As a child I always loved to listen to bands being played. Watching all the instruments playing a part was interesting for me. But, the instrument that caught my attention the most was the clarinet. Now as I got older in fifth grade the students and I were sent to try out what instruments would best fit each one in the class. I was lucky enough that the instrument that best fit me was the clarinet. I played the clarinet all through high school and never really knew anything about the instrument, I just knew that I played to make sound out of it. As I found out more information about the clarinet I will explain the history, the parts of the clarinet, tone range and sound, and the types of ensembles a clarinet are in. Now, before the clarinet was created, there was an instrument that was called the chalumeau. It was an instrument that was used to play only for a person in a solo part. The chalumeau only had “holes and later keys to produce different notes from a scale” (History of the Clarinet 1). Later in the years, the clarinet was constructed in Germany. …show more content…
They are found in “marching bands, classical symphony orchestra, harmonic orchestras, and big bands” (The Clarinet-Overview 2). In the marching band there are several clarinets being played. The marching band can be “played by up to hundred players” (The Clarinet-Overview 2). The classical symphony orchestra has about “two to three clarinetist playing the B flat or A clarinet” (The Clarinet-Overview 2). When needed they might also include an “E flat clarinet player” (The Clarinet-Overview 2). With harmonic orchestras, there are “30 players” (The Clarinet-Overview 2) of clarinets playing in the band. Since there are no string players they “replace the highest sting with clarinets” (The Clarinet-Overview 2). In big bands there is only one single clarinet that plays a part. It plays a solo part and is joined by the other “wind section” (The Clarinet-Overview 3)
Jorge Montilla (b. 1970) stands as a major Venezuelan clarinet performer, arranger and composer of the twenty-first century. His arrangements and compositions for the solo Eb clarinet, solo bass clarinet, Eb with piano, and clarinet duets, trios and quartets are been played all over the globe. These compositions and arrangements are extraordinary well written for the clarinet. Montilla knows the strengths of each different clarinet, bass, Eb and soprano. Most of his pieces show his roots in Venezuelan folk music, giving him an enormous advantage to write for the clarinet family. His repertoire for these instruments consists of solo work for Eb and bass clarinet, duets for two Bbs, trio for bass clarinet and two soprano clarinets, trio for Eb, Bb Soprano and Bass clarinet, clarinet quartet “Four for Four,” and arrangements of Latin American composers such as Beatriz Lockarht and Astor Piazzolla.
On November 6th, 1854, John Philip Sousa was born in Washington D.C. His Father, John Antonio Sousa was Portuguese, while His Mother Maria Elisabeth Trinkhaus Was Bavarian. The first instrument John ever played was the violin. He also sang, and played instruments such as the piano, flute, trombone, and baritone. When John was 13, his father enlisted him in the Marine Corps Band so he wouldn’t join the circus, however he did play drums for Pt Barnum, the Circus King. John remained with the Marines until he was twenty years old.
JOHN PHILIP SOUSA John Philip Sousa was born in 1854, the third child of ten. He was born in Washington, D.C. His parents were immigrants. John Antonio Sousa is his dad. He was originally from Spain, even though his parents were Portuguese in origin.
Giuseppe Torelli, was an Italian violinist, teacher and composer, is considered one of the early developers of the Baroque concerto and concerto grosso. Torelli also composed a significant number of works for the trumpet during the Baroque period (1600-1750). Around 1690, one can begin to see the first works for the trumpet. He was familiar with the virtuoso trumpeter, Giovanni Pellegrino Brandi. Brandi would sometimes play with the San Petronio orchestra, of which Torelli was violin player. This acquaintance could explain Torelli’s awareness of the trumpet’s timbre, dynamic range, and expressive capabilities.
Clarinets are mainly made of African blackwood, metal, or a special hard plastic called ebonite. The keys on the clarinet are made of metal. The mouthpiece is mainly made of ebonite. The ligature is made of metal. The reed...
Though the formation of our modern-day Concert Band does not date back quite as far as our modern-day Wind Ensemble, the extent of events, groups, composers, and advancements is quite similar. The evolution of the Concert Band dates back to the French Revolution. Large bands, full of unique instruments and amateur musicians, were required to play at festivals and ceremonies. Similar to the evolution of the Wind Ensemble, the Concert Band is derived from military purposes. Instruments, such as the trumpets, horns, and drums, were often used for signaling. In contrast to Wind Ensemble musicians, these Concert Band musicians never played their instruments for military enjoyment. The Concert Band musicians primarily played instruments to signal to the guards and villages. There were a few unique instruments, however, that were desired to play a military tune. These instruments include instruments such as a flute or bagpipe. Throughout the Middle Ages, this difference in military preference led to different job opportunities. For example, a cavalry company required trumpets, horns, and trumpets. On the other hand, foot soldiers would hire flute and bagpipe
Woodwinds (clarinet, oboe, bassoon, etc.) are different from piano in that they require wind (created by the player) to create a tone (using a reed or reeds to create the vibrations needed for sound). In addition to using different techniques to make the reeds vibrate in different ways, the player also changes the tone (creates the notes) by pressing and releasing (using their fingers) keys that are attached along the length of the instrument, or by covering up, then opening, various holes on the instrument.
