Roderick Usher Figurative Language

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In this passage, Roderick Usher expresses his fears aloud, they come to pass. “As if in the superhuman energy of his utterance there had been found the potency of a spell”, Usher’s fears materializing implies a causal relationship between the two events. Furthermore, it suggests a correlation of the speech and the supernatural , particularly in the Usher family. As evidenced by the panels “to which the speaker pointed” moving, the emphasis is on Usher’s implied control over them; this hints at the link between the House of Usher and their house. The doors seem to respond to him, indicating Usher controls the house, even if he suspects the house has control over him, creating a mystical, if somewhat terrifying, mood. When “[the antique panels] threw slowly back, upon the instant, their ponderous and ebony jaws”, the personified house …show more content…

Diction like “threw”, “instant”, “rushing”, and “gust” contrast with “slowly” and “ponderous”, using imagery to build a setting where events happen both very slowly and very fast, as if they were a long time coming. This implication fosters a mood of dread. In the same line of thought, the literal house is replaced by the a member of the figurative House of Usher, lady Madeline, when “...without those doors there did stand ...the lady Madeline of Usher.” Used to describe her are the words “lofty” and “enshrouded”, fostering a feeling of fear and trepidation of a tall and imposing hidden figure. This gives her a supernatural quality, much like that of the physical house. The “blood upon her white robes” emphasizes the contrast between the colors, evoking strong imagery and furthering the fearful and expectant mood. The language draws close parallels between lady Madeline and the house: “...evidence of some bitter struggle upon every portion of her emaciated

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