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Essays on the history of the clarinet
Essays on the history of the clarinet
Clarinet history essay
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The clarinet is a woodwind instrament consisting of a cylindrical wood, metal, or ebonite pipe with a bell-shaped opening at one end and a mouthpiece at the other end, to which a thin reed is attached. The clarinet has five different sections, the mouthpiece, the barrel, the upper section, the lower section, and the bell. The length of the entire instrument is 60 cm long. The mouthpiece section consists of a slotted cylinder, to which a reed is attached by a metal clamp called a ligature. The mouthpiece plugs into the next section which is a barrel. The barrel is simply a connecting cylinder to which the mouthpiece and the upper section plugs into. The upper section is a cylindrical pipe consisting of 4 holes and 9 keys placed in different locations along the pipe. On the back of the pipe there is a hole and a key that is used by the thumb. The lower section plugs into the upper section and is also connected via a special bridge key. This piece consists of 3 holes and 8 keys. On the inward facing side of the pipe, there is a protruding piece of metal called a thumb rest, which supports the entire clarinet. The bell plugs into the lower section. It consists of a cylinder that flares out into a bell shape and ends the clarinet.
Clarinets are mainly made of African blackwood, metal, or a special hard plastic called ebonite. The keys on the clarinet are made of metal. The mouthpiece is mainly made of ebonite. The ligature is made of metal. The reed...
Jorge Montilla (b. 1970) stands as a major Venezuelan clarinet performer, arranger and composer of the twenty-first century. His arrangements and compositions for the solo Eb clarinet, solo bass clarinet, Eb with piano, and clarinet duets, trios and quartets are been played all over the globe. These compositions and arrangements are extraordinary well written for the clarinet. Montilla knows the strengths of each different clarinet, bass, Eb and soprano. Most of his pieces show his roots in Venezuelan folk music, giving him an enormous advantage to write for the clarinet family. His repertoire for these instruments consists of solo work for Eb and bass clarinet, duets for two Bbs, trio for bass clarinet and two soprano clarinets, trio for Eb, Bb Soprano and Bass clarinet, clarinet quartet “Four for Four,” and arrangements of Latin American composers such as Beatriz Lockarht and Astor Piazzolla.
On November 6th, 1854, John Philip Sousa was born in Washington D.C. His Father, John Antonio Sousa was Portuguese, while His Mother Maria Elisabeth Trinkhaus Was Bavarian. The first instrument John ever played was the violin. He also sang, and played instruments such as the piano, flute, trombone, and baritone. When John was 13, his father enlisted him in the Marine Corps Band so he wouldn’t join the circus, however he did play drums for Pt Barnum, the Circus King. John remained with the Marines until he was twenty years old.
JOHN PHILIP SOUSA John Philip Sousa was born in 1854, the third child of ten. He was born in Washington, D.C. His parents were immigrants. John Antonio Sousa is his dad. He was originally from Spain, even though his parents were Portuguese in origin.
The head joint of the Western concert flute contains the mouthpiece, lip-plate and the blow hole. There are no keys on the joint of the flute. The mouthpiece consists of the lip-plate and an oval hole in the center of the plate. Lip-plates are also commonly referred to as embouchure plates. Larger blow holes will produce deeper, richer tones, while small blow holes produce sharper,
They had many different configurations, 2, 3, 4,5,6,7 or 8 holes. The flute we used in class is 6 holes, and we also saw many different flutes in class, someone smaller, someone larger, someone with 3 holes, etc. The oldest flutes we have were made from wing bones of a Griffon Vulture [1] and a Whooper Swan [2], as well as one
When you hear the instrument, “clarinet” which person do you think of? Lots of people try to be funny and answer Squidward from Spongebob Squarepants but who really were the super stars of this well-known instrument? There are many clarinet players out there that had a lot of great master pieces and who made very important achievements with this instrument. One of these famous clarinet players was a man named Johann Simon Hermstedt. Johann Simon Hermstedt was one of the many well-known clarinet players of the 19th century. Hermstedt was born on December 29 of 1778 and he died on August 10 of 1846 in Sondershausen, Germany. Hermstedt also played an important part in Germany, when he lived in Germany, he played as court clarinetist to Duke Gunther I of Schwarzburg-Sondershausen, and he also taught him how to play the clarinet. Another clarinet player named Louis Spohr’s used to play concerts and he played four concerts along with Carl Maria von Weber, played all pieces that were composed by Hermstedt. These two clarinet players were very dedicated to his work and his life; they were very inspired by his way of playing. Hermstedt was pretty much a bit of a composer himself, he wrote various pieces of music for other wind instrument players but he’s not as famous as Mozart and all other composers, he was more of a conservative player.
