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Heroism definition essay
Acts of heroism examples
Heroism definition essay
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In many forms of literature developed throughout time, characters appear in many shapes and forms. Characters such as the hero, anti-hero, villain, and victim play an integral role in terms of the plot, and the expression of the author’s ideas. However, the hero is arguably the most significant character in any novel, as the hero is the protector/enforcer of what is good and just. Despite this, the hero is not immaculate, as his/her decisions can often times reveal flaws. In Sarah Gruen’s ‘Water For Elephants’, this is no different. Therefore, in Sara Gruen’s ‘Water For Elephants’, Jacob’s decisions and their consequences reveal the fact that Jacob is a flawed hero. This is seen in the fact that his decisions reveal his protectiveness, bravery, …show more content…
and his main flaw; selfishness. The first reason why Jacob could be considered a hero in ‘Water For Elephants’ is seen in the fact that his decisions to take certain actions reveal his protective nature, particularly of the circus’ animals and people he cares for. Firstly, Jacob displays his protectiveness in terms of protecting animals that are abused physically and psychologically. This is seen in his unparalleled defensiveness of Rosie, the circus’ elephant, particularly when he becomes her main line of defense from her abuser, August. An instance where this is displayed is when August attempts to punish Rosie for drinking the circus’ lemonade, as he declares “to go after him [August] if he touches her” (215). The significance of his declaration to protect of Rosie clearly highlights his protective nature, and any individual who is a protector of innocent creatures, is displaying heroism. Therefore, this makes Jacob a hero. The second way Jacob is protective of the animals is seen in his desire to increase the general standard of living for all of the animals within the circus in terms of their living conditions. An example which is illustrative of this point is when Jacob desires better treatment of the big cats in terms of the rotten meat they are forced to eat, especially when he addresses to August, “August, we can’t feed them [the cats] this, it’s gone off” (84). Jacob’s request clearly highlights the fact that he wants the animals to live in a better environment, as better meat for the cat will increase their quality of life. Also, since trying to improve the lives of others is an attribute displayed by a hero, it proves that Jacob is a hero. In conclusion, Jacob’s protectiveness of the circus animals in terms of protecting them from abuse, and attempting to improve their general quality of life, reveal Jacob’s position as a hero in ‘Water For Elephants”. Jacob’s protectiveness is not limited to his protection of the animals. The second criterion within his protectiveness is seen in his defensiveness of people he cares for. To start, Jacob’s decisions reveal the fact that he is protective of those who are in mortal danger from the wraith of Uncle Al. This is expressed in his decision to protect his friend Camel (who is in danger from being redlighted), specifically when he hides Camel in his stock car to protect him from Blackie (the redlighter), because to Jacob, Camel is “an old man, and he is in bad shape” (192). This selfless and protective decision to accept Camel ultimately prolongs his survival, and since protecting others from tyranny is an attribute of heroism, it confirms the fact that Jacob is a hero. Another way Jacob is protective of people is seen in his protectiveness of those who suffer at the hands of their relationships. This is clearly illustrated in Jacob’s protection of Marlena from August (her spouse and abuser), which is especially apparent in his decision to “launch across the open space and tackle [August]” (246) because August “shoves her so violently that she crashes back into the overturned platters of food” (246). Therefore, Jacob’s decision to tackle August is indicative of his protectiveness of Marlena. Also, since this decision is essentially protecting the innocent (Marlena) from tyranny (August), and this is an attribute of heroism, it confirms the fact that Jacob is a hero. Overall, Jacob’s protective nature as revealed through his decision to protect those that are in danger from Uncle Al, and those who suffer at the hands of their spouse, reveal his role as a hero in ‘Water For Elephants’. The second attribute of heroism derived from Jacob’s decisions is his bravery.
The first way Jacob’s decisions reveal his bravery is seen in his decision to oppose the high command of the circus in the name of justice. This is seen when he directly opposes Uncle Al’s demand to have Jacob to convince Marlena remarry August, despite August’s abusive nature towards Marlena. This is when he says to Uncle Al, “I’m not going to sit here and listen to you tell me [that] it’s okay for August to hit her” (266). The significance of this opposition is that Jacob knows that he is putting himself in danger by opposing Uncle Al, and since he braves this danger in the name of what is just, it reveals his bravery. Also, since Jacob in this case is the purveyor of justice (an attribute of heroism), it confirms his status as a hero. The second more subtle example of Jacob’s bravery is seen when in his older age, he expresses outrage over the treatment of himself and his peers at the hands of the nursing home. This is seen when he decided to bravely oppose the quality of food served to himself and his peers, where a specific example is when he addresses his peers regarding the food they are eating, as he asks: “doesn’t anyone else here want real food? Surely you can’t be happy with...this…pap?” (68). The significance of Jacob’s announcement is that it reveals his bravery, as he is not afraid to be the only individual in the home to address the quality of the food. And since this bravery is in …show more content…
the name of the good of the whole, it can be seen as heroism, thereby proving that Jacob is a hero. To conclude, Jacob’s brave decisions in terms of opposing the high command of the circus and addressing the treatment of the residents of the nursing home prove that Jacob is a hero. Since heroism is not an immaculate concept, a hero has at least one major flaw.
