More handpicked essays just for you.
The hunchback of notre dame, my reflection paper
The hunchback of notre dame thrme
The hunchback of notre dame thrme
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: The hunchback of notre dame, my reflection paper
In this novel The Hunchback of Notre-Dame (1831), Victor
Hugo talks about the life of his characters in the city of Paris.
This story takes place in the late-fourteenth century. With inequality all around it was hard for a person to gain respect without good looks or social status. In this paper I will mainly discuss the story of Quasimodoe Esmeralda, and their struggle in this story Quasimodoe`s mother was a gypsy. She could not take care of him any longer so she left him in front of a church. Gypsies were not liked at this time, but the church was highly respected. Being it that
Quasimodo`s mom had left him on front steps of the church the king could do almost nothing. Quasimodoe could not leave the church due to the fact that he was deformed and ugly. Quasimodo grew very lonely and bored up in that bell tower all by him self. He was looking down one day and set eyes upon a young woman named Esmerelda. On the day of fools Quasimodo saw this young lady and decided to go do! wn and take a closer look at this woman. It was a holiday, feast of fools, when he decided to go down. When the people saw him they were horrified. He got whipped and lectured by his master. Well, to make a long story short
Esmerelda ends up dyeing, and Quaismodo runs away and is never seen or heard of again. They state that in the end they find two skeletons lying in each others arms. One the body of a lady (Esmerelda), and the other the body of a man who was deformed (Quaismodo). It also states that th...
The book The Squatter and the Don was written under such a political and social background, therefore, this book is considered as one that carries political colors and that is similar to Uncle Tom’s Cabin. Actually, through reading The Squatter and the Don, it is not difficult to find out that Ruiz de Burton was trying to challenge the social borderlines of her time and place through her application of political illumination and her integration of historical
At the outset, an insightful reader needs to draft the general boundaries of allegory and symbolism in the story. To put it most simple, the problem of distinguishing between good and evil undergoes a discussion. It is not difficult to notice that the Grandmother stands for good and the Misfit for evil. But such a division would be a sweeping and superficial generalisation, for both the characters epitomize good and evil traits. Moral evaluation is a very complex process and it is not the human who is to decide on that. There are rather various degrees of goodness and evil, both interwoven, also in their religiousness. Th...
In the book “Bless Me Ultima”, by Rudolpho Anaya, there were two families represented, the Marez family and the Lunas family. These two families were very different, but were brought together by the marriage of Gabriel Marez and Maria Lunas. Through the eyes of their son Antonio one may see the comparison of the two. The differentiation of these two families is very clearly noticeable, such as in their personalities, the expression of their religion, and their everyday ways of life.
Valle’s most significant contribution to the Spanish theatre is his invention of the literary style of esperpento, which is best represented in one of his most famous plays, Luces de Bohemia. Valle created esperpento with the aim of representing the harsh realities of Spanish twentieth century society through the concave lens of grotesque deformation, so that he could present the lives of the Spaniards in the light of mockery and absurdity. During his writing of Luces de Bohemia, the Spanish society has been brought to a halt, along with the lack of political progress and social improvement, therefore this concerning political situation has influenced and steered Valle towards his literary evolution, the exaggerated grotesque, which he though was the only suitable way to represent the shocking reality and problems of Spain. In this way, he could alarm the people to terminate their complacent acceptance of this reality and he could also produce a distancing effect which renders the reader immune to the play’s purpose, thus making the artistic experience more tolerable. His experience in the killing fields was what made him t...
In terms of gender ideals of medieval society, the main characters in the story are very conventional. To begin with the story meshed nicely with the social conventions that Gayle Rubin explains in Traffic of Women. Accor...
is the understanding of this "rich" character. In this study I will try to analyze some of his traits (invisibility-lack of indentity , blindness) and his journey from idealism to a grim realism about the racism that confronts him in the story.
Victor Hugo penned a fantastic, picturesque story of passion and the human spirit in The Hunchback of Notre Dame. The dramatic emotions of the characters play out on the stage of fifteenth century Paris, France. Quasimodo, a repugnant physical defect of nature, lived severed from human contact, excepting that of the solemnly aloof priest, Claude Frollo. For his part, Frollo strove for knowledge until he encountered the captivatingly gorgeous gypsy dancer, Esmeralda. She existed solely to adore an arrogant captain of the King's Archers, named Phoebus de Chateaupers, for saving her from being kidnapped. Enticed by Esmeralda's dancing to the depths of his being, Frollo outwardly denounced her as a sacrilegious sorceress, but his body raged for her out of lust, accounting for his repeated attempts at having her prohibited from dancing near the cathedral, or stolen away. Esmeralda, furiously in love with Phoebus, nearly sacrificed her virtue to gain his heart, before Frollo gravely wounded him. Tortured into confessing witchcraft and condemned to die by a court with church officials, the gypsy enchantress obtained sanctuary in Notre Dame cathedral, rescued from the hangman's noose by Quasimodo. At this point, Frollo attempted to claim Esmeralda's merciful and virtuous heartfelt forgiveness for his passion, failing miserably because his efforts appeared feeble and lascivious. Frollo and Esmeralda perished, however, after a storming of the cathedral and gruesome battle, dying sacrifices on the altar of human emotion.
