Analysis of Edgar Allen Poe 's The Fall of the House of Usher In Edgar Allen Poe 's The Fall of the House of Usher, incest and morality are two themes that are shown throughout the entire story. The twins, Rodrick and Madeline, are not only related but are connected to the house and each other in strange ways. The narrator visits his childhood friend Rodrick who is sick with an illness, and the narrator visits him. The Usher 's house, at the narrator 's first description, gives him a "sense of insufferable gloom" and has windows that look like eyes. He is overcome with this gloom because the house has been a place of sin for generations of the Usher household, yet unknowing of this sin, he believes it 's because of the madness or sickness that Rodrick has. The Usher family is known for doing good works, being …show more content…
One can compare that to him being able to stand his sin, incest. He cannot stand other things, yet the one he creates is something he can live with. When Rodrick describes the illness Madeline has, the doctors are unable to find a cure to the strange symptoms she is having. Since the family sin is hidden, the doctors would not be able to understand why she was having cataleptic issues with her body. She is a child of incest which not only creates physical issues but mental. Physical and mental are two factors that create an individual, to which Madeline is the physically ill and Rodrick is mentally ill, and together they made one person. One cannot entirely live without the other, as we can see when Rodrick buries Madeline, and he quickly begins to degrade not only mentally but physically. The narrator believes he is contracting the illness or madness that Rodrick has yet the closer the narrator gets to the truth of incest and Rodrick 's secret of burying his sister, the sicker the narrator becomes. "To an anomalous species of terror I found him a
When he arrived at the home the servant who took his hoarse and directed him to the room that Mr. Usher was in greeted him. Inside the house was also very ornate, but it to had also been left alone for to long. The entire house had a gloomy atmosphere that would put a chill down most people’s spines. When he entered the room his friend was staying in he was warmly welcomed. He could not believe the changes that his dear childhood friend had endured.
In Edgar Allan Poe’s, “The Fall of the House of Usher,” the three characters are the unknown narrator, the narrators old time friend Roderick Usher, and Roderick’s sister Madeline Usher. The three characters are unique people with distinct characteristics, but they are tied together by the same type of “mental disorder”. They all suffer from insanity but they each respond to it differently. Roderick and his sister seem to have a spiritual attatchment, and the narrator begins to get sucked into it.
The mind is a complicated thing. Not many stories are able to portray this in such an interesting manner as in Edgar Allan Poe's "The Fall of the House of Usher". The haunting story of a man and his sister, living in the old family mansion. But as all should know, much symbolism can be found in most of Poe's works. "The Fall of the House of Usher" is no exception.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
Poe’s use of personification, the act of giving human characteristics to nonhuman things, assigns the house of Usher a powerful and evil presence. In the first paragraph of the story, the narrator describes the house as having “vacant eye-like windows”. He uses this description twice: first to show that the house has seen everything that has led to the fall of Usher, and again to emphasize the unidentified deception of the house. The narrator also describes his negative reaction to the house as a “hideous dropping off of the veil”. This statement describes what the house has revealed to the narrator, a disgusting and disappointing appearance.
Symbolism and incest are both very apparent themes throughout the story of "The Fall of the House of Usher", by Edgar Allan Poe, and helps us to better understand the events that occur. Poe uses his symbolism to reveal character traits, foreshadow future events and helps his reader to understand the events that occur throughout the story. Throughout the story we realize that the relationship between brother and sister is not a normal sibling bond. We also see that the siblings themselves are not normal in all the aspects of a human being.
“The Fall of the House of Usher” by Edgar Allan Poe was published in 1839. In it, the short story’s narrator visits a childhood friend, Roderick Usher. The narrator travels to the Usher house, where the story takes place. As in other Poe stories, the settings reflect a character. Throughout the short story, there are many instances when the Usher house and Thought, the castle in Roderick’s poem, reflect Roderick Usher and his family. In “The Fall of the House of Usher,” the setting of the Usher house along with the setting in Roderick’s poem reflect Roderick Usher in appearances, relations with family, and physical existence.
"The Fall of the House of Usher Symbolism, Imagery & Allegory." Shmoop. Shmoop University, Inc., n.d. Web. 20 Nov. 2013. .
In “The Fall of the House of Usher” by Edgar Allan Poe, the death of Madeline and Roderick Usher represents the ending of something, and in this specific case, the ending of a generation. Throughout the story, it is made very clear that Madeline and Roderick are the last living people of the Usher generation. Roderick Usher explicitly states on page four, “‘Her decease,’ he said, with a bitterness which I can never forget, ‘would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.’” Therefore, when they both die at the end, it is clear that it is the end of a generation. The ending of their generation creates a depressing and serious feeling through this story due to the fact that the Usher’s will be no more.
Roderick and his twin sister Madeline are the last of the all time-honored House of Usher. They are both suffering from rather strange illnesses which may be attributed to the intermarriage of the family. Roderick suffers from "a morbid acuteness of the senses", while Madeline's illness is characterized by " a settled apathy, a gradual wasting away of the person, and frequent all though transient affections of a partly cataleptically character" which caused her to lose consciousness and feeling. The body would then assume a deathlike rigidity.
Towards the middle of the story, Usher’s twin sister Madeline is shown to be sick and close to giving into the “prostrating power of her destroyer” (21). Eventually, Usher gives the narrator the bad news that Madeline has passed away and immediately be placed in the family burial vault until proper arrangements can be done. Later, it is revealed that Madeleine had been buried alive and Usher knew exactly what he had done. When the narrator confronted him about what he did to Madeline, Usher simply replied with “Not hear it - yes, I hear it, and have heard it. Long--long--long--many minutes, many hours, many days, have i heard it -- yet I dared not speak...” (28). This abnormal response gives insight into how much of Usher’s thoughts control him; he let his twin sister remain in a coffin buried alive and did absolutely nothing to save her. Poe attacks how vulnerable individuals become to their own minds and forces the readers to consider the downside of the Human Condition. Although not on such intense level as Usher, people let their thoughts define who they are and what they do. Insecurity, a problem among several teenagers and even adults, begins with the person’s thoughts and self-esteem. Due to insecurity, many believe they aren’t capable of doing what they love and that they should stick doing what their mind is convincing them to.
One of the central themes underlying the short story, The Fall of the House of Usher, is that of the nature of the house. The way it is described and the way it is so mysterious. Another central theme about this story is the nature of the people that live in the house. They are portrayed very much in the same manner throughout the story. Thus, they have several similarities with each other. All of which are of a bad feeling, showing how bad things are for the people and the house. These similarities are very well laid out in the story and are, I believe, meant to be something to be considered when reading it.
...h his sister or if he is, indeed, being possessed by evil forces. Nevertheless, Poe’s portrayal of Roderick’s deterioration raises important questions about the causes, stages, and effects of insanity (Paragraph from Wilson 56).
Poe also uses symbolism to represent the connection between the house and the Usher family. The description of the house itself has a shocking resemblance to that of Roderick and Madelyn Usher. Upon the main character’s arrival, Poe offers an interesting description of the building’s physical state. “The discoloration of age had been great. Minute fungi overspread the whole exterior, hanging in fine tangled web-work from the eves” (1266). Poe is able to establish an air of suspense by relating the state of the house to that of Roderick and Madelyn Usher.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.