Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Role of mother essay
The second stanza of the poem focuses on a different aspect of the mother’s personality. Although Millay is addressing her mother’s death, the tone is not sentimental. In lines 5-6, the speaker uses the small detail of the mother’s brooch to illustrate her mother’s personality: the brooch is symbolic of some of her mother’s characteristics, “The golden brooch my mother wore/She left behind for me to wear” (Millay, lns 5-6). The fact that the speaker’s mother wore a golden brooch displays that she acknowledged finery: the brooch symbolizes the fact that the narrator’s mother had a good sense of style and was steadfast and brave, in addition to being feminine and beautiful, just like the brooch. The golden brooch accommodates as a contrast to
The title of the short story, “Four Directions” is symbolic for Waverly’s inner misconceptions. As she goes about her life, she is pulled in different ways by her past and her present. She is torn between her Chinese heritage and her American life. She never thought that instead of being pulled in four directions, she could take all of her differences and combine them. In the end she realizes this with the help of her mother. “The three of us, leaving our differences behind...moving West to reach East” (184), thought Waverly. Her whole life she misconceived her mother’s intentions. Lindo never wanted Waverly to solely focus on her Chinese heritage, but rather combine it with her new American ways. The idea of being pulled in four
A Pulitzer Prize is an award for an achievement in American journalism, literature, or music. Paul Gigot, chairman of the Pulitzer Prize board, described the award as a “proud and robust tradition”. How does one carry on this robust tradition? By mastery of skilled writing technique, one can be considered for the awarding of this prize. Since its creation in 1917, 13 have been awarded annually, one of which, in 1939, was given to Marjorie Kinnan Rawlings for her novel, The Yearling. Rawlings is an American author from Florida known for writing rural themed novels. Consequently, The Yearling is about a boy living on a farm who adopts an orphaned fawn. Marjorie Kinnan Rawlings procured a prestigious Pulitzer Prize for her effectual use of figurative language, sensory details, and syntax.
The unveiling of a piece of artwork symbolises the gradual revelation of the girl’s feelings. At the beginning of the text she seems to have no emotions, “Live. Survive. They’re the same thing” and “she thought the thoughts of a machine.” She is portrayed as robot-like and is not in possession of feelings or vulnerability. However, over the course of the story, she progressively gives in to her overwhelming, pressing emotions. “She took off her watch and bikini and lay in the sun” and “She ran naked down to the water.” This can be perceived as the beginning of the exposing of her emotion; her nakedness introduces a sense of vulnerability, a quality not associated with machines. In addition, the leaving behind of her watch reinforces the idea of the deterioration of her ‘robotness’. The watch is a symbol of time and regulation, the girl choosing to abandon it, represents her no longer needing to rely on regulation and control. By the end of the story, her true emotions had surfaced, “No, you old bitch” and “She cut through the water and filled up cold with anger”. She is no longer machine–like and automatic. This final display of emotion is represented through the uncovering of the artwork. The man whom is uncovering the piece symbolises the mother. It essentially was the girl’s mother who filled her daughter’s head with her “stupid, recurring statements” and as a result, emotion. Furthermore, the exposure of her emotions coinciding with her death implies that, although emotions are stereotyped as something beautiful to share, her emotions were engulfing and devastating. In conclusion, the disintegrating of her ‘robot-like’ armor is represented through the uncovering of a piece of artwork.
Until one day when she finds a dead mean that had hanged himself, as it states in the passage, “ she noticed a raised mound, a ring, around the rose's root. It was the rotted remains of a noose, a bit of shredding plowline, now blending benignly into the soil. Around an overhanging limb of a great spreading oak clung another piece. Frayed, rotted, bleached, and frazzled--barely there--but spinning restlessly in the breeze. Myop laid down her flowers. And the summer was over.” This shows that when she saw the dead man she ended her prime, or the happiest part of her life when it says “And the summer was over.” This also shows her maturing and caring about the world around her because her seeing the dead man scarred her and made her sad when she was always happy. This ties into defining moments because the moment she saw the dead man, she saw that not every ones life is worth living and that she should be thankful, and that is what defines
“Golden Retrievals” also can be seen as golden retriever, which is most likely the breed of the speaker; asks the reader to live life in the moment. Doty describes through images, slant rhymes, rhythm, and organization to enforce the tension of the poem between the speaker and the human. The tension of the poem lies in the merry tone of the personified dog, which lightens the morbid context, but it’s also seriously discusses grief through the humans sentimental
Before young Goodman Brown begins his journey, he says his farewells to his wife, Faith, who is reluctant to see him go. “And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown. ‘Dearest heart,’ whispered she…, ‘prithee put off your journey until sunrise and sleep in your own bed to-night…’ ‘My love and my Faith,’ replied young Goodman Brown, ‘of all nights in the year, this one night must I tarry away from thee…’” (Hawthorne pg. 1). Before departing on his “journey”, Goodman Brown bids goodbye to his wife. Faith’s pink ribbons are not only a symbol of the innocence and purity of Faith, but also for the innocent and immature views of Goodman Brown, who has until his journey into the woods, only seen the unblemished and holy side of his fellow townspeople rather than understanding that almost all people, good and bad alike, will carry some kind of sin. After entering the woods, Goodman Brown meets a man dressed in “grave and decent attire” who greets the goodman upon seeing him. “‘You are late, Goodman Brown,’ said he. ‘The clock of the Old South was striking as I came through Boston, and that is full fifteen minutes agone.’ ‘Faith kept me back a
For Young Goodman Brown, the tangible object that represents his innocence is his wife Faith. Faith, his wife, with her pink ribbons embodies his purity and innocence, “And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown” (Hawthorne 1). Here Faith seems young, free and innocent as she lets the wind play with her pink ribbons. Faith does not want Young Goodman Brown to leave her alone for the night, yet he does anyway. If he had simply just stayed home as his Faith wanted, he never would have walked with the Devil or almost given up his innocence. An online source entitled “Color Psychology” calls pink a representation of “[...]the sweetness ...
