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History of a clarinet
Musical instrument essay clarinet
History of a clarinet
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Clarinet A beautiful and unique texture of the clarinet sound is charming. The closed, wooden, cylinder-conic tube of the clarinet creates specific acoustic. When one plays clarinet music it seems like it is coming from the faraway. A brief summarization of clarinet history and manufacturers, classical and classical jazz clarinet performers, classical clarinet and jazz composers (song writers), classical repertoires, well known old days jazz music, and famous orchestras, the Colorado and Philadelphia ones. History and Manufacturers Chalumeau or single-reed woodwind is a predecessor of nowadays clarinet and was made in late 1600s. In 1700s the woodwind maker from Germany Johann Christoph Denner improved the chalumeau by adding two more keys, reed, and separating the mouthpiece. Since 1700s, the clarinet look was changed and modified numerous times, up until its body became as we see it nowadays. The keys number was always under development as well. Sometime around 1820s, clarinet contained from twelve to thirteen keys; Whereas, modern clarinets contain from seventeen to eighteen keys. In 1850, …show more content…
The Philadelphia Symphony Orchestra is a magnificent giant music box of the USA. Its charming design taking breath away from thousands of visitors daily. The professionalism of the Orchestra musicians is well known worldwide. Just as Colorado Orchestra, Philadelphia Orchestra contains dozens of their own musicians. For the 2015-2016 season, the Orchestra's clarinetists are Ricardo Morales, Principal, Leslie Miller and Richard Worley Chair, Samuel Caviezel, Associate Principal, Sarah and Frank Coulson Chair, Paul r. Demers, Bass Clarinet, Peter M. Joseph and Susan Rittenhouse Joseph Chair. If I would travel to Philadelphia I would definitely visit the wonderful place Philadelphia Symphony Orchestra to enjoy world premiers and listen to great
Next we come to a point in time where a great leap had to be made. Musicians had made positive steps forward in the way of pitch and time but of only one or two notes at a time. What was needed was an in instrument that gave players control of many pitches simultaneously. The mechanism ...
On February 23, I attended the 17th Annual Sphinx Competition held at the Detroit Orchestra Hall. The concert was phenomenal, and surprisingly enough to me I actually relished the performance. The reason the concert satisfied me was due to the fact of the meaning that was upheld throughout the concert. The Sphinx Orchestra is an amazing foundation in which supports Black and Latino string classical musicians and gives them a chance to better their life through the prodigious gift of scholarships. At this specific concert three finalist strived to see who truly has the utmost talent amongst the three. The three musicians included nineteen year old bassist, Xavier Foley; twenty-one year old cellist, Nicholas Mariscal; and twenty year old violinist, Clayton Penrose-Whitmore. Each musician did an extraordinary and gave the impression that they played their pieces flawlessly. Although all the young musicians achieved mere perfection; there had to be a winner and that was Xavier Foley. He received fifty thousand dollars in scholarships and by all means deserved it. The conductor of the concert was Maestro Brandon Keith Brown, who also did astonishing. In addition to all of those great musicians I also had the honor of hearing Simon Shaheen playing the oud. All together the performance was just incredible in my eyes.
This method book was not only a method for flutists, but a compendium covering musical taste and execution practical on any instrument. Only five of the eighteen chapters solely concern the flute. In contrast to other method books of its time, Quantz did not promise a speedy mastery of the instrument, but instead wrote his essay “to train a skilled and intelligent musician, and not just a mechanical flute-player.
The Boston Symphony Orchestra was a group I just did not know that was out there in the beginning. The opportunity to explore such a historical symphony will make me continue to explore others. I thought it was absolutely inspiring that Andris Nelsons had his wife perform along his claimed orchestra. It showed lots of long lasting love for music in a couple. The symphony itself is honored to have Andris Nelsons as a
Music is virtually everywhere we go, no matter if it is background noise in a coffee shop or singing along while shopping for groceries, we can find music somewhere. The event I attended was the Flint Symphony Orchestra on October 8, 2016. I have never attended a symphony before so I was excited to go, especially since I had invited my friend to attend with me. For this event, I was already informed by my teacher that the symphony will be formal so we needed to look the part since others will be dressed fancy. This made me curious how this event will turn out. Walking past the ticket area and through the doors to the lobby made me feel instantly memorized at how grand it was on the inside. I went downstairs and there were a vast
Woodwinds (clarinet, oboe, bassoon, etc.) are different from piano in that they require wind (created by the player) to create a tone (using a reed or reeds to create the vibrations needed for sound). In addition to using different techniques to make the reeds vibrate in different ways, the player also changes the tone (creates the notes) by pressing and releasing (using their fingers) keys that are attached along the length of the instrument, or by covering up, then opening, various holes on the instrument.
