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War creative writing examples
War poetry in English literature
War poetry in English literature
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War is not meant to be glorified. War is not meant to look easy. Stephen Crane was one of the few authors during his era who realized this fantasy-like aura around war and battles and decided to do something about it. The Red Badge of Courage, by Stephen Crane, was inspired by Crane’s life and his desire to portray the realistic side of war. According to bio.com, Stephen Crane was born on November 1, 1871 in Newark, New Jersey. He was the 14th and youngest child whose father was a minister and mother was a writer and suffragist. Writing was common in Crane’s family as both of his parents wrote many articles, and a few of his brothers were journalists (Poetry Foundation- “Stephen Crane”). Crane’s personal career in literature began during …show more content…
The descriptions of war that he read in magazines were usually dry and too matter-of-fact. He also believed that they lacked connection to the real emotions that are brought about by warfare; “dates and locations of battles cannot even begin to reproduce the essence of combat” (“Naturalism”). Due to his yearning to learn more and provide a realistic representation of war, Crane researched many aspects of the battlefield and often referred to scenes he wrote about as “skirmishes on the football field” (“Biography of Stephen Crane”). Ultimately, Crane “saw the opportunity to craft the first novel that explored warfare from the point of view of the psyche” and he “attempt[ed] to show that humans were not designed to commit such atrocities on each other” …show more content…
According to The Poetry Foundation, critics have had numerous debates on what literary movement The Red Badge of Courage should be classified as. Crane’s novel has been considered a work of realism, naturalism, impressionism, and symbolism. Those who view the novel as realistic see it as the “first unromanticized account of the Civil War” and a truthful depiction of war and soldiers (Poetry Foundation). The naturalistic viewers believe that the characters and experiences of the novel “are shaped by social, biological, and psychological forces” (Poetry Foundation). The Red Badge of Courage also displays many unique symbols and images and also a “consistent use of color imagery” which leads critics to classify the novel as Symbolistic and Impressionistic as well (Poetry Foundation). To sum up the literary movement of the novel, Edwin H. Cady stated, “’The very secret of the novel’s power inheres in the inviolably organic uniqueness with which Crane adapted all four methods to his need. The Red Badge’s method is all and none’” (Poetry
Stephen Crane firmly cemented himself in the canon of American Romanticism with the success of works such as The Red Badge of Courage and "The Blue Hotel." His writing served to probe the fundamental depths of the genre while enumerating on the themes vital to the movement's aesthetic. Such topics as heartfelt reverence for the beauty and ferocity of nature, the general exaltation of emotion over reason and senses over intellect, self-examination of personality and its moods and mental possibilities, a preoccupation with genius and the heroic archetype in general, a focus on passions and inner struggles, and an emphasis on imagination as a gateway to transcendence, as well as a predilection for the exotic, the remote, the mysterious, and folk culture are all characteristic of his stories.
Though in his short life Stephen Crane was never a soldier, his novel The Red Badge of Courage was commended by Civil War veterans as well as veterans from more recent wars not only for its historical accuracy but its ability to capture the psychological evolution of those on the field of battle (Heizberg xvi). Walt Whitman, on the other hand, served as a field medic during the Civil War. He was exposed perhaps to the most gruesome aspect of the war on a daily basis: the primitive medical techniques, the wounded, the diseased, the dying and the dead. Out of his experiences grew a collection of poems, "Drum Taps" , describing the horrors he had witnessed and that America suffered. As literary artists, a wide chasm of structure and style separates Crane and Whitman. The common cultural experience, the heritage of the Civil War connects them, throwing a bridge across the darkness, allowing them, unilaterally, to dispel notions of glorious battles and heroic honorable deaths. By examining Crane's Henry Fleming and the wound dresser from 'Whitman's poem of the same name, both fundamental literary differences and essential thematic consistencies emerge.
In the Red Badge of Courage, the protagonist Henry, is a young boy who yearns to be a Great War hero, even though he has never experienced war himself. Anxious for battle, Henry wonders if he truly is courageous, and stories of soldiers running make him uncomfortable. He struggles with his fantasies of courage and glory, and the truth that he is about to experience. He ends up running away in his second battle. Henry is somewhat nave, he dreams of glory, but doesn't think much of the duty that follows.
The Red Badge of Courage is not a war novel. It is a novel about life. This novel illustrates the trials and tribulations of everyday life. Stephen Crane uses the war as a comparison to everyday life. He is semi-saying that life is like a war. It is a struggle of warriors—the every day people—against the odds. In these battles of everyday life, people can change. In The Red Badge of Courage, the main character, Henry Fleming, undergoes a character change that shows how people must overcome their fears and the invisible barriers that hold them back from being the best people—warriors, in the sense that life is war—they can be. Henry has a character change that represents how all humans have general sense of fear of the unknown that must be overcome.
