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On the rainy river by tim o'brien essay
On the rainy river by tim o'brien essay
On the rainy river tim o'brien
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When given a chance to become a hero would you take it? Cowardice and courage are main themes in numerous of Tim O’Brien’s stories. “On the Rainy River”, a short story by O’Brien, the author uses a variety of figurative language, follows the conventional mythological structure with a twist, and the theme of cowardice.
O’Brien’s usage of figurative language creates a vivid picture in the reader’s mind. This allows the reader to understand in depth the situations the story’s narrator goes through. For one thing, when meeting Elroy Berdhal, the narrator described him as “his eyes had the bluish color of a razor blade, the same polished shine…” (O’Brien). By comparing Elroy’s eyes to a razor blade, it emphasizes the coldness the character seems
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to emit. O’Brien also went on to say, “…as he peered up at me I felt a strong sharpness, almost painful, a cutting sensation, as if his gaze was somehow cutting me open” (O’Brien). O’Brien is using this simile to demonstrate the way Elroy seems to be peering into the narrator’s soul and learning all his secrets. Another usage of figurative language would be O’Brien’s evocative description of the boat ride on the Rainy River. The imagery he uses allows the reader to comprehend the scene through his eyes. “I could see the delicate latticework of the leaves, the texture of the soil, and the browned needles beneath the pines…” This is the buildup, and the climactic decision that changes everything. Finally, O’Brien ends the story with a paradox. The fact that he was a coward made him do the bravest thing he could have done: place himself in a life-threatening situation. O’Brien follows the usual mythological structure, also known as the Hero’s Journey, in “On the Rainy River”.
This technique describes the adventure of the main character known as “The Hero”, the person who goes out and accomplish great deeds. However as an analysis has pointed out, “…the narrator presents his story as a failed hero’s journey” (Farrell). Instead of calling himself a hero at the end, the narrator calls himself a coward- the complete opposite of the normal mythological structure. Additionally, a tragic flaw is a main part of the hero’s character. The narrator’s yielding to what society orders is his tragic flaw. Commonly, tragic heroes in mythology also have a tragic flaw: the one imperfection from which all of their other misdeeds flow. O’Brien’s tragic flaw is giving in to society. Also, there is usually a guide that aids the heroes with their journey in this structure. Notably, the goddess Athena helping Odysseus with his journey in The Odyssey by Homer. In this case, the narrator’s helper would be Elroy Berdahl, who helped O’Brien’s narrator and “he offered exactly what I needed, without questions, without any words at all” (O’Brien). In conclusion, Elroy was exactly what Athena was to Odysseus, a magical helper who if the narrator didn’t have, wouldn’t have been able to complete their
quest. The narrator faces a moral dilemma to choose between physical and moral courage. He is called to fight in a war which he believes is not necessary and ends up fighting in the war. Even though he shows physical courage to go to the war in Vietnam and fight for his country, he lacks the moral courage to stand by his beliefs. His beliefs being, “Certain blood was being shed for uncertain reasons. I saw no unity of purpose, no consensus on matters of philosophy or history or law…”(O’Brien). Despite hating everything the war stands for, he disregards his principles because he is afraid of shame. He would “…go to the war - I would kill and maybe die - because I was embarrassed not to” (O’Brien). He was fearful of being made a mockery of and being a social pariah, that in order to not be a coward in the eyes of the public, he became a coward in his own eyes.
Life can sometime bring unwanted events that individuals might not be willing to face it. This was the conflict of O’Brien in the story, “On The Rainy River”. As the author and the character O’Brien describes his experiences about the draft to the Vietnam War. He face the conflict of whether he must or must not go to the war, in this moment O’Brien thinking that he is so good for war, and that he should not be lost in that way. He also show that he disagree with the consbet of the war, how killing people will benefit the country. In addition O’Brien was terrifying of the idea of leaving his family, friends, and everything that he has done in the past years.
One of the most striking examples of a hero in O'Brien's novel is the character Elroy Berdahl in the story "On the Rainy River." Berdahl runs the Tip Top Lodge near the Canadian border and takes O'Brien in at a point in his life where he feels he has nowhere and no one to turn to. Berdahl does not question O'Brien or try to persuad...
In the chapter the “Rainy River” of the novel The Things They Carried by Tim O’Brien, O’Brien conveys a deep moral conflict between fleeing the war to go to Canada versus staying and fighting in a war that he does not support. O’Brien is an educated man, a full time law student at Harvard and a liberal person who sees war as a pointless activity for dimwitted, war hungry men. His status makes him naive to the fact that he will be drafted into the war and thus when he receives his draft notice, he is shocked. Furthermore, his anti-war sentiments are thoroughly projected, and he unravels into a moral dilemma between finding freedom in Canada or standing his ground and fighting. An image of a rainy river marking the border between Minnesota and Canada is representative of this chapter because it reflects O’Brien’s moral division between finding freedom in Canada or standing his ground and fighting in the Vietnam war.
