Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Essays on war literature
With copious references, discuss the reflection of the world war 1 and world war 2 on modern literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Essays on war literature
If it was not for Stephen Crane and his visionary work than American Realism would not have taken hold of the United States during the eighteen hundreds. During the years following the Civil War America was a melting pot of many different writing styles. Many scholars argue that at this time there was still no definite American author or technique. Up to this point authors in the Americas simply copied techniques that were popular in regions of Europe. Stephen Crane came onto the scene with a very different approach to many of his contemporaries. He was a realist, and being such he described actions in a true, unadorned way that portrayed situations in the manner that they actually occurred (Kaplan). He had numerous admired pieces but his most famous work was the Red Badge of Courage (Bentley 103). In this novel he illustrates the accounts of a Union soldier named Henry Fleming. At first the writing was considered too graphic and many people did not buy the book. Eventually the American people changed their opinions and began to gravitate towards Crane’s work. The readers were fascinated by the realistic environment he creates even though he himself had never fought in a war (Bentley 103). By spreading the influence of realistic writing Crane has come to be known as the first American Realist.
Stephen Crane was born on November 1, 1871, in Newark, New Jersey. He was the son of a Methodist minister, named Reverend Townley Crane. As a boy Crane was often ill and this sense of helplessness is believed to have led to his realistic, cold, hard style of writing he became famous four. As far as his education went, Crane went through a lengthy course of schooling over the years. During his academic career he attended Pennington Seminar...
... middle of paper ...
...r the formation of American Realism.
Works Cited
Bentley, Chris. “Introduction to The Double Life of Stephen Crane”. Bloom, Harold ED. New York: Bloom’s Literary Criticism, 2007. Print. 103.
Berryman, John. “Crane’s Art”. Bloom, Harold ED. New York: Bloom’s Literary Criticism, 2007. Print.7.
Crane, Stephen. “The Red Badge of Courage.” D.Appelton and Company, 1895. Print.
Kaplan, Amy. “The Spectacle of War in Crane’s Revision of History”. Bloom, Harold ED. New York: Bloom’s Literary Criticism. 2007. Print. 75.
Monteiro, George. “The Drunkard’s Progress”. Bloom, Harold ED. New York: Bloom’s Literary Criticism, 2007. Print. 135.
Solomon, Eric “Love and Death in the Slums”. Bloom, Harold ED. New York: Bloom’s Literary Criticism, 2007., Print. 29.
Weiss, Daniel. “The Blue Hotel”. Bloom, Harold ED. New York: Bloom’s Literary Criticism, 2007. Print. 47.
Stephen Crane, author of The Red Badge of Courage, in regards to the American Civil War once despondently wrote, “It was not well to drive men into final corners; at those moments they could all develop teeth and claws” (Crane). Such describes the desperate and harrowing atmosphere of the time during which Abraham Lincoln was president of the United States. As Abraham Lincoln once perspicaciously reflected upon the significance of the Civil War, "The struggle of today is not altogether for today — it is for a vast future also" meaning that the war was paramount to the survival of the union and thus, one of the most momentous occurrences of American history (Lincoln). Nathaniel Hawthorne, a transcendentalist and author of The Scarlet Letter, cogitated upon the significance of having Lincoln as president during the Civil War while simultaneously conveying the idea that he deeply venerated president Lincoln for his strength of character in times of dire crisis. Hawthorne employs the use of vivid imagery, scintillating diction, striking juxtaposition as well as a reverent tone to effectively accomplish his purpose of conveying the fact that while Lincoln is superficially unprepossessing, his approachable attitude and his insightful nature make him an excellent president.
Stephen Crane firmly cemented himself in the canon of American Romanticism with the success of works such as The Red Badge of Courage and "The Blue Hotel." His writing served to probe the fundamental depths of the genre while enumerating on the themes vital to the movement's aesthetic. Such topics as heartfelt reverence for the beauty and ferocity of nature, the general exaltation of emotion over reason and senses over intellect, self-examination of personality and its moods and mental possibilities, a preoccupation with genius and the heroic archetype in general, a focus on passions and inner struggles, and an emphasis on imagination as a gateway to transcendence, as well as a predilection for the exotic, the remote, the mysterious, and folk culture are all characteristic of his stories.
