In the book Fear and Trembling the constant use of “I”, “me”, “my”, and “you” is the way that Nothomb tries to convey to the reader how the Japanese actually go against their claim of being a collective society. Nothomb reveals, through tone, the hypocrisy of the Japanese via characterization in order to illustrate that individualism is present in every society. There are three key Japanese characters that Amélie encounters that help prove (find a better word) this point.
Fubuki
• SELFISH-LIKE TONE
In the collective society of Japan there is a certain stigma about women like Fubuki that set them apart. Choosing to work past the age of marriage is not necessarily the accepted (find a better word) in Japan because no matter the situation, collectivism and honor always come first. “Wish for work. There is little hope, given your sex, that you will get far up the ladder” (Nothomb, 1999, pp.66-67). She has worked so “far up the ladder”, so far up from what society said she should do, and it makes Fubuki is one of the biggest faces of individualism and hypocrisy shown throughout Fear and Trembling and the first time the reader see this is when Amélie and Tenshi were reported for their wrong doings. “I can see why and I disapprove of your reasons,” she says “I’m the one who had some reason to feel indignant about your attitude. You had your eye on a promotion to which you had no right” (Nothomb, 1999, p.37). Her constant use of possessive pronouns creates a selfish-like tone. “I can see why I disapprove… I’m the one who had some reason to feel indignant” (Nothomb, 1999, p.37). And that selfish tone highlights the hypocrisy that can be found within the Japanese society despite their claim of being a collective society. Fubuki goes on to say, “I’m twenty-nine years old. You’re twenty two. I’ve been in this position since last year. I fought for it for years. Did you think you were going to get a comparable job within a matter of weeks?” (Nothomb, 1999, pp.37-38). The tone of victimization (?) is created and this is constant throughout the whole book, “Do you think I can’t see what you are doing? You made these incomprehensible mistakes to get your revenge on me!” (Nothomb, 1999, p.45). The use of (another phrase) the word “you” reader can also see that Fubuki constantly uses Amélie’s mistakes to make her seem like the victim.
The most prevalent way that society impacted Jeanne was by discriminating against her and her entire race. Her view of racial divides was swiftly distorted and manipulated in the brief time before the move to Manzanar. Before the war, hostility towards Japanese Americans was rare: after the attack on Pearl Harbor, public “attitudes towards the Japanese in California were shifting rapidly . . . Tolerance had turned to distrust and irrational fear” (604). One of the first instances in which an American was ill-disposed towards Jeanne was in school. Jeanne was having trouble with the assignments, but the teacher was remote and aloof. In spite of Jeanne...
Zora Hurston was an African American proto-feminist author who lived during a time when both African Americans and women were not treated equally. Hurston channeled her thirst for women’s dependence from men into her book Their Eyes Were Watching God. One of the many underlying themes in her book is feminism. Zora Hurston, the author of the book, uses Janie to represent aspects of feminism in her book as well as each relationship Janie had to represent her moving closer towards her independence.
In the novel Their Eyes Were Watching God by Zora Neale Hurston, Janie Crawford, the protagonist, constantly faces the inner conflicts she has against herself. Throughout a lot of her life, Janie is controlled, whether it be by her Nanny or by her husbands, Logan Killicks and Joe Starks. Her outspoken attitude is quickly silenced and soon she becomes nothing more than a trophy, only meant to help her second husband, Joe Starks, achieve power. With time, she no longer attempts to stand up to Joe and make her own decisions. Janie changes a lot from the young girl laying underneath a cotton tree at the beginning of her story. Not only is she not herself, she finds herself aging and unhappy with her life. Joe’s death become the turning point it takes to lead to the resolution of her story which illustrates that others cannot determine who you are, it takes finding your own voice and gaining independence to become yourself and find those who accept you.
