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Americanization food culture
Burger king advertisement analysis
Burger king advertisement analysis
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Recommended: Americanization food culture
The fast food franchise as a whole has slowly weaved its way to becoming an integral part of American culture ever since the first fast food restaurant emerged. One, in particular, continues to make an impression on our culture is Burger King. The restaurant chain sells one of America’s most purchased food products, the burger, and has done well enough to spread throughout the United States and beyond through the use of media. One of the best ways Burger King has taken advantage of media was to spread its product through ads designed to be noticed and to eclipse all competitors through the use of major figures, but can sometimes have a secondary meaning to those who delve past the initial surface. The Burger King ad featuring the Mount Rushmore National Monument attempts to persuade it’s audience to purchase it’s food by revealing that even America’s Presidents enjoy the food it provides; however, even though the persuasion of the ad succeeds on the surface by showing a sense of satisfaction on their faces, it could be taken alternatively by stating that the ad illustrates gluttony and obesity in America to the point of the monument adapting to reflect this.
Allow me to describe the particular ad that will be discussed within this piece. The boarder of the ad is white with a Burger King logo in the bottom right corner and the phrase “The Whopper. America’s favorite burger”. The image depicts a clear blue sky and Mount Rushmore, located near Keystone, South Dakota. Carved into the granite mountain face (from left to right) is the sculpture of George Washington, Thomas Jefferson, Theodore Roosevelt, and Abraham Lincoln. Each of the presidents’ faces has bloated chipmunk cheeks and smiles to from ear to ear which supports the pers...
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...t to reflect that the faces within the stone agree that the food is worthwhile. The deeper we go into the ad, the more it seems that it could be warning the consumer of its food that it is unhealthy and that it has infected the American people to cause them to grow fat. However, if we go even deeper to the marrow of this ad, it can be said that it is a very philosophical was to show, rather than say, the American people that they are gluttons and consuming the world’s resources more quickly than they can be readily produced. The meaning of the ad can change for each and every eye it catches and can mean something completely different for each as well. Does it succeed, in the simplest sense, yes it does, but the further one goes into the meaning of the ad, the greater the chance of seeing something far more sinister and dark than Burger King had originally intended.
Fast food, while a quick alternative to cooking, has always been known to be less healthy than traditional preparations, but the extent of its health benefits or detriments was not known until a lawsuit came out which inspired documentarian Morgan Spurlock to engage in a 30 day experiment. The resultant documentary specifically targeted McDonald’s, the largest fast food chain in the world, which also happens to be a major recipient of lawsuits linking obesity and their food. Spurlock endeavored to spend a thirty day period eating nothing but food that came from the golden arches, with the rules that he would supersize only when asked, and every time he was asked, and that he would have everything from the menu at least once. In the 2004 film Super Size Me, Morgan Spurlock explores the concept that McDonald’s contributes to the nation’s obesity problem through the utilization of statistics and scientific evidence as a logical appeal, comedy and repulsive qualities as an emotional appeal, and s...
They make the cheeseburgers look like they had just made them with the freshest ingredients and best meat McDonalds could find. Although anyone who has eaten at McDonalds knows that the ingredients they use are the farthest thing from being fresh, so in making the burgers look nice and fresh it makes the burgers look better then what they really are driving in a crowd of people hoping to eat a burger from the ad only to be disappointed to find the real burger is all around not that impressive. The color choice of the back round of the ad being red, normally wouldn’t raise any eyebrows. What people don’t realize is that red stimulates aggression and speeds up your metabolize making you hungrier and hungrier until those three big juicy cheese burgers look like the best thing in the world. The shaded diamond shapes in the background actually symbolize the concept of choosing so it would make sense to put it on the ad to want them to chose one of there cheese burgers. The positioning of the cheeseburgers is in a pyramid/triangular design that displays structure and power. The display is quietly giving someone a slight feel of power wanting him or her to buy the cheeseburger that made him or her feel good. The only times any of the words on the ad are capitalized are when the ad is naming the cheeseburgers. The company is trying to make the burgers the most important thing on the ad by
McDonald's is one of the multiple fast food restaurants that serve greasy and oversized meals that are harmful to the human body. Throughout a thirty day McDonald's only diet, Spurlock surrounds himself with logos, ethos, and pathos to impact the viewer's opinion on the true cost of eating fast food
The pictures used in the ad, cover many common areas used in political campaigns such as pictures with school children, construction workers, factory worke...
The Dark Side of the All-American Meal, a work examining the country’s fast food industry (Gale). Schlosser sets off chapter 5: “Why the Fries Taste Good,” in Aberdeen,
Schlosser, Eric. Fast Food Nation: The Dark Side of the All-American Meal. Boston: Houghton Mifflin, 2001. Print.