The human need to be relatable is unquenchable. We love to be able to see parts of ourselves in others, and to be able to feel like our idols are not untouchable. The Hero’s Journey format is one that can be found in almost any story, even in real life. Overall, it is the perfect recipe for keeping readers engrossed. Another place the journey has shown up is in Unbroken by Laura Hillenbrand and Odyssey by Homer. These two stories—one a biography, the other, an epic poem—are so effective in their storytelling, it is easy to see how authors today continue to use the same method to make stories that grab the readers’ attention. What makes them most alike, however, is the emotions and thoughts they have the power to provoke.
Tim O’Brien, the author of The Things They Carried, is still undecided of whether to doge the draft and lose the respect of his family and friends, or go to the Vietnam War and lose his life, in the chapter “On The Rainy River”. Elroy’s actions reveal his good qualities that help Tim make this important decision, without any words of judgment or criticism. Elroy’s actions reveal heroic qualities. He is a silent Observer who helps Tim overcome his fears.
What would you do if someone told you you would end up killing your father and marrying your mother when you grow up? You would do anything to keep that from happening, wouldn’t you? Oedipus did in Oedipus the King by Sophocles. Unfortunately, Oedipus fails in avoiding his fate. Faced with a choice between pursuing the truth which everyone tells him would lead to his destruction or accepting a life without knowing any better, Oedipus chooses self-knowledge over self-deception. This makes Oedipus a perfect example of a tragic hero. In Greek drama, a tragic hero is a protagonist of a noble birth who possesses a tragic flaw that leads to his down fall but shows the courage to accept responsibility for his own actions.
To some this story might seem like a tragedy, but to Christians this is a beautiful story. Although young Harry dies at the end, he is accepted into the kingdom of God, which is far superior to anything on Earth. A non-religious family raises him and the first taste of Christianity he gets makes him want to pursue God. In Flannery O’Conner’s short story, The River, the allure of Gods grace and the repelling of sinful ways are shown heavily through Harry.
Overall, the author showed us the courageous and coward s acts of O’Brien the character. The fact that he was a coward made him do a heroic act. O’Brien made the valiant decision to go to war. It would have been easier and cowardly to jump and swim away from all his fears. However he decided to turn back, and fight for something he did not believe in. Thinking about the consequences of running away makes him a hero. He went to war not because he wanted to fight for his country, but for his own freedom. Either choice he could have made would take some kind of courage to carry out. Going to war required some sort of fearlessness. In other words, running away from the law would have been brave; but going to war was even tougher.
Crane, Stephen. A Mystery of Heroism. Elements of Literature: 5th Course - Pennsylvania Edition Essentials of American Literature. Holt Rinehart & Winston, 2004. 435-31. Print.
From the beginning of time, mythology has appeared to be one key method of understanding life’s confusions and battles. Within these myths lies a hero. From myth to myth and story to story, heroes experience what may be called a struggle or a journey, which lays down their plot line. Bearing tremendous strength, talent, and significant admiration, a hero holds what is precious to their audience, heroism. Over time however, no matter the hero, the hero’s role remains indistinguishable and identical to the position of every other hero.
By definition, a tragic hero is a protagonist that due to some tragic flaw loses everything he has. Throughout history, literature has always been filled with main characters possessing some tragic flaw. In Macbeth, Macbeth’s tragic flaw is his enormous ambition to become king. In Hamlet, Hamlet’s tragic flaw is his need for revenge for the death of his father at the hands of his uncle. In the Epic of Gilgamesh, Gilgamesh’s tragic flaw is his need to be remembered. In the Anglo-Saxon epic Beowulf, Beowulf also has a tragic flaw, excessive pride and the search for fame, which ultimately leads to his demise.
There are many heroes in this world, whether it’s a fireman or a doctor. A hero is defined based on their courage, nobility and strength. In contrast, there are tragic heroes. According to philosopher, Aristotle, the definition of a tragic hero is one that is of greatness and dignity but, despite their greatness, makes an error, otherwise known as the hero’s “tragic flaw” or “hamartia” which leads to his downfall. In William Shakespeare’s tragedy, Macbeth, the main protagonist and round character, Macbeth starts as a man of greatness and dignity. His assumed loyalty to the country and king earns him respect from a variety of men and the title “Thane of Cawdor.” But, unfortunately because of his tragic flaw he is corrupted by his overwhelming ambition and destroys himself and the natural order of man. Macbeth transitions from the savior of his country, “Bellona’s bridegroom”, a “brave” and unbeatable man to a man of endless brutality. Macbeth is the epitome of a tragic hero.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.
A tragic hero is someone born into a noble lifestyle, destined for greatness, but is tested by fate through great destruction and suffering. In the book Macbeth, by William Shakespeare, this concept is well demonstrated in the main characters uprising. When Macbeth chooses the wrong path, he is led by his ambition to his destruction. The presence of an active flaw, the struggle to eliminate it when too late and the path to demise it created are all reasons Macbeth’s story is tragic. As a result, Macbeth’s tragic flaw of ambition led him to become a tragic hero.
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.