Hugo, Victor. Les Miserables. Comp. Lee Fahnestock and Norman MacAfee. Trans. Wilbour, C.E. Only Complete and Unabridged Paperback Editon ed. New York, New York: Signet Classics, 1987. Print.
As the era of literature slowly declines, the expert critiques and praise for literature are lost. Previously, novels were bursting at the seams with metaphors, symbolism, and themes. In current times, “novels” are simply short stories that have been elaborated on with basic plot elements that attempt to make the story more interesting. Instead of having expert critical analysis written about them, they will, most likely, never see that, as recent novels have nothing to analyze. Even books are beginning to collect dust, hidden away and forgotten, attributing to the rise of companies such as Spark Notes. An author deserves to have his work praised, no matter how meager and the masses should have the right to embrace it or to reject it. As much of this has already been considered, concerning Les Misérables, the purpose of this paper is to compare, contrast, and evaluate Victor Hugo’s use of themes and characterization in his novel, Les Misérables.
After reading, Charles Perrault, version of “Little Red Riding Hood” a story told in the 17th century of France from that time era the 17th century. The audience of Charles writing were for kings, and young women and the royal courts. The purpose of his writing is developed a seriousness of why rich noble age women should be worried about predators. The rhetorical appeals that he displayed was pathos he expressed work of art that stirs up emotions of pity for Little Red Riding, and the Grandmother. So, the audience would feel sympathy and sorrow. By using pathos appeals he made an important persuasion in arguments of different emotions. After, I read upon H.R. Trevor- Roper’s journal article who is known for studies in 17th century history and European history he written an article called The General Crisis of the 17th Century. Roper’s article said that. “The middle of the 17th century was a period of revolutions in Europe: seem to rise out of particular, and local causes.” (Roper). Which informed me on a lot of what was happening in that time era from the many different wars and the revolution in the country. From
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
Poe’s fantastic use of imagery holds an idea to the questioning of his character's motives. In “The Cask of Amontillado”, Montresor's face was covered by a black mask, he not only represents blind righteousness but also revenge. In contrast to Montresor's apparel, Fortunato wears a colorful jester costume, and gets precisely and dreadfully fooled by Montresor’s underco...
In the story of “Desiree’s Baby” by Kate Chopin, there are many literary themes that can be analyzed such as love, racism, gender inequality, and miscegenation. What this analysis will focus on is primarily on the central male character, Armand Aubigny, and on his views towards racism. More specifically, what this essay will aim to prove is that Armand Aubigny looked down upon the African race to the point where he hated them. One of the biggest driving points to aid this idea is how his family name shaped his behavior and actions according to the societal normalities of his time period. Another important aspect that will be considered is his very relationship towards his slaves in how he treated them cruelly even to the point where he is described as “having the spirit of Satan” (Chopin 3). In addition to this, the reader will also see Armand’s negative reaction to being aware of the implications of his son and wife having mixed blood in where he practically disowns them. With all this culminating to Armand finding out the ugly truth that the race he had treated so horribly is actually a part of his very own blood as well.
It is evident from such a diversity of sentiments that the work before us is complex enough to provoke a variety of reactions. On the one hand, Molière made The Misanthrope a comedy, not a tragedy. Alceste, despite his bold railings against the hypocrisy of society, often finds it impossible to set a heroic example in front of his all-too-"civilized" circle. He is no lone upholder of a noble creed forced to martyrdom for his beliefs; in fact, his announcement, at the end of the play, of the martyrdom he is imposing upon himself--exile to "some solitary place on earth/Where one is free to be a man of worth"{6}--makes him look less heroic than ridiculous.
The authors' relations to us on the characters' places in society help us to relate to and comprehend their actions. If Meursault hadn't been so detached from society, Noboru so discontented with society, and Medea so vengeful toward society, we wouldn't have half of the justification needed to understand the murders that took place in the works. Given the presented material about conformity, I conclude that the stories' plots indeed grow around the unique attributes of the non-conformers, and as result, spark the reader's imagination to the fullest.