The color gold is of dominance in this novel. It is used frequently to describe richness and luxuriance. 'On the breast of her gown, in fine red cloth surrounded with an elaborate embroidery and fantastic flourishes of gold thread, appeared the letter 'A.''; (60)
The speaker is speaking to herself, as there are no secondary characters that she is speaking to. Her attitude towards her mother's death has a sense of dependence, as she states in line 15: “The cards looked after me”, which suggests her mother was with her, every step of the way, until she died. Only after that did she realize that her world shaped by her mother (“boxed – shaped”) was a false reality to cope with her day to day life. Towards the end of the poem, she now recognizes and accepts the fact that her mother is dead, and that it is time to move on by burning the cards. As a more mature person without the influence of her mother's world, she is set to create her own reality,. The speaker also appears to be reflective, as the first line states, “...
The essence of life is John Dalton, said the famous Jim the Philosopher. But should Jim be trusted in this characterization of our society?
Death, it scares even the greatest heroes on the face of the Earth, nobody knows what will happen after the blackness has taken over your sight and you lay down for your final rest. It has been a purpose of thousands of writers all across the globe for centuries, three of which being: “Remembrance” by Emily Bronte, “The Darkling Thrush”, and “Ah, Are You Digging on My Grave?” by Thomas Hardy. “Remembrance” is a fantastic poem based on a wife who is speaking of her past lover who had died Fifteen years prior. There are mixed emotions running amuck, but all in all it is a very great read. “The Darkling Thrush” is a short poem, a monologue of a man on a Christmas walk pondering what his future will behold, a very pessimistic man, who finally notices happiness in a passing singing bird. And finally, the poem, “Ah, Are You Digging on My Grace?” coming from the mind of a recently dead women, who finds that the world has passed her by after her death, and nobody misses her as she thought, which then crushes her. All of these fantastic poems share a common goal, to express what loss is, each have their own way to tell it with different stories of examples of loss.
In this passage, Roderick Usher expresses his fears aloud, they come to pass. “As if in the superhuman energy of his utterance there had been found the potency of a spell”, Usher’s fears materializing implies a causal relationship between the two events. Furthermore, it suggests a correlation of the speech and the supernatural , particularly in the Usher family. As evidenced by the panels “to which the speaker pointed” moving, the emphasis is on Usher’s implied control over them; this hints at the link between the House of Usher and their house. The doors seem to respond to him, indicating Usher controls the house, even if he suspects the house has control over him, creating a mystical, if somewhat terrifying, mood. When “[the antique panels] threw slowly back, upon the instant, their ponderous and ebony jaws”, the personified house
...waters aflutter with wind from which to gather your gown. What matter if we go clear to the west, and come not through dry-shod? For wilding brooch shall wet your breast the rain-fresh goldenrod.” Frost uses very descriptive and creative diction. Goldenrods are a type of yellow flower. They are in the sunflower family. In ancient times Goldenrods were used for medicinal herbs. The color of yellow can symbolize overcoming challenges and hope. With Frost’s great use of imagery he allows the reader create a vivid image in their minds.
As result of the death of the husband and the son the Mother becomes more isolated because we can identify when the neighbor mentions that mother only rarely leaves her own house to visit friends or do errands. Also, the emotional alienation in the Mother’s case, due to the murders of her husband and son because that affect a lot to her. Meanwhile, the characters in the play frequently discuss the isolation of the Bride’s farmhouse from the rest of the town and how far is everything for her . The emotional alienation in the Bride’s case, due to the pressure to marry because everybody was exited for the marriage of her and they repeat to her the same thing. Also, how Maid and Bridegroom pressure her with the orange blossoms because it represents the purity, chastity, innocence on the
The golden thread is the name given for Lucie throughout A Tale of Two Cities because of her genuine morals and love for others. Before Lucie goes to claim her father, she states, “…trembling with eagerness to lay the special face upon her warm young breast, and love it back to life and hope” (Dickens 32). Lucie quickly finds out she is going to bring her father home and wants to restore his life, love, and hope. In their emotional reunion, Lucie shows her love immediately, “His cold white head mingled with her radiant hair, which warned and lighted it as though it were the light of Freedom shining on him” (34). In Latin, Lucie means "light" and Lucie literally brings her father to the light of freedom. Lucie begins a whole new life taking care of him and sacrificing everything she has to restore him to full recovery. It will takes years for him to reach fu...