]... That’s men for you” (124-125). The sluggish diction is used to represent males in the novel which demonstrates the dissipation of male figures in society and from Mishima’s point of view, the negative effects of this occurring as the result of
The book, Hamakua Hero by Patsy Iwasaki, and Berido is a book based on true stories, and depicts a man named Katsu Goto, a Japanese man who wanted to explore the world in the 1800’s. The base of the story is Katsu and his pursuit of the American Dream, and the Dream is exemplified in this through the sacrifices, and struggles Katsu goes through, and the outcome of his predicaments.
...ile the war is still happening. The lack of freedom and human rights can cause people to have a sad life. Their identity, personality, and dignity will be vanish after their freedom and human right are taking away. This is a action which shows America’s inhuman ideas. It is understandable that war prison should be put into jail and take away their rights; but Japanese-American citizen have nothing to do with the war. American chooses to treat Jap-American citizen as a war prisoner, then it is not fair to them because they have rights to stay whatever side they choose and they can choose what ever region they want. Therefore, Otasuka’s novel telling the readers a lesson of how important it is for people to have their rights and freedom with them. People should cherish these two things; if not, they will going to regret it.
The author shows the reader the sea just as the sailor does as death, but more than death
...He is still anchored to his past and transmits the message that one makes their own choices and should be satisfied with their lives. Moreover, the story shows that one should not be extremely rigid and refuse to change their beliefs and that people should be willing to adapt to new customs in order to prevent isolation. Lastly, reader is able to understand that sacrifice is an important part of life and that nothing can be achieved without it. Boats are often used as symbols to represent a journey through life, and like a captain of a boat which is setting sail, the narrator feels that his journey is only just beginning and realizes that everyone is in charge of their own life. Despite the wind that can sometimes blow feverishly and the waves that may slow the journey, the boat should not change its course and is ultimately responsible for completing its voyage.
Throughout history artists have used art as a means to reflect the on goings of the society surrounding them. Many times, novels serve as primary sources in the future for students to reflect on past history. Students can successfully use novels as a source of understanding past events. Different sentiments and points of views within novels serve as the information one may use to reflect on these events. Natsume Soseki’s novel Kokoro successfully encapsulates much of what has been discussed in class, parallels with the events in Japan at the time the novel takes place, and serves as a social commentary to describe these events in Japan at the time of the Mejeii Restoration and beyond. Therefore, Kokoro successfully serves as a primary source students may use to enable them to understand institutions like conflicting views Whites by the Japanese, the role of women, and the population’s analysis of the Emperor.
In Yoshie's work, “Gender in Early Classical Japan: Marriage, Leadership, and Political Status in Village and Palace (2005),” she takes the example of Toji, women known to have played a m...
Before one explores the impact of Mishima’s cultural views on his novel, one must know what these beliefs are. At the most general level, one can label his culture as “militaristic Shinto,” an ultra-nationalist interpretation of traditional Japanese religion. In Shinto, it was accepted that “the Emperor was descended from the [Japanese gods]” (“Divinity of the Emperor”). Further centralization of the shogunate, the emperor’s governmental body, necessarily led to a more direct connection between the sociopolitical realm and the religious one. Mishima’s pastoralist emphasis on nature and religion must, therefore, be connected to his views on politics and government. Additionally, militaristic Shinto’s ultra-nationalist zeal derived from expansionist-era interpretations of traditional religious texts. For many, expansion could be justified with arguments of racial superiority and divine ori...
Known for her work as a historian and rather outspoken political activist, Yamakawa Kikue was also the author of her book titled Women of the Mito Domain (p. xix). At the time she was writing this work, Yamakawa was under the surveillance of the Japanese government as the result of her and her husband’s work for the socialist and feminist movements in Japan (p. xx-xxi). But despite the restrictions she was undoubtedly required to abide by in order to produce this book, her work contains an air of commentary on the past and present political, social, and economic issues that had been plaguing the nation (p. xxi). This work is a piece that comments on the significance of women’s roles in history through the example of Yamakawa’s own family and
Therefore, G. Gotanda’s ‘The Sisters’ Matsumoto’ has been a great epitome of indescribable pain that can be shown as a play to people in America. The play itself has become a general narrative of Japanese people who had terrible experiences from the outbreak of internment. Especially, the play indirectly mentions people from the Issei generation as they are the people who are true victims of racial segregation from a democratic country. They are the victims of the tragic event created by the country that holds values highly on equality. Therefore, people should acknowledge their voices that had been lost as they had lost everything that they had worked for during the internment. And it was more painstaking for them as their children also had to suffer discrimination from their community. For example, Gotanda has used Togo Matsumoto, father of Grace Matsumoto, to show the voice of people of Issei generation. The author has not made Togo to appear in the play, but his presence to other characters is massive as they hold reminiscences of him even after his tragic death in the internment. Togo Matsumoto is a respectable man as he holds lots of wealth and properties, but like others from Issei generation, he has lost everything including his pride of being a successful businessman. It is tragic to see that a
The farmers and the samurai must now depend on one another to survive which forces them to have relationships that would not normally take place.
