In “The Fall of the House of Usher”, Edgar Allan Poe writes of psychic and supernatural occurrences that the narrator and both Madeline and Roderick experience. Poe writes these scenes with a fair amount of ambiguity and horror so that the true reason for the family’s dismay is unclear. Being the man that he is, a horror expert who invokes fear and new phenomenon in the mind of the reader, “The Fall of the House of Usher” does just that. The greatness of Poe is that he is able to raise an unearthly terror, which comes from a vague and unclear source. The couple has been secluded for an extended period of time with little visitors, which could drive anyone insane. Insanity is the first impression the reader interprets from reading the short …show more content…
story, but when searching a bit deeper, one will find that these two characters are in fact vampires. Although the two do not have any blood for them to feast on, they do in fact fit the vampire figure. They have the looks and odd death-like appearance of vampires and both have many strong attributes that they have spent their infinite lives mastering. Their odd choice of location for a home should ring many bells to that of a castle with ominous lightning in the background. This commonplace themed horror is a method that Poe has been using before it became commonplace which makes the behavior of the couple, even that much more bizarre. The strange and recurring behavior of Madeline and Roderick suits the conventions of the clichéd vampire. Roderick has, “a mental disorder which oppress[es] him” (Poe 310), although specifications are not given of this, hinting at the vague horror Poe has mastered, he is described as having a, “bodily illness” (Poe 310).
It is safe to say that Roderick is disturbed, which is foreshadowed in the narrator's ride to House of Usher. Roderick’s sickness could be fear itself, he is afraid of the images and ideas that he creates in his mind. Although there is no definitive answer to the source of Roderick’s illness, it is a result of, “Poe as [a] craftsman[,] intended the story...to arouse a sense of unearthly terror that springs from a vague source, hinted and mysterious” (Bailey 445). Roderick's twin sister Madeline shares many similar traits to that of her other half. They both seem dead to begin with, Roderick being as pale and ghostly as he is and his sister being a doppelganger herself. The descriptions of the duo, reminds the reader of a vampire who cannot see sunlight causing his pale complexion and lack of outside attendance. Because Madeline is described as something of a doppelganger, it gives her a supernatural shade. As far as the reader knows, Madeline may not be alive to begin with which could explain the ending how she is able to comeback from the dead and, in turn, end up killing her
brother. To determine the validity of the pair actually being vampires, first, explore the original definition, “added to the dictionary as late as 1734. The entry itself reads: [The vampire is] a preternatural being of a malignant nature (in the original and usual form of the belief, a reanimated corpse), supposed to seek nourishment, or do harm, by sucking the blood of sleeping persons; a man or woman abnormally endowed with similar habits.” (Samuelsson 3). Examining this definition, then comparing it to Roderick and Madeline, may seem to be vastly different considering the two have been secluded for the longest time, never mind feasting on someone’s blood. Their seclusion though is why the definition fits them; vampires require someone’s blood for nourishment, and in the story, Madeline and Roderick show many signs of lacking sufficient nourishment as it seems their health is greatly deteriorating. They seem to be dying on the inside because they are in fact, they have not seen anyone worthy of sustaining them (by anyone worth meaning they could not feast off of one of their servants or physicians as they need their services) and the physician is described by the narrator as, “[wearing] a mingled expression of low cunning and perplexity. He accosted [the narrator] with trepidation and passed on” (Poe 312). The doctor looks like this because his job is to care for the Ushers’ but ultimately he is failing as they are dying at his hands, but he is unable to figure out why. The doctor is unaware of the two actually being vampires and because of his lack of knowledge he is unable to figure out why such a phenomenon is occurring in the household. Although no insight is given about the doctor besides this quick encounter, the doctor feels lost as the two he must care for, are dying at his hands until eventually, his only diagnosis he would be able to give to them is that of other supernatural forces as there is still yet no scientific conclusion for what is occurring in the Usher household. Although the brother and sister have been rather secluded, they are in each other’s presence all the time. Could one of them be the “original” vampire, the one who has taken the other along with them on this never-ending roller coaster? Poe’s fame is based on the unknown; it is unclear if Roderick is directly afflicted with this illness or could it be a product of Madeline’s doing? It is clear throughout the story that Madeline exuded a strange and eerie presence as shown by the narrator. While talking to Roderick, the narrator notices Madeline passing through another room, “I regarded her with utter astonishment not unmingled with dread” (Poe 314). Such a reaction is rather common when a mortal encounters a vampire. Although such reactions vary, the underlying tenors of such reactions are eerie, spooky and unsettling like hearing nails gliding along an old chalkboard. From the narrator’s observations and the little knowledge the reader is given, could Roderick be a vampire from the consequence of his own sister? Madeline is also said to have a previous illness even before Roderick had acquired his own, “the disease of Lady Madeline [that] had long baffled the skill of her physicians”. (Poe 314). This is key in solving yet another vague mystery in not only if they are vampires but if they are then who was the original of the two and how did this disease come about in the Usher household? Another example of how Madeline fits the conventions of being a vampire is her ability to break free of her coffin. Vampires possess many qualities, which are rare and fictional for the ordinary human to have. Some of the qualities of vampires are that, “They have superhuman strength, and are most powerful at night” (Stuart 23). Madeline’s escape from her crypt could have only been accomplished by someone with greater than human capabilities. Poe goes on to explain that even the men had trouble closing the coffin because of the doors, “immense weight” (Poe 319). How could such a feat be possible for a woman who had a disease which described her as “gradual[ly] wasting away” and that she had not eaten in several days (Poe 314). Madeline possesses not only these capabilities, but she fits the other traits of a vampire that are most common in literature. One of these traits is that, “The true vampire is a dead body” (Stuart 22). Throughout the story it is stressed how both Madeline and Roderick seem dead, the “peculiar gloom which thus afflicted him” (Poe 314) referring to Roderick’s lack of energy and unlively manner. One of the most protruding traits of a vampire, which is relatable to the Usher’s is that, “Vampires can…be victims of a contagious disease” (Stuart 22). Madeline’s disease is possibly the most stressed trait in the entire story. It eventually is how she dies ironically as her disease could have also been keeping her alive, as vampires are generally immortal “barring accident” (Stuart 23). Her disease is something that many physicians were unable to figure out, as the idea of a vampire was extremely new to the world. With a new young idea comes many skeptics, these skeptics include doctors as their understanding of the human body was minimal and they decided to stick to the little they knew rather than branching out to new and still yet unexplained conclusions. Madeline’s disease, Roderick’s mastering of the arts, the sibling’s deathly complexions, and their ominous appearance, all fit the conventions of the vampires known and understood by many readers of not only Poe’s work but other vampire stories.
He does not appear as he used to; mentally and physically. He then realizes that Roderick has a twin sister named Madeline who has fallen ill. Roderick confesses that this illness is hereditary in the Usher family and that there is no cure. As days pass, Roderick’s sanity is questionable; he hears voices, hallucinates, and buries his sister alive. Madeline then escapes from the tomb and collides with Roderick