If a person of authority ordered you inflict a 15 to 400 volt electrical shock on another innocent human being, would you follow your direct orders? That is the question that Stanley Milgram, a psychologist at Yale University tested in the 1960’s. Most people would answer “no,” to imposing pain on innocent human beings but Milgram wanted to go further with his study. Writing and Reading across the Curriculum holds a shortened edition of Stanley Milgram’s “The Perils of Obedience,” where he displays an eye-opening experiment that tests the true obedience of people under authority figures. He observes that most people go against their natural instinct to never harm innocent humans and obey the extreme and dangerous instructions of authority figures. Milgram is well aware of his audience and organization throughout his article, uses quotes directly from his experiment and connects his research with a real world example to make his article as effective as possible.
The theme of Night is resilience. To be resilient is to be strong and able to bounce back when things happen. Elie shows resilience many times throughout the course of Night, and some of these times included when Elie and his block are being forced to run to the new camp, when somebody attempts to kill him and when he loses his father to sickness. When Elie is with the group of people running to the new camp, he knows that he needs to persevere and be resilient, even when the person that he is talking to gives up (Wiesel 86). Elie tries to tell somebody that they need to keep going, and that it will not be much longer, but when they give up, Elie does not seem to pity the boy, and he stays strong. Somebody also attempted to strangle Elie while
Eliezer Wiesel loses his faith in god, family and humanity through the experiences he has from the Nazi concentration camp.
Night is an non fiction, dramatic book that tells the horrors of the nazi death camps all around Europe. The book is an autobiographical account of what happened, so the main character is the author. The author is Elie Wiesel who was only 14 year old when Nazi Germany came through his town of Sighet, Transylvania. This is story is set between the years of 1944 and 1945. Elie and his family of 4 are optimistic when Germany begins to take power. Germany invades Hungary, then arrives in Elie’s town. The Nazi’s begin to take over the Jews by limiting their freedom. Jews are eventually deported. The Jewish people are crowded into wagons where they are shipped to Auschwitz. He is separated from his mother and sister. Over the course of the book, Elie and his father are sent to two different concentration camps. Their final concentration camp is Buchenwald. His father ends up dieing before the allied troops liberated Budapest in 1945. Elie is left with the memories of death and violence.
Paranoia has always been an enemy to me in the darkness. This irrational fear has accounted for many sleepless nights, and horror only fuels the fire. Yet, I am still captivated by something that produces such unpleasant results. The culprit just might be one thing-- the characteristics, events, and situations that humans all share that are the ingredients to what makes things such as emotions and ambitions exist; otherwise known as the human condition. Based on these two notions, it is safe to say that in the article “Why We Crave Horror,” Stephen King is correct in claiming that humans crave horror to display some sort of bravery, to reassure feelings of normality, and simply for the fun of it.
Throughout A Monster Calls by Patrick Ness, Conor, the protagonist worries about many issues. He suffers through all the emotions he has to combat about his mother's battle with cancer. However, the greatest emotion Conor has conflict is with fear itself. He is so fearful of countless issues he has to struggle with such as the fact he might have to possibly live with his grandmother for the rest of his life, or if he might not stay with his father the way Conor would like to. Primarily what Conor suffers through the most is the fear of his own mother's health. Conor cannot handle the fact that his mother is not getting any better and her health is slowly failing. Conor has an incredible amount of conflict with his fear, he tries to hide it, pretend it is not there, but soon his fear will grow until his fear finally get hold of him. In similarity, it is like procrastinating on an assignment in some sort, when there is no time left the assignment must be done. When there is no time left Conor has to acknowledge and face the fear. Patrick Ness tries to say that, through the way Conor deals with all his fears, Ness says it is better to overcome his fears than hide them. Also, not acknowledging his fears will lead to painful internal conflict, and acknowledging fears is difficult, but facing them is for the better of Conor.
