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Essay on positive impact of tattoos
Essay on positive impact of tattoos
Essay on positive impact of tattoos
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A tattoo is a permanent mark or design made on the skin by a process of pricking and ingraining an indelible pigment into the punctures or by raising scars. This is the definition; however, to many a tattoo has more of an abstract, personal meaning. Tattoos symbolize individuality, experiences, status, religion, and art. They come in many shapes, sizes, colors, designs, and styles. The history behind the tattoo is just as fascinating as the tattoo itself. Whether flaunted or hidden, sought as art or bought out of a whim, the tattoo has left its mark on generation after generation (Krakow). The purpose of tattooing varies from culture to culture, person to person, and its place on the time line. The essay will examine the following eras: BC and tribal, 20th century, and modern.
It is noted that tattooing (a Tahitian word meaning “to mark something”) has existed since 12,000 years BC. As noted in “A Brief History of Tattoos,” women in Borneo tattooed their symbols on their forearm indicating their particular skill. If a woman wore a symbol indicating she was a skilled weaver, her status as prime marriageable material was increased. In tribes, tattoos around the wrist and fingers were believed to ward away illness and bad spirits. In recorded history, the earliest tattoos can be found in Egypt during the time of the erection of the great pyramids. As the Egyptians expanded their empire, the art of tattooing spread along with it. The civilizations of Crete, Greece, Persia, and Arabia picked up and expanded the art form (“A Brief History of Tattoos). The Greeks used tattooing for communication among spies by identifying them and showing their rank. Romans marked criminals and slaves, a practice still carried on today.
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...on, Michael. “Tattooing and Civilizing Processes: Body Modification as Self-Control.” La Revue Canadienne de Sociologie et d'Anthropologie 41 (May 2004): 125-146
Demello, Margo. Bodies of Inscription: A Cultural History of the Modern Tattoo Community. Durham: Duke University Press, 2000.
Garcia, Tomas (Keepsake Tattoo). Personal interview. 10 Nov. 2014
Hawkes, Daina, Charlene Senn, and Chantal Thorn. “Factors That Influence Attitudes toward Women with Tattoos.” Sex Roles: A Journal of Research 50 (May 2012): 125-146
Krakow, Amy. Total Tattoo Book. New York: Warner Books, Inc., 1994. Sace, Paul. “History of Tattoo.” Tattoo.co.uk. 15 November 2014
Steward, Samuel. Bad Boys and Tough Tattoos: A Social History of the Tattoo with Gangs, Sailors, and Street-Corner Punks, 1950-1965. Portland: Harrington Park Press, 1990.
It is true that the young people have more tattoos than the old people. 36% of Americans between ages 18-29 have a tattoo (Brooks). The fact that society is accepting this violation means that there are more people who are yet to confirm, of which they will in the near future. It is also evident that people wear tattoos to show commitment because lovers for instance wear the images or the names of their lovers and others wear the images of their icons to show that they matter to them. This kind of permanence on someone’s body shows commitment and it is admirable to the world.
West, T. (n.d.). The Taboo of Tattoos: Changes in Body Art during the New Deal and World War II. Journal of Research Across the Disciplines. Retrieved November 28, 2013, from http://www.ju.edu/jrad/documents/tiffanyw.pdf
The social atmosphere surrounding tattoos has changed drastically since the 1960’s when Collins was tattooing sailors and roughnecks in his backstreet tattoo shop. Tattoos in general have become more socially acceptable with the old saying of “everyone from soccer moms to doctors has tattoos.” While they still have a ways to go before being completely accepted in the public’s eye, I feel privileged to live in a time when becoming a tattoo artist doesn’t automatically make me an outsider.
Society has changed in many ways over the years; at one point tattoos were considered unprofessional and disgusting to most people, but today, they are quite common amongst young adults and people who enjoy art. Parents and people of many older generations, sometimes struggle to understand why this new interest in tattoos has been able to consume American culture so quickly. Prior to this boom of interest in tattoos, there were many horror stories that surrounded the subject due to unsanitary tools used and possible diseases a person could catch if a mistake was made. Lois Desocio is one of those adults who has struggled to understand tattoos, especially since her son Alec began to fill his body with them. As Alec’s collection of body art continues
In the beginning of the article, Martin explains that teenagers usually pursue tattoos from an influence or even in an effort to confirm affiliation or identity (Martin, 1). He then compares the standpoints of the adolescents and parents. Adolescents tend to get tattoos or piercings for the look and feel of it, while parents feel that their child receiving a piercing or tattoo as a threat to their authority. Martin expresses how even the simplicity of piercing or tattooing skin can cause strain and arguments in families (Martin, 2). He then introduces his three main sections: Identity and the Adolescent’s Body, Incorporation and Ownership, and The Quest for Permanence. In his first section, Identity and the Adolescent’s Body, Martin explains some reasons as to why adolescents seek receiving something involving such permanence. He conveys how most teenagers seek piercing and tattooing as a refuge from an identity crisis or conflict, which are normal for youth development (Martin, 3). In Martin’s second section, Incorporation and Ownership, he explains how some adolescents receive tattoos after long thought processes; they embrace fantasy and imagination (Martin, 4). Last but not least, The Quest for Permanence. Martin explains how an anchor tattoo could mean something different for everyone. It is impossible to perceive a tattoo and know
Dickinson, L., Dukes, R. L., Smith, H., & Strapko, N. (2015). To Ink Or Not To Ink: The Meaning of Tattoos Among College Students. College Student Journal, 49(1), 106-120. Retrieved from http://www.galileo.usg.edu.