War forces young soldiers to grow up quickly. In Stephen Crane’s Civil War novel, The Red Badge of Courage, Henry Fleming is no exception. He is faced with the hard reality of war and this forces him to readjust his romantic beliefs about war. Through the novel, the reader can trace the growth and development of Henry through these four stages: (1) romanticizing war and the heroic role each soldier plays, (2) facing the realities of war, (3) lying to himself to maintain his self-importance, and (4) realistic awareness of his abilities and place in life. Through Henry’s experiences in his path to self-discovery, he is strongly affected by events that help shape his ideology of war, death, courage, and manhood. The romantic ideologies will be replaced with a more realistic representation.
There is not many a time when men like Stephen Crane come by and take the whole world by surprise. His ideas are not popular for thinkers at the time but very realistic and down to earth. In his time, his short stories were not very prevalent but were read by many people. Stephen Crane found it very difficult to make money off of them and in that way, was inspired to write vigorously even to the point of his death. Stephen Crane craved the attention and support of the people and so gave birth to Naturalism literature. Interestingly, Stephen Crane found his own voice when he wrote The Red Badge of Courage at just twenty years old, and became very famous for the novel. This war novel was followed by a tremendous amount of short stories that had nature as a main theme. Stephen Crane felt nature all around him and felt that, even as a child Methodist, nature is an overwhelming force that should not be meddled with. Stephen Crane’s religious upbringing and life-changing experience led him to incorporate recurring themes of nature in his short stories as seen in The Open Boat.
Crane, Stephen. The Red Badge of Courage. New York, NY: Pocket of Books, 1895. Print.
The Red Badge of Courage takes place during the Civil war and begins with a soldier named Jim Conklin returning back to his regiment to inform them that they might go into battle any day now. The main character of the story Henry Fleming who was recently recruited in the 304th regiment begins to worry about how brave he really is since he has never really been in battle before. The main reason he joined the army was for the honor and glory that came after the battle but he never really analyzed what it took to gain all the glory and honor that he wanted to obtain.
The Red Badge of Courage uses both color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes the both the literal image of a dead soldier and Henry Fleming's vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers' physical wounds and Fleming's mental visions of battle. In the process, it gains a symbolic meaning which Crane will put to an icon like the "red badge of courage" (110, Penguin ed., 1983). Crane uses color in his descriptions of the physical and the metaphysical and allows color to take on meanings ranging from the literal to the figurative.
	The book Red Badge of Courage is insightful because it gives great detail about the hardship of war, the physical and emotional side of it. It shows how a young solider of the Civil War would have felt and also it shows all his fears. It is not just about war and the fighting, the book gives details about the camp and the other soldiers that Henry Flemmings interacts with. Stephen Crane has a unique writing style because it is very symbolic and it paints a lot of pictures for you. Crane is very imaginative and takes a look from one viewpoint into an isolated person and his relationship with society. I believe the book was well writing at times because some parts could have used more detail. It would have been easier to understand. Some parts of the book I felt like I was really there but others it just felt so distance. This work is important because of its historical value that it has with the Civil War. It tells not just about the war itself and what is going on but the emotional side of a young solider. It tells how soldiers break down in war and that all of them are heroes at sometime in the war. I learned from the book that you must face your fears and that if you run from them once then the next time you must face them.
“The Red Badge of Courage.” Literary Themes for Students. Ed. Anne Marie Hacht. Vol. 2. Detroit: Gale, 2006. 439-447. Print.
For this reason, critical reactions to the The Red Badge of Courage in 1895 were mixed: some disapproved of Crane's use of the vernacular—the common slang of everyday folk and soldiers—and the impressionistic technique. Crane also experimented with psychological realism, and his venture into the realm of the human psyche radically changed the common perception of the novel in America. As he faces combat for the first time, Henry experiences an intense array of emotions: courage, anxiety, self-confidence, fear, and egotistic zeal. Interestingly enough, the naturalistic flavor of the work operates against this serf-important ego. The individual is not of primary importance, as is evidenced time and again in the words of Henry's mother, fellow soldiers, and officers. Henry is often referred to quite impersonally as "the youth." The men, untried and untested, are treated like scared animals against the backdrop of inimitable Nature and War. Crane also used color imagery, both vibrant and subtle, to describe war. He describes a skirmish as sounding like a "crimson roar," for example, and writes of war as "the red animal." Crane's sense of color pervades the work; note his description of the sky, which remains "fairy blue" during the day, as if to underscore the indifference of nature to the carnage taking place.
The Red Badge of Courage, by it’s very title, is infested with color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes both the literal image of a dead soldier and Henry Fleming’s vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers’ physical wounds and Henry’s mental vision of battle. In the process, it gains a symbolic meaning which Crane will put an icon like the ‘red badge of courage’. Stephen Crane uses color in his descriptions of the physical and the non-physical and allows color to take on meanings ranging from the literal to the figurative.
Stephen Crane's The Red Badge of Courage formed circles of the two themes of heritage and color. While interchanging romanticism and deromanticism, Crane is able to create a complete three hundred and sixty degree rotation of the ideas of manhood, heroism, and attitudes of war (the fluctuating colors). The novel opens with the question of warriors equaling men and heroes, and ends with the answer. The novel begins full of color and ends with color. "Over the river a golden ray of sun came through the hosts of leaden rain clouds" (Crane 183).
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.