Zora Neale Hurston’s “Sweat” is a distressing tale of human struggle as it relates to women. The story commences with a hardworking black washwoman named Delia contently and peacefully folds laundry in her quiet home. Her placidity doesn’t last long when her abusive husband, Sykes, emerges just in time to put her back in her ill-treated place. Delia has been taken by this abuse for some fifteen years. She has lived with relentless beatings, adultery, even six-foot long venomous snakes put in places she requires to get to. Her husband’s vindictive acts of torment and the way he has selfishly utilized her can only be defined as malignant. In the end of this leaves the hardworking woman no choice but to make the most arduous decision of her life. That is, to either stand up for herself and let her husband expire or to continue to serve as a victim. "Sweat,” reflects the plight of women during the 1920s through 30s, as the African American culture was undergoing a shift in domestic dynamics. In times of slavery, women generally led African American families and assumed the role as the adherent of the family, taking up domestic responsibilities. On the other hand, the males, slaves at the time, were emasculated by their obligations and treatment by white masters. Emancipation and Reconstruction brought change to these dynamics as African American men commenced working at paying jobs and women were abandoned at home. African American women were assimilated only on the most superficial of calibers into a subcategory of human existence defined by gender-predicated discrimination. (Chambliss) In accordance to this story, Delia was the bread victor fortifying herself and Sykes. Zora Neale Hurston’s 1926 “Sweat” demonstrates the vigor as wel...
In many works of literature a character conquers great obstacles to achieve a worthy goal. Sometimes the obstacles are personal impediment, at other times it consists of the attitude and beliefs of others. In the book The Stranger by Albert Camus, shows the character Meursault who is an emotionless character that let’s other people show their opinions and emotions into him giving him a type of feeling even if Meursault doesn’t care. Meursault contains occasion of his emotional indifference between his friends and social indifference. This essay will be about the character’s struggle contributes to the meaning of the work as a whole.
How could one dieny that the mass murder of six million jews never happened? These revisionist, or deniers, like to believe that it never did. Even with the witnesses, photos, buildings and other artifacts left behind, they still believe that the Holocaust is a hoax. The Holocaust deniers are wrong because there are people who have survived that wrote books, there is proof that Jews were being killed, and other evidence and artifacts have been found.
How does the individual assure himself that he is justified? In Soren Kierkegaard's Fear and Trembling, Abraham, found in a paradox between two ethical duties, is confronted with this question. He has ethical duties to be faithful to God and also to his son, Isaac. He believes that God demands him to sacrifice Isaac. But, Abraham, firmly adhering to his faith, submitted to what he believed was the will of God. By using his perspective and that of his alternative guise, Johannes de Silentio, Kierkegaard concentrates on the story of Abraham in such a way that his audience must choose between two extremes. Either Abraham is insane or he is justified in saying he will kill Isaac.
In Kierkegaard’s Fear and Trembling, the concept of the Knight of Faith is an exalted one, a unique title awarded to those whose devotion to God goes far beyond what is even comprehensible or expected for the average man, who has an aesthetic or ethical life. We are told by Kierkegaard that this Knight of Faith, when in a situation where resignation appears to be the only solution to a problem, puts his faith in what appears to be the absurd, and believes that the solution that he desires lies in God. This fuels his faith, and makes him better than the aesthetic man, who simply abandons or ignores the problem, or the ethical man, the Knight of Infinite Resignation, who accepts the problem and resigns himself to a life of despair. The Knight of Faith exists as a shining beacon of devotion to the will of God, and, according to Kierkegaard, there exist only two known examples of the Knight of Faith: Abraham, and Mary. These exemplary figures in history put their faith in God, and believed that God would provide a solution to their problems. This unconditional faith in their creator is supposed to be inspirational, and in a sense, make the reader feel incredibly pitiful and resentful of their own wavering faith. In the following paragraphs, I aim to argue that a moment of absolute faithlessness can prove to be just as powerful as a moment of pure faith, and that Mary and Abraham serve as God-given examples of an absolute faith that is inaccessible to all but a few humans who serve very specific purposes in this world. Finally, I will propose a different mode of existence, one in which a man’s free will allows him to find joy in whatever God provides for him.
Night is a memoir written by Elie Wiesel, a young Jewish boy, who tells of his experiences during the Holocaust. Elie is a deeply religious boy whose favorite activities are studying the Talmud and spending time at the Temple with his spiritual mentor, Moshe the Beadle. At an early age, Elie has a naive, yet strong faith in God. But this faith is tested when the Nazi's moves him from his small town.