band's sometimes classical sound. Leroi plays a Haynes closed hole C foot flute, a Yamaha
The biggest compliment a band can get is to have another singer write a song about how much they like them, as Randy Newman did in 1979 about ELO with the release of “‘The Story of a Rock and Roll Band.” In the song he said, “I love their “Mr. Blue Sky” Almost my favorite is “Turn to Stone” And how ‘bout “Telephone Line”? I love that ELO’” (Wild 5)
Mozart’s Symphony No. 41 was his last and longest symphony he composed. While listening to this breathtaking piece of music, one specific aspect of this piece stood out to me; this being the instrumentation. In this symphony, many different instruments were used. While listening, I recognized many of them. A flute, two oboes, two bassoons, two horns, two trumpets, timpani, and strings make up this famous piece that is known world-wide by millions of people.
Jorge Montilla (b. 1970) stands as a major Venezuelan clarinet performer, arranger and composer of the twenty-first century. His arrangements and compositions for the solo Eb clarinet, solo bass clarinet, Eb with piano, and clarinet duets, trios and quartets are been played all over the globe. These compositions and arrangements are extraordinary well written for the clarinet. Montilla knows the strengths of each different clarinet, bass, Eb and soprano. Most of his pieces show his roots in Venezuelan folk music, giving him an enormous advantage to write for the clarinet family. His repertoire for these instruments consists of solo work for Eb and bass clarinet, duets for two Bbs, trio for bass clarinet and two soprano clarinets, trio for Eb, Bb Soprano and Bass clarinet, clarinet quartet “Four for Four,” and arrangements of Latin American composers such as Beatriz Lockarht and Astor Piazzolla.
The clarinet is a woodwind instrament consisting of a cylindrical wood, metal, or ebonite pipe with a bell-shaped opening at one end and a mouthpiece at the other end, to which a thin reed is attached. The clarinet has five different sections, the mouthpiece, the barrel, the upper section, the lower section, and the bell. The length of the entire instrument is 60 cm long. The mouthpiece section consists of a slotted cylinder, to which a reed is attached by a metal clamp called a ligature. The mouthpiece plugs into the next section which is a barrel. The barrel is simply a connecting cylinder to which the mouthpiece and the upper section plugs into. The upper section is a cylindrical pipe consisting of 4 holes and 9 keys placed in different locations along the pipe. On the back of the pipe there is a hole and a key that is used by the thumb. The lower section plugs into the upper section and is also connected via a special bridge key. This piece consists of 3 holes and 8 keys. On the inward facing side of the pipe, there is a protruding piece of metal called a thumb rest, which supports the entire clarinet. The bell plugs into the lower section. It consists of a cylinder that flares out into a bell shape and ends the clarinet.
The Symphony Orchestra concert was preformed by The OU School of Music with Jonathan Shames as a conductor and they presented Sutton Concert Series. In addition, the Orchestra concert performed at Paul F. Sharp Concert Hall in October 12, 2015.There were like forty-one performers on the stage including the conductor using different types of instruments and and all of them were wearing a nice black clothes. The stage was a quite large with wooden floor and there were two floors for the audience with a comfortable seating. However, all the performers were on round shape and against the conductor.
Giuseppe Torelli, was an Italian violinist, teacher and composer, is considered one of the early developers of the Baroque concerto and concerto grosso. Torelli also composed a significant number of works for the trumpet during the Baroque period (1600-1750). Around 1690, one can begin to see the first works for the trumpet. He was familiar with the virtuoso trumpeter, Giovanni Pellegrino Brandi. Brandi would sometimes play with the San Petronio orchestra, of which Torelli was violin player. This acquaintance could explain Torelli’s awareness of the trumpet’s timbre, dynamic range, and expressive capabilities.
In readiness for the concert, I enjoyed a special dinner prepared for the audience. More specifically, LA Phil staffers introduced us to the evening classical concert amidst cheers from the audience. It was such a refreshing and joyous feeling to be part of this audience. The pianist and concert conductor, Christian Zacharias opened the Los Angeles Philharmonic Classical Music concert with a fascinating performance that left the audience in party mood and in happy feelings.
I think the clarinet section has many strengths. We all work very well together and create a strong and good toned sound. With encouragement, everyone strives to play any music we receive and to march the best that we can. We all feel comfortable around each other and know we can ask for help at any time.