It was a dark moonless night as I drove down highway 34. I was fatigued with the eight hour drive and the tiresome boredom of the never ending road. Then out of nowhere a deer jumped in front of my vehicle. I slammed on the breaks hoping to stop the inevitable. The front end of the car slammed into the side of the deer. With the sound of a loud “thunk” and metal twisting, smoke snaked out from under my hood. I cursed under my breath and stepped out of what was left of my car and examined the ordeal. From what I could decipher, the deer was completely decimated, my car was totaled, and I was lost.
I started to walk down the highway, buy I caught a glimpse of something running through the trees. I ignored it at first, but it happened again and again so I finally decided to go and figure out what was darting in the trees. Turning away from the highway, I headed East, into the trees, and started searching. I searched for nearly 15 minutes without result until I felt the ground beneath me give way. ???!!@#$#@!#$finish!!!
As I looked around the damp cave I noticed the she...
The paper talked about the new mud glyph cave art site the was discovered in northern Alabama. It is believe that the artifacts and the images that is located in the cave linked back to the Early and Middle Woodland periods. The cave was named “19th Unnamed Cave” by a naming system that was used be University of Tennessee. Other main points in this paper include the 19th Unnamed Cave, the mud glyph art that it contains, and how the mud glyph contributes to the understanding of mud glyph assemblage preservation, and it helps illuminates the chronological placement of the art form. The cave is located in northern Alabama with a cave mouth of 25 m in diameter and with more than 5 km of underground passageways. The article hypothesized that since the entrance of the cave had some fluvial action, there would no archaeological material that would have been preserved.
There are many elements of fiction. All of them together are a recipe for the perfect story. There are five elements all together. They are conflict, setting, character, plot and theme. “The Grim Grotto” displays all of these elements with an exceptionally well written storyline.
American’s education system has been entering crisis mode for a long time. Throughout the past few years, the overwhelming question “Is college needed or worth it?” While it is an opinion, there are facts that back up each answer. Plato’s “Allegory of the Cave” mentions that the enlightened must help the unenlightened and further their knowledge. The problem with America today is that high school students are given the option of college and that makes for less enlightened people. While it is possible to learn in the work force or Army, college is a better option. Mary Daly wrote the article “Is It Still Worth Going to College?” which talks about the statistical value of attending. Michelle Adam wrote the article “Is College Worth It?” which mentions the struggle young people are going through to even get into college. Caroline Bird wrote the chapter “Where College Fails Us” in her book The Case Against College where she
Despite being only twenty-five miles apart, Mystery Cave and Niagara Cave are surprisingly different. One of the major differences between Niagara and Mystery Cave is that Mystery Cave has bats. Another difference is Mystery Cave is owned by the State of Minnesota, while Niagara Cave is privately owned. On the other hand, since the caves are located in southeastern Minnesota, they both are made of limestone, and ancient fossils are found in each of the caves.
A good example of Plato’s divided line is represented in the Cave Allegory, which is one of the core messages of his philosophical works. Plato used a line as an illusion to divide human knowledge into four levels, which differ in degree and clarity. Taking a line and dividing the line into two sections not equal in length; the upper level equates to knowledge, this is the realm of intellect. On the lower section of the line equates to opinion and is the world of sensory knowledge. Then cut these lines into two sections, this produces four line segments. This visual gives us four cognitive states of thinking. These states of thinking are as follows: Noesis, Dianoia, Pistis, and Eikasia.
“You’ve just crossed over into The Twilight Zone” says Rod Serling before every episode of The Twilight Zone. A show that leaves it’s viewers in a macabre state. Instead of drawing a conclusion like most shows, the show usually ends mysteriously. It utilizes similar elements as other short half-hour shows, but goes about it in a different way. This outlandish style is seen in literature, more specifically short stories, as well. Even though other short stories employ the same literary devices, “The Beast In The Cave” by H.P. Lovecraft is uniquely mysterious because of the story’s suspenseful plot, compelling diction, and, most important, overshadowing theme.
Freedom in mind, freedom in nature, and freedom in subjectivity of individual are three kinds of freedoms. However, freedom should be expressed within the limits of reason and morality. Having freedom equals having the power to think, to speak, and to act without externally imposed restrains. As a matter of fact, finding freedom in order to live free is the common idea in Plato with "The Allegory of the Cave"; Henry David Thoreau with " Where I lived and What I lived for"; and Jean Paul Sartre with " Existentialism". Generally, Plato, Thoreau, and Sartre suggested that human life should be free. They differ in what that freedom is. Plato thinks it is found in the world of intellect, Thoreau thinks freedom is found in nature, and Sartre thinks freedom is found in subjectivity of individual.