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
Though in his short life Stephen Crane was never a soldier, his novel The Red Badge of Courage was commended by Civil War veterans as well as veterans from more recent wars not only for its historical accuracy but its ability to capture the psychological evolution of those on the field of battle (Heizberg xvi). Walt Whitman, on the other hand, served as a field medic during the Civil War. He was exposed perhaps to the most gruesome aspect of the war on a daily basis: the primitive medical techniques, the wounded, the diseased, the dying and the dead. Out of his experiences grew a collection of poems, "Drum Taps" , describing the horrors he had witnessed and that America suffered. As literary artists, a wide chasm of structure and style separates Crane and Whitman. The common cultural experience, the heritage of the Civil War connects them, throwing a bridge across the darkness, allowing them, unilaterally, to dispel notions of glorious battles and heroic honorable deaths. By examining Crane's Henry Fleming and the wound dresser from 'Whitman's poem of the same name, both fundamental literary differences and essential thematic consistencies emerge.
O’Brien, Tim. “How To Tell a True War Story.” The Compact Bedford Introduction to Literature. Ed. Michael Meyer. Boston: Bedford St. Martins, 2003. p. 420-429.
Crane, Stephen. “Do not weep, maiden, for war is kind.” The Modern Age Literature. Eds Leonard Lief and James F. Light. 4th Ed. Holt, Rhinehart and Winston; New York, 1981. p. 137
The Red Badge of Courage is not a war novel. It is a novel about life. This novel illustrates the trials and tribulations of everyday life. Stephen Crane uses the war as a comparison to everyday life. He is semi-saying that life is like a war. It is a struggle of warriors—the every day people—against the odds. In these battles of everyday life, people can change. In The Red Badge of Courage, the main character, Henry Fleming, undergoes a character change that shows how people must overcome their fears and the invisible barriers that hold them back from being the best people—warriors, in the sense that life is war—they can be. Henry has a character change that represents how all humans have general sense of fear of the unknown that must be overcome.
“The Red Badge of Courage” was written by Stephen Crane in 1985 as a fictional tale of a soldier of the Civil War. With its accurate depictions, readers were led to believe that Crane had at one time been a soldier. This was however not the case. Crane has a unique way of using themes and symbols in “The Red badge of Courage” to relay a very realistic portrayal of war.
Jones, Peter G, War and the Novelist: Appraising the American war Novel. University of Missouri Press, 1976. 5-6. Rpt. in Literary Themes for Students, War and Peace. Ed. Anne Marie Hacht. Vol. 2. Detroit: Gale, 2006. 449-450. Print.
According to The Poetry Foundation, critics have had numerous debates on what literary movement The Red Badge of Courage should be classified as. Crane’s novel has been considered a work of realism, naturalism, impressionism, and symbolism. Those who view the novel as realistic see it as the “first unromanticized account of the Civil War” and a truthful depiction of war and soldiers (Poetry Foundation). The naturalistic viewers believe that the characters and experiences of the novel “are shaped by social, biological, and psychological forces” (Poetry Foundation). The Red Badge of Courage also displays many unique symbols and images and also a “consistent use of color imagery” which leads critics to classify the novel as Symbolistic and Impressionistic as well (Poetry Foundation). To sum up the literary movement of the novel, Edwin H. Cady stated, “’The very secret of the novel’s power inheres in the inviolably organic uniqueness with which Crane adapted all four methods to his need. The Red Badge’s method is all and none’” (Poetry
The Transformation of Henry Fleming in The Red Badge of Courage Stephen Crane's purpose in writing The Red Badge of Courage was to dictate the pressures faced by the prototypical American soldier in the Civil War. His intent was accomplished by making known the horrors and atrocities seen by Unionist Henry Fleming during the Battle of Chancellorsville, and the conflicts within himself. Among the death and repulsion of war, there exists a single refuge for the warrior--his brethren.
The Red Badge of Courage, by it’s very title, is infested with color imagery and color symbols. While Crane uses color to describe, he also allows it to stand for whole concepts. Gray, for example, describes both the literal image of a dead soldier and Henry Fleming’s vision of the sleeping soldiers as corpses and comes to stand for the idea of death. In the same way, red describes both the soldiers’ physical wounds and Henry’s mental vision of battle. In the process, it gains a symbolic meaning which Crane will put an icon like the ‘red badge of courage’. Stephen Crane uses color in his descriptions of the physical and the non-physical and allows color to take on meanings ranging from the literal to the figurative.
Trapp, James. The art of war: a new translation. New York: Chartwell Books, 2012. Print.
Bloom, Harold, ed. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New Yourk: Chelsea House Publishers, 1987.
113-117. Modern Critical Interpretations: Stephan Crane's The Red Badge of Courage. New York: Chelsea House Publishers, 1987. Cody, Edwin H. Stephen Crane. Revised Edition.