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et, even though the two poems, The Lokia, written by Graciela Huinao and Like the Leaves poet by Humberto Ak’abal shows that the scars of the Indian society using symbolism, is also stated to instead of living as a role as a bystander, be a character that is an upstander that stands against the injustices towards the Native Americans. In The Lokia, the poet writes the Loika singing, as the nest was stolen from the Loika. Huinao wrote, “Why does the loika sing?/ If the earth where he was going to nest/ has been stolen./ He’ll have to look for new lands. /He takes off singing “(Huinao, stanza 2). The home that the Loika has once lived, was taken away from him, leaving the birds to sing melancholy for its loss. The unspeakable actions that the Native American did, to themselves, to their culture, and to their society, ruin the hearts of every Native American. …show more content…
The Native couldn’t even endeavor to help prevent the white authority to seize the Native’s property.
And the effect of that action, cause an injury, not physical but emotional to the hearts of the Native society. And in order to obstruct any more agony, the poet of The Loika, Graciela Huinao, is proclaiming the Natives to stand up for themselves. Fight for the Native’s justice, fight for the people, for culture, and the society or a place that Native can call a ‘home’. Be a protector, be a guardian that can bring success and bliss to their own people. The poem is a message to all Native Americans, to take a risk, even though that it may not work, but the tiniest actions can bring a spark of courage to the people; that can change everything around them. Similarity, to another poem Like the Leaves, written by Humberto Ak’abal, expresses that leaves and a tree are an analogy connection to people. Ak’abal wrote, “ Forgetting is like leaves/ Some fall others are born/ They stop being leaves/ only when the tree/ stops being a tree” (Ak’abal, stanza 1-3). The trees and leaves are the nature of a Native
American. What created or made Native American unique is based on the culture and their identities that are different from other races. Yet, when the Native people are forced to forget their cultures, are like the shedding of the leaves. And once it falls, it can’t be attached back. The loss of strength and courage is what the Natives absence to have. And this poem that the author, Humberto Ak’abal is trying to pronounce is that, is to end the responsibility of each every Native American as being a bystander. Being one doesn’t make any changes to it just creates the condition of the Natives suffering from injustices to increase even more. The lack of action is what made the Native weak and powerless. And the Natives need to change that. To become a ‘hero’ that can restrain the White from the endless maltreatment towards the Natives. To be a victor, to be an upstander that can defend. To be a warrior that can shelter the hearts of every single Native American from getting hurt. To prevent anymore despondency for the Native. To the heart and the body.
Eckermann’s poem, ‘Ngingali’, conveys an Aboriginal link to the land and Country. Furthermore, Eckermann utilises the simile through the line, “my mother is a granite boulder”. This demonstrates that the connection to the land and Country as well as it being hard to shift. Eckermann using narrative perspective through “my mother” appears deeply personal and further depicts an Aboriginal connection to the Country. Additionally, through the line, “gulls nestle in her eyes” Eckermann conveys the utilisation of both, metaphor as well as imagery
John Updike’s poem “The Great Scarf of Birds” expresses the varying emotions the narrator experiences as he witnesses certain events from nature. His narration of the birds throughout the poem acts as numerous forms of imagery and symbolism concerning him and his life, and this becomes a recollection of the varying emotional stances he comes to terms with that he has experienced in his life. These changes are so gradually and powerfully expressed because of a fluent use of diction and figurative language, specifically symbolism and simile, and aided by organization.
The short story, Ashes for the Wind by Hernando Tellez, the central conflict is focused around two groups, the all-powerful government and powerless farmers. The struggle that is going on is one that is commonly seen in poor third world countries where the government controls everything and where the people make up the complete work force. The story reveals Juan Martinez’s inner beliefs, that he is a stubborn yet proud man that will stand for everything that he owns even if that means death. Even after voting for the wrong side, Juan protects his family from the evil that is the law. Arevalo’s motivations were such that he did not stand up for the family that he grew up with. His betrayal of the political system and his father leaves Simon’s
As a journalist in 1920 for the New York Herald Tribune, Sophie Treadwell was assigned to go to Mexico to follow the situation after the Mexican Revolution. (Mexican Revolution 1910-1917) She covered many important aspects of the Mexican Revolution during this time, including relations between the U.S. and Mexico. She was even permitted an interview with Pancho Villa in August 1921 at his headquarters. This interview and other events that she experienced in Mexico are presumably what led her to write the play Gringo. In Gringo Treadwell tries to depict the stereotypical and prejudicial attitudes that Mexicans and Americans have about each other. There is a demonstration of how Mexican women are looked at in the Mexican culture and how they see themselves. The play also corresponds to similar events that occurred during the Mexican Revolution.