The term ‘tattoo’ was dubbed after James Cook’s journey to Polynesia in the 18th century (Fisher, 2002). However, it is known that the art of inking or marking one’s body dates all the way back to the Greeks. In fact, the Greek word ‘stigmata’ actually indicated the act of pricking one’s skin with ink (Caplan, 2000). Making connection to the contemporary idea of tattoos in our society, the word ‘stigmata’ was used in terms of the marking of ‘others’, such as felons and slaves. The association of the meaning behind stigmata was later spread to the Romans, who treated this act of marking as a state control mechanism (Caplan, 2000). This also touches on Michel Foucault’s outline on social control in his book Discipline and Punish:
Jun'ichirō, Tanizaki. “The Tattooer”. 603-102-04 Eastern Literature. Jeffrey Fyfe. Toronto, ON: CSPI – Coursepack, 2012. Print
Paul Roe, Mary Selvin, Mary, interview by Rebecca Roberts. Tattoos No Longer Reserved for the Rebellious (August 2, 2007).
It isn 't uncommon to see people walking around with tattoos permanently stained on their body. It is also uncommon to know that they usually have a meaning. From Chinese symbols to images devoted to the flying spaghetti monster, people love to keep these tattoos to remind them of a message or a special someone. According to the World Book Advanced Dictionary, a tattoo is "to mark (the skin) with designs or patterns by pricking a line of holes and putting in colors. ' ' And the meaning of an individual 's tattoo can vary depending on where you are. In this essay, I will discuss contrasting elements in prison and in tribal tattoos. This will be done by doing a cross sectional study of their history, meaning and methods. Are prison and tribal tattoos similar or different?
Dating back to the seventeenth and eighteenth centuries North American tattooing originated in the island of Tahiti, and other small pacific islands including Samoa and Hawaii (DeMello). The modification by U.S tattooists was to “fit a local sensibility emphasizing patriotism rather than exoticism” (DeMello). Martin Hildebrandt, was the first known tattoo artist in the United States as a professional. Shortly after the first mechanical tattooing machine was created, up until this point tattoos had been done by hand. A tattoo machine was invented because tattoos become a fad with mili...
In American culture, tattoos have become a popular part of expressing one’s style and their differences. However, do those individuals consider the changed perceptions that people may have on them based on their tattoos? In America, people who have tattoos tend to be affiliated with gangs, are criminals, open minded, don’t have a professional job, and are modern. Tattoos can have lots of different meanings to their owners, some can be deep and for others it can be simple. Some tattoo owners are prideful of their tattoos, whereas some have a feeling of regret of getting a tattoo. I hold the following assumptions towards people who have tattoos in our culture.
Symbolism and meaning is by far one of the most important aspects of the tattoo industry. “The abstract emotions and human awareness of emotions show what really is going on in ones life (Johnson)”. For that reason tattooing is a form of self-expression, and can stand for literal interpretations. For the most part these interpretations are the conveying of spiritual meaning, or marking milestones such as life or death” (Johnson). For those who think tattooing is just for looks or put a bad judgment on it, should also realize that ones personal interest reflects upon their lives. “Many individuals get their first tattoos during adolescence or young adulthood.”(Bravermark) Due to the mainstream culture, these traditions traditionally associate with stereotypes. Stereotypes defiantly have a huge impact on life. Which leads to the next point? Whether flaunted or hidden, sought as art or brought out on a whim, the tattoo has left a huge impact on generation after generation.
As early as the nineteenth century women were modifying their bodies with tattoos as a way to seek employment; this employment consisted mainly of circus sideshows or “freak shows.” These women were most often regarded as outcasts and rebels and were frequently scorned and ridiculed. “At that time, positive associations with tattoos were limited to upper class women; these women were recognized as brave and noble as well as beautiful” (Hawkes, Senn, and Thorn 594.) There was a resurgence of tattooing in the 1920s and again in the late 1960s and early 1970s which brought not only an increase in the number of women receiving tattoos but also in the number of female tattoo artists. Unlike their predecessors these women were not tattooing their bodies as means to gain employment but as a form of self-expression and rebellion. Yet they still met with discrimination and negative attitudes when it came to their tattoos.
Randall, Emily. "Tattooing Makes Transition From Cult to Fine Art." New York Times 08 May