Imagine a group of people, prisoners, who had been chained to stare at a wall in a cave for all of their lives. Facing that wall, these prisoners can pass the time by merely watching the shadows casted from a fire they could not see behind them dance on the walls. These shadows became the closest to what view of reality the prisoners have. But what happens after one of these prisoners is unbound from his chains to inspect beyond the wall of shadows, to the fire and outside the cave? How would seeing the world outside of the walls of the cave affect his views of the shadows and reality? It is this theme with its questions that make up Plato’s Allegory of the Cave. It is in Plato’s Allegory of the Cave that there are several key ideas presented in the allegory. The ideas presented in the allegory can be related back to themes of education and the gaining of knowledge and in ways that can relate back to “us”, the people.
Throughout the course of history, mankind has unceasingly strived to comprehend the purpose of our existence. Who are we? Why are we here? While many different conclusions to these questions have emerged, Plato shared Socrates’ believe that ignorance is the mind’s natural state and that our human existence is meant to be lived seeking true knowledge through debate and questioning. In “The Allegory of the Cave” from The Republic, Plato depicts a cave where prisoners are chained from their childhood to grow up only looking at the back of the cave wall. Above and behind them is a fire with a wall standing in front of it where puppeteers hold various figured objects in front of the fire to create dancing shadows on the wall. The prisoners, seeing
In the translation of the dialogue from the Allegory of the Cave, readers are introduced to ideas that help them discover information about the process of enlightenment. After readers’ read the Allegory of the Cave, the readers understand Plato’s philosophical assumptions. From the dialogue, Plato confirms the idea that humans establish their own understanding of the world based on their principle senses. Plato catalogs a significant perception of how humans are able to process new ideas of enlightenment or education.
Plato’s Allegory of the Cave is the most comprehensive and far-reaching analogy in his book, The Republic. This blanket analogy covers many of the other images Plato uses as tools through out The Republic to show why justice is good. The Allegory of the Cave, however, is not the easiest image that Plato uses. First, one must understand this analogy and all of it’s hidden intricacies, then one will be able to apply it to the other images Plato uses such as the Divided Line, or Plato’s Forms.
Cave Paintings have been dated back 30,000 years ago, during a time called the Upper Paleolithic Period where homo-sapiens began to express themselves through rock art and drawings on the walls throughout caves in mostly France and Africa. The process of the art being made was resulted from rocks being ground up to make pigments which were often first engraved into the cave walls or painted directly on them in black and ochre colors. There is no absolute reason behind these cave paintings, but scientist have thought of theories behind the talented artists work. The main three categories that have been studied are animal drawings, shamanism, and human paintings; all of which give reason to a new evolution of the human mind and how the meaning behind the cave art can be an insightful look at what homo-sapiens experienced thousands of years ago.
The basic premise of Plato's allegory of the cave is to depict the nature of the human being, where true reality is hidden, false images and information are perceived as reality. In the allegory Plato tells a story about a man put on a Gnostics path. Prisoners seating in a cave with their legs and necks chained down since childhood, in such way that they cannot move or see each other, only look into the shadows on the wall in front of them; not realizing they have three-dimensional bodies. These images are of men and animals, carried by an unseen men on the background. Now imagine one of the prisoners is liberated into the light, the Gnostic path will become painful and difficult, but slowly his eyes will begin to accommodate what he sees and his fundamentalist view about the world will begin to change; he sees everything through an anarchic thinking and reasons. When he returns into the cave, his fellow prisoners will not recognize him or understand anything he says because he has develop a new senses and capability of perception. This is the representation of the human nature, we live in a cave with false perception of reality that we've been told since childhood, but we must realize that these present perception are incomplete.
In Plato’s Republic, Socrates argues that for the perfectly just city to be realized in practice, philosopher must become kings and kings must become philosophers. In order to prove his point I will discuss the metaphor of the divided line and the allegory of the cave to explain Socrates’ theory of knowledge. Finally the questions of whether what a person knows make him or her better person? Does it qualify him or her to rule? Will get answered.
One of the biggest questions that humans have is “what is reality”. Plato suggests that, “ we are born in illusions,” (Plato) and that the truth is initially blinding. “The Myth of the Cave,” is a narrative story about the idea of reality, it is explored though an allegory about a man finding out the truth about reality coming from a life in the dark. They can only learn about true mainly through reason and truth. The story is told as a metaphor for what happens in the natural world and how people can be stuck in the dark about reality. Plato tells the story through the voice of Socrates, his mentor.