The tile of the poem “Bird” is simple and leads the reader smoothly into the body of the poem, which is contained in a single stanza of twenty lines. Laux immediately begins to describe a red-breasted bird trying to break into her home. She writes, “She tests a low branch, violet blossoms/swaying beside her” and it is interesting to note that Laux refers to the bird as being female (Laux 212). This is the first clue that the bird is a symbol for someone, or a group of people (women). The use of a bird in poetry often signifies freedom, and Laux’s use of the female bird implies female freedom and independence. She follows with an interesting image of the bird’s “beak and breast/held back, claws raking at the pan” and this conjures a mental picture of a bird who is flying not head first into a window, but almost holding herself back even as she flies forward (Laux 212). This makes the bird seem stubborn, and follows with the theme of the independent female.
Caucasia is a coming of age novel that is told through the lens of Birdie Lee, a biracial girl who sees herself when she looks at her sister Cole Lee, even though physical difference of both Birdie and Cole were continuingly addressed through out the novel but their affection for one another exist beyond the bounds of physical differences. Birdie and Cole Lee are daughters of a White woman with blonde hair hand blue blooded (Sandy) and an African American political activist father (Deck). The closeness of these two sisters takes many hits and turn because one has the ability to disappear into the black society while the other one can disappear into the black society. Birdie inherits her physical looks mostly from her mother and is welcomed on the first day of school by a boy throwing spitball at her “What are you doin’ in this school? You White?” Of the bat Birdie is seen as white and categorized as white by anybody due to her physical appearance, which her identity is formed and categorized into whiteness.
Culture molds the character of writers and gives a variety of different perspective on certain life experiences. In Julia Alvarez’s short story Snow, Yolanda, an immigrant student, moved to New York. While attending a Catholic school in New York, bomb drills were performed. The teacher would explain why these drills were important. Yolanda later found out that her first experience of watching snow was not the best experience one could possibly have.
The Flowers By Alice Walker Written in the 1970's The Flowers is set in the deep south of America and is about Myop, a small 10-year old African American girl who explores the grounds in which she lives. Walker explores how Myop reacts in different situations. She writes from a third person perspective of Myop's exploration. In the first two paragraph Walker clearly emphasises Myop's purity and young innocence.
“The Ones Who Walk Away From Omelas” by Ursela Le Guin is a short story about a city that she perceives to be one of a happy or joyful nature, but the narrator himself drops hint throughout the paper proving why it is the opposite. The story is in fact written from the point of view of a narrator who until the conclusion of the story, makes Omelas sound like a wonderful place. The reader would expect to hear of a happy “fairy tale” like ending, but instead finds out about a child in a locked room under harsh conditions. However, the child being in that room under those conditions is the only way that Omelas can continue to thrive as they do now. The citizens of the
There is perhaps no greater joy in life than finding one’s soul mate. Once found, there is possibly no greater torment than being forced to live without them. This is the conflict that Paul faces from the moment he falls in love with Agnes. His devotion to the church and ultimately God are thrown into the cross hairs with the only possible outcome being one of agonizing humiliation. Grazia Deledda’s The Mother presents the classic dilemma of having to choose between what is morally right and being true to one’s own heart. Paul’s inability to choose one over the other consumes his life and everyone in it.
To what extent does Carol Ann Duffy’s poem ‘Medusa’ challenge stereotypical masculine and feminine attributes?
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The sexually violent scenes in Cereus Blooms at Night by Shani Mootoo often contain Mala’s methods of maintaining a sense of control, which was stripped from her when her father began being abusive. Unable to prevent her father’s attacks, Mala finds the comfort and strength to endure them by caring for Asha, Ambrose, and Pohpoh. Despite her traumatic experiences, she is able to maintain a sense of control over herself by focusing her attention on the people she loves, demonstrating how the intermingling of trauma with moments of real beauty and human connection is the most powerful means of surviving against all odds.
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Native Indian beliefs. The poem now sees a shift of the clouds which warns of