It conveys the thought of Snickers chocolate bars satisfying our hunger and returning your normal character. Specifically, using a historically honest figure such as President Lincoln and displaying him as a lair when hungry suggests the idea that being hungry interferes with the morality and individual’s characters. Mars Incorporated developed this advertisement campaign to captivate the attention of everyone – the young, old, black, white, male or female. The specific purpose of the advertisement is to raise the popularity of the candy bar. Using an infamous figure as President Lincoln boosted the advertisements popularity greatly and allowed it to resonate with the audience more. When a famous person is used, a bandwagon is created for civilians to jump on. Consumers tend to believe the advertisementvertisement more when celebrities and historical figures are used. Consumers are also more interested to try the product when they are leadvertisement to believe the product influences the president’s
In a society that is facing numerous problems, such as economic devastation, one major problem is often disregarded, growing obesity. As the American society keeps growing, so does growth of the fast food industry and the epidemic of obesity. In order to further investigate the main cause of obesity, Morgan Spurlock, the film director and main character, decides to criticize the fast food industry for its connection with obesity in America. In his documentary Spurlock performs a radical experiment that drives him to eat only from McDonald's and order a super-sized meal whenever he is asked. By including visual and textual techniques, rhetorical appeals, and argumentative evidences, Morgan Spurlock was able to help viewers know the risks of fast food and how it has caused America to be the world's “fattest country”.
13). Both of these types of images are shown through this ad. The Lunchables ad is showing renditions of the world through the young kid in a school setting, however; the lunch box exploding with paint and animals is more abstract but it still accurately reflects how the kid feels when he opens a Lunchables. Bignell (2002) explains “the aim of ads is to engage us in their structure of meaning, to encourage us to participate by decoding their linguistic and visual signs and to enjoy this decoding activity” (p. 33). The Lunchables ad has many signs the viewer can decode. One important sign in the ad is the African American young boy sitting with a shocked and ecstatic look on his face. He signifies that he is happy and eager to eat a Lunchables. The food coming out of the Lunchables symbolizes the actual food someone would eat if they were to get the Turkey and Cheddar cracker snacks Lunchables. It relates to the Lunchables because it is a real representation of the inside of the box. The paint and paintbrushes symbolize creation and fun. They relate to the ad as a whole because they represent the creation of making your own lunch with a Lunchables, which is one of the reasons why the Lunchables are so successful. The paint and brushes also signify making a mess and that is something
Unfortunately, the observation is in error because the graphic is located in the Business section of Time Magazine, not the Health section. After reviewing the visual meticulously, the drawing proves to represent an issue that is not quite as literal as it may seem. The obviously struggling Ronald McDonald depicted in the cartoon is making an honest attempt to lose his weight, but he seems to have no real chance. It seems the harm is done for McDonald's; and regardless of its efforts, McDonald's can not catch up to its growing competition.
Fast food restaurants such as Burger King and McDonald’s, create advertisements where it urges people to consume their product. For example Mcdonald’s created a product where you can get two items such as a mcdouble and a medium fries for three dollars. According to “The battle against fast food begins at home”, by Daniel Weintraub, it shows how companies are intriguing their customers. “ The center blames the problem on the increasing consumption of fast food and soft drinks, larger portion sizes in restaurants and the amount of available on school campuses”(1).For the most part, the Center for Public Health believes that fast food companies are the problem for health
He describes the action longingly “I could already taste it: The sixty-nine-cent hamburger. The ketchup, red and decadent, embedded with little flecks of grated onion. The uplift of the pickle slices; the obliterating rush of fresh Coca-Cola...” (Shteyngart,54), but McDonalds is not the only product or brand that represents what we see as typically American. Other brands such as: KFC, Burger King, Disney, Apple, Nike and many others are things that people outside the United States and immigrants living here usually buy to feel more connected to the country and in a way, feel more American. These brands are typically seen as American because they are heavily advertised by the media and you see many famous Americans consuming
For millions, fast food restaurants are the source of positive associations with birthday parties, play dates and accessible comfort food. For others, they represent a lifeline meal on a busy day, or the secret to quieting a cranky toddler on a long trip because hurrying residents of cities have no time to cook a healthy breakfast, lunch and dinner. Fast food presents even in the lives of people who are trying
“Don’t Blame the Eater” is an article by David Zinczenko that explains to Americans, specifically overweight young Americans, about the risks eating at fast food restaurants and its cause of affecting one’s health. In his article, he tries to address the issue about America’s food industries by using literal devices such as tone, logos, ethos, diction, and organization in order to spread his message. He begins his article by addressing the topic and as he continues writing, he supports his topic by writing about personal experience and moves onto the reasons why his topic in a serious issue. Although he shows an overall clear progress, he does tend to have a few problems with his writing that could be improved.
Kincheloe, Joe. The sign of the burger: McDonald's and the culture of power. Philadelphia: Temple Univ Press, 2002. 9-185. Print.