The oboe is a double reed woodwind instrument. It has a range of a B flat to a high G 3 octaves above middle C. The oboe is built in the key of c. The French musicians Jean Hotteterre and Michel Philidor invented it in the 17th century. During the Baroque period, violins were the most common solo instruments, so when the oboe was invented a revolution followed. In the beginning they had only two keys. These original oboes where high in quality mostly due to their construction in three separate parts. Several sized oboes were made for playing in groups. The soprano and alto became common for solo roles. During the later baroque and almost the whole Vienna classicism, the oboe was the leading wind instrument of the orchestra. The oboe has a wide dynamic range, from pianissimo to forte. It is favored as the "singer" in the orchestra. The oboe is separated into three parts; the bell, lower joint, and the upper joint. The joints are drilled with a seven hole scale in the key of the instrument. The first hole above the middle joint and the first hole bellow the middle joint is drilled double. The reed is mounted in the top of the oboe on a metal tube or staple. A sound is produced through the use of the double reed. Two reeds are bond together with a small opening between them, and are attached as a mouthpiece at the end of the tube. The player takes the reeds between their lips, and vibrates them with breath lip pressure. A complicated metal mechanism stops and opens the holes in the modern open, with the fingering like a flute. Trills, Tremolos, and staccato notes are all possible for an oboe player. A modern day oboe player is Joseph Robinson who plays in the New York Philharmonic.
Wyman, F. S. "An Acoustical Study of Alto Saxophone Mouthpiece Chamber Design." Dissertation Abstracts International Section A: Humanities & Social Sciences 33. (1972): 1775. Music Index. Web. 13 April. 2014.
John Philip Sousa, “The March King,” helped musicians gain rights to music, and made American history with the march “The Stars and Stripes Forever.” Sousa isn’t thought about by most modern people, however musicians think of Sousa as a hero. Musicians can create a piece and not have to worry about the piece getting stolen, or misused by other people. Sousa also requested an instrument that changed the marching band field. Sousa was a great band leader, a great musician, and an important part of music history.
The orchestration comprises of a standard set of instruments, including two flutes, two clarinets, two oboes, two bassoons, two trumpets, three trombones, four horns, timpani, bass drum, cymbals and strings. An additional instrument is the tuba (Chung 22). Moreover, it appears that the piano is not the only soloist; rather other instruments such as flutes, clarinets and horns make minor appearances for similar purposes.
This essay, as the title suggests, will be about the origins of jazz music. Starting from the roots when African slaves arrived in North America, they helped the development and the emergence of early jazz a great deal. It is also important to not forget the significance of the Congo Square which kept the music alive in New Orleans, never letting it die out. Then, continuing on with the slavery theme, the essay will talk about why and how jazz music appeared in its widely considered birth place, New Orleans. Also, as early jazz developed into different styles, the text will mainly be focusing on its two most prominent ancestors: ragtime and blues. Additionally, jazz would not exist as it is known today without the assistance of some of the
Jazz is a music of improvisation and expression of true feelings. It's style has two very different origins: African and European. Once brought to America, jazz has been every changing reflecting what was happening in society at the time. Jazz is something that has been in America for many years and effected society in a way no other music of African and European roots ever has.
Also, with organs of this size, the bellows took up large amounts of space, thus
Bie, Oscar. A History of the Pianoforte and Pianoforte Players. trans. by E. E. Kellett
...te. In old times, most flutes were made of bamboo, which allowed even common people to play it. By covering the holes and blowing through the side hole while moving the fingers flexibly between the six holes, a sound will be produced that is leisurely and mellifluous like sound from far away. This always reminds people of a pastoral picture of a farmer riding on a bull while playing a flute