Coltrane received his first musical instrument, the clarinet, when he was 12 years old, and soon started playing in the high school band. Even though he became proficient at the clarinet within a year, even becoming the first clarinet of the loc...
The piano is the most commonly known and most used. The saxophone has the ability to produce a unique sound. The clarinet has a reed connected to the mouthpiece, which the player blows through to create music. The trumpet is another a popular instrument. The trombone is descended from the trumpet that’s with played in bass clef or treble clef. With the larger size the double bass, the player usually has to stand up. The drums include the bass drum, snare drum, and cymbals. Last but not least, it’s good to have a vocalist because songs will sound
While researching texts written about the Saxophone instrument, I found lots of interesting information about how the Saxophone was created, by whom it was created and how it is used. The saxophone is an amazing instrument with so many various kinds and variations of it and could be integrated into many musical genres. The saxophone produces soft tones, jazz melodies, basically any type of song can be played on the saxophone depending on the level of the player. This instrument is very versatile, I am going to share some of the most amazing and challenging qualities of the saxophone. I will inform you about the history of the saxophone and how it has influenced the musical world, and much more.
Later on, when the black people started to have some civil rights, jazz bands were starting to merge and the first bands were created around in New Orleans at the early 20th century. The bands included instruments as trumpets, clarinets, trombones, tubas, banjos and drums. Jazz started to grow popular and a string bass or a piano was also found in the new bands. As the jazz grew more popular, it also started to appear new styles of jazz and the “swing” jazz were made. In the original jazz, there were only a few instruments played at the same time. But in the new jazz there were lots of instruments playing at the same time creating a more organized feeling. The “swing” jazz was way more popular and it was common to dance to swing jazz. The swing jazz grew popular in the 30's after the wall street crash and depression roamed in America. Since the swing jazz were so easy to dance to, people started to cheer themselves up with dancing. A few more different sorts of jazz have developed throughout the years and left us with the jazz we got toda...
The History of the Harpsichord The harpsichord was the most important keyboard instrument in European music history from the 16th through the first half of the 18th century. It originated and evolved from the monochord, which is a primitive instrument invented in the sixth century BC by Pythagoras. Their precise origins are a matter of debate, although it is known that they have existed since the 15th century; there are clear references of the harpsichord in the literature of that period. After several stages in the evolution of the monochord, including the organistrum, the bowed monochord, the chekker, and the keyed monochord, the clavichord finally came into existence.
In a standard percussion set another instrument feature in the music inside folk music was bones. Handmade musical instruments implied onto a pair of castranets stringed collaborate in one piece. Bones would be played by a musician when only using one hand. Another instrument would be found in a musical band during African slavery was a concertina, a small instrument build very similar to a portable keyboard. Unique musical on each side gives of the instrument it gave off sounds controlled the density of the music pitches. Using the concertina, accompanied along to the music push the sides of the instrument in and out. One of the first well-known music piece would be classified was a piece titled “Jim Crow”. An interesting piece of information was the composer of the song was not a slave or African American. He was a white man although he was known in his musical compositions as a founding “father” in ministerial song writing.
Of all the instruments laid out on display, only one caught my attention. I was thirteen at the time, and naturally, my eye was drawn to the shiniest of the group. I had never heard the sound of a flute before, aside from the cheap imitation of one on my family’s electronic keyboard. Nevertheless, I picked the pretty, gleaming, easy-to-carry flute on that first day of band class. Three years later, I can’t imagine playing anything else. What started off as blind luck and an attraction to shiny objects is now a part of my life. Playing an instrument is always a worthwhile investment; you develop a skill that many people only wish they had, you have opportunities to meet other musicians, and you may even get to travel in a band setting. But in order to reap the benefits, you first have to learn how to play.
Listening to music has extended my love for music, and has opened the gates for the new ways I can interpret music. Specifically, playing the clarinet has guided me through my musically creative world. Around nine years ago, I started to build up my appreciation for playing music with the recorder. However, my interest genuinely spurred in the 6th grade when we had the chance to select an instrument to play. Being a young indecisive boy with many thing on my mind, I chose the most obvious but yet most flexible instrument: the clarinet. The clarinet is considered to be in the same family as the recorder, almost as if the clarinet is the recorder’s “older brother”. Right after this landmark decision, we were promptly assigned a solo to play in