The setting shows a world of opposing ideals, contrasting the weight and solidification of the port and land with the open and free sailor life that Ryuji has been living. This realm of opposites is bolstered by the physical environment in which the characters are placed. Yokohama, a busy Japanese shipping town, is an ideal representation of conflicting spheres. As the city is the ideal connection amidst land and sea, the ocean plays a vital point in connecting the differing ideologies present in the novel. As the plot begins, Fusako and Ryuji’s affair show how Ryuji attempted to overcome the grasp of sealife. The scene of consummation shows the elements of land and sea, Fusako and Ryuji respectively, in perfect harmony with each other as “the universal order [was] at last achieved” (13). The simply beautiful act of sex becomes su...
“Works of imagination should be written in very plain language; the more purely imaginative they are the more necessary it is to be plain”(Samuel Taylor Coleridge). Exactly what Samuel Taylor said was what he did, he let the reader use his imagination to figure out what the Albatross is throughout the story of the Mariner. Due to Samuels ways of writing his pieces of work there are many interpretations as to what the Albatros is, either good or evil, or what his significance is. Many events happened throughout this piece of work by Coleridge and in every single one the albatross is involved, Such as when the he is able to sleep or able to drink water after it has fallen off, Showing that the Albatross was a major factor in the plot of this story. The Significance of the Albatros can be seen in the events it is connected to, such as, the albatross bringing the wind or creating the fog, it is a substitute as a cross or a curse for killing it, and it falling off of the Mariner's neck.
From the interactive oral presentation on the Japanese vs. Western Social norms, I have learned a tremendous amount on how Mishima incorporated traditional Japanese and western influences in the novel to portray the loss of traditional Japanese culture within the Japanese society.
Yukio Mishima’s Temple of the Golden Pavilion represents the hardships, evil, and rebirth throughout the timeline of the war and after, creating the individual experience and perspective of a young man fighting his own personal, internal wars. This is highlighted through first person accounts of brutal acts of military officials and the contrast of the beauty in
In the collective society of Japan there is a certain stigma about women like Fubuki that set them apart. Choosing to work past the age of marriage is not necessarily the accepted (find a better word) in Japan because no matter the situation, collectivism and honor always come first. “Wish for work. There is little hope, given your sex, that you will get far up the ladder” (Nothomb, 1999, pp.66-67). She has worked so “far up the ladder”, so far up from what society said she should do, and it makes Fubuki is one of the biggest faces of individualism and hypocrisy shown throughout Fear and Trembling and the first time the reader see this is when Amélie and Tenshi were reported for their wrong doings. “I can see why and I disapprove of your reasons,” she says “I’m the one who had some reason to feel indignant about your attitude. You had your eye on a promotion to which you had no right” (Nothomb, 1999, p.37). Her constant use of possessive pronouns creates a selfish-like tone. “I can see why I disapprove… I’m the one who had some reason to feel indignant” (Nothomb, 1999, p.37). And that selfish tone highlights the hypocrisy that can be found within the Japanese society despite their claim of being a collective society. Fubuki goes on to say, “I’m twenty-nine years old. You’re twenty two. I’ve been in this position since last year. I fought for it for years. Did you think you were going to get a comparable job within a matter of weeks?” (Nothomb, 1999, pp.37-38). The tone of victimization (?) is created and this is constant throughout the whole book, “Do you think I can’t see what you are doing? You made these incomprehensible mistakes to get your revenge on me!” (Nothomb, 1999, p.45). The use of (another phrase) the word “you” reader can also see that Fubuki constantly uses Amélie’s mistakes to make her seem like the victim.