This is also the case for Jacob, as despite his protectiveness and bravery, he has an Achilles heel. This is of course his selfishness. Firstly, Jacob’s decisions are intrinsically motivated, which means that they often fail to comprehend potential consequences, and this can have disastrous effects on other people. An example where Jacob’s selfish decisions results in a catastrophic outcome is when he takes Walter’s knife with the intent of killing August, as he “[creeps] across the top of the stock can on [his] hand and knees, with Walter’s knife clenched between [his] teeth” (194). The catastrophe in this decision is that it indirectly resulted in Walter and Camel’s redlighting, as it left Walter defenseless against Blackie. Also, the fact that Jacob took the knife without reflecting on the potential effects on Walter reveals his selfishness, and ultimately his major flaw. The second way Jacob is selfish is seen in the fact that in his older years, he isolates himself from those that care for him. This is evident in his purposeful isolation from his family, as “he doesn’t know what’s going on in their lives” (109). This willful blindness of his family’s affairs proves his selfishness, as anyone who disregards their family in the name of isolation is partaking in a selfish act. Also, since this a part of selfishness, it helps confirm Jacob’s major flaw. In conclusion, Jacob’s selfishness in
terms of failing to consider the effects on his decisions on others, and his isolation of those who love him, reveal the major flaw in his heroism. Overall, Jacob is an interestingly skewed hero, who despite his positive attributes, has an Achilles Heel. Therefore, in Sarah Gruen’s ‘Water For Elephants’, Jacob is a flawed hero, because his decisions reveal his protectiveness, bravery, and his crippling weakness; his selfishness. The study of flawed heroism is one which encompasses more than just the world of literature. If people can understand Jacob’s flaw, both expressed in the novel and this essay, they can know how to avoid expressing it. And if this can be done, more and more people will be true heroes, and this overtime will make the world a better place.
Into the Wild by John Krakauer is a rare book in which its author freely admits his bias within the first few pages. “I won't claim to be an impartial biographer,” states Krakauer in the author’s note, and indeed he is not. Although it is not revealed in the author's note whether Krakauer's bias will be positive or negative, it can be easily inferred. Krakauer's explanation of his obsession with McCandless's story makes it evident that Into the Wild was written to persuade the reader to view him as the author does; as remarkably intelligent, driven, and spirited. This differs greatly from the opinion many people hold that McCandless was a simply a foolhardy kid in way over his head. Some even go as far as saying that his recklessness was due to an apparent death-wish. Krakauer uses a combination of ethos, logos and pathos throughout his rendition of McCandless’s story to dispute these negative outlooks while also giving readers new to this enigmatic adventure a proper introduction.
Have you ever felt so much guilt and shame that you want to kill yourself? Francis Cassavant in Heroes, by Robert Cormier, is a realistic and relatable character who has suffered from this feeling ever since he was little. Even as a child, he has felt unusual and out of place compared to everyone else. Francis’s characteristics determine his actions throughout his story and motivate him to join the army, beginning his expedition as a so-called “hero”.
In this essay I’m writing about Theseus and the Minotaur and The Lightning Thief. Theseus and the Minotaur is about when Theseus discovers that people of Athens are being given to the minotaur. Theseus slays the minotaur, and restores peace in Athens after sailing home safely, but then finds out his dad killed himself. What The Lightning Thief and Theseus and the Minotaur have in common is, both main characters take big risks even though they are dangerous. Even though The Lighting Thief and Theseus have different outcomes, they both show that taking risks can be dangerous, but it’s worth the risk if it’s for a good cause.
But John Steinbeck creates this novel to fit the “romance” archetype. In this archetype, the hero makes a journey, encounters problems in his path which he overcomes, and reaches his final destination. The hero of the novel must be larger than life, strong, and different from others. He must be a natural leader and greatly glorified. The earth resembles the Garden of Eden, or a ‘paradise.’ He must be in touch with the earth.
Often, when a story is told, it follows the events of the protagonist. It is told in a way that justifies the reasons and emotions behind the protagonist actions and reactions. While listening to the story being cited, one tends to forget about the other side of the story, about the antagonist motivations, about all the reasons that justify the antagonist actions.
When given a chance to become a hero would you take it? Cowardice and courage are main themes in numerous of Tim O’Brien’s stories. “On the Rainy River”, a short story by O’Brien, the author uses a variety of figurative language, follows the conventional mythological structure with a twist, and the theme of cowardice.
The courage and strength expressed in the parallel tales help to develop the characters and different themes simultaneously. These tales bring with them the struggle of the human spirit overcoming adversity but at the same time makes the characters humble and portrays them not as heroes but as ordinary people, surviving against almost certain death, people just trying to live. By Yolen making the characters so real she is able to never let the story soar into pure fantasy.
One of the most useful in advancing this story is the typical, powerful character. Whether it be supernatural or cunning this character always comes out on top in the situation and holds the most control over others and their actions. The “Where Are You Going, Where Have You Been?” , “Leda and the Swan”, and “Harrison Bergeron” all utilize an archetypical powerful character to create tension from how each character uses their power.
In novel Water for Elephants, the author, Sara Gruen, was able to present many different acts of loyalty and disloyalty within the story. Acts of kind, honesty, faithfulness or hatred from characters throughout the novel towards Jacob, resulted in the same acts from Jacob. Seemingly, Jacob was a deceiving and disloyal character to some characters, such as August. However, as the novel progressed, it became obvious that Jacob would learn his lessons of loyalty from others before he has showed it himself. Jacob showed utmost respect for the ones whom truly cared about him. He continued to grow, and show characteristics of a man as he learned different lessons. Ultimately, it became evident that Jacob Jankowski’s actions were solely acts of repayment.
At the beginning of the book he was a sarcastic boy who had a great hatred for his life, and as the story urged towards the end, he became a respected man trying to save those whom he deeply cares for. It is obvious that Jacob hosts a significant amount of bravery, especially when he explores the old, and demolish, ruins of the house. He did so even though he could feel of a dark and tragic event that had previously happened in the house “I stood in the sudden breeze wondering what could possibly have done that kind of damage, and began to get the feeling that something terrible had happened here “ (85). When Jacob attempts to tell his father the truth, and how he is leaving on a trip, he is displaying courage. He also exhibits strength when moving through the painful death of his Grandfather. He believed in his Grandpa, he knew he was a good man, despite what everyone else said and thought. It was exceptionally challenging for Jacob to hear what people had to say about his beloved Grandpa. Now, after Jacob had gone to the island to discover the truth, he found it, and he fell in love with the peculiars, Miss.Peregrine was kidnapped. His audacity came in helpful when rescuing her and hauling her back to refuge. Jacob definitely has demonstrated a significant amount of courage in this
Jacob Jankowski tells his story through his eyes as an elderly adult in the book Water For Elephants. Jacob went through a very tough time in his life in a matter of months, which changed his life in many ways. Jacob loses his parents at the end of his college career, and because of this he just happens to stumble upon a circus by jumping a train. Jacob's life has gone from completely perfect to upside down in a matter of 24 hours. Jacob receives the job as the circus vet, but has to work hard to earn it. During his time in the circus Jacob is pushed around, made fun of, but most importantly, falls in love. Marlena becomes Jacob's focus for the duration of his time with circus, however, Marlena is married to August, a man who is the head of the circus. Jacob and Marlena share a common interest though, Rosie. Rosie is the loveable elephant mentioned throughout the book who is very loyal to both Jacob and Marlena. Needless to say, Jacob has experienced many ups and downs throughout his life, and his children should take the time to listen to his advice and learn the importance out of a...
In Flannery O’Connor’s stories, “Good Country People”, “Everything that Rises Must Converge”, ”A Good Man is Hard to Find”, and “The Life You Save May Be Your Own”, there are many similar characters and situations. Few, if any of the characters are likeable, and most of them are grotesque. Two of the stories have characters that view themselves as superior in one way or another to those around them, and in some cases these characters experience a downfall, illustrating the old proverb, “Pride goeth before a fall” (King James Bible ,Proverbs 16:18). Two of the stories include a character that has some type of disability, three of the stories showcase a very turbulent relationship between a parent and child, and three of the stories contain a character that could easily be described as evil.
“The Hero’s Journey.” Ariane Publications, 1997. Course handout. AS English I. Dept. of English, Woodside High School. 26 October 2013.
In addition, Jacob’s disorders include symptoms of “aggression, defiance, lack of remorse” (Landay 434). This makes it evident that Jacob contains many sociopathic traits that make it extremely probable that he had influences in the murder, at the very least. These traits have been traced back to a “murder gene” that Jacob possesses, passed down from his ancestors that inherently makes him a tough and difficult kid to handle. This gene apparently invokes strong emotions of hatred and commences the creation of slaughterous thoughts within his mind. Because all of this can be traced genetically, Jacob has held these traits with him his entire life, always under the influence of the “murder gene.” The characteristics and behavior of Jacob are quite similar to his very own pocket knife as they are both inherently dangerous. Take one glance at a knife and even with the most elementary knowledge, it is instantly common ground that this “tool” is not something to be taken jokingly. By featuring a design to help it fulfill its entire purpose (a keen, meticulously crafted curve), something it must contain to be useful, it becomes a dangerous tool. As soon as Andy Barber
Several different elements are necessary to create a story. Of all the elements, the conflict is most essential. The conflict connects all pieces of the plot, defines the characters, and drives the story forward. Once a story reaches its climax, the reader should have an emotional connection to the both story and its characters. Not only should emotions be evoked, but a reader should genuinely care about what happens next and the about the end result for the characters. Guy de Maupassant’s “The Necklace” is the perfect example of how a story’s conflict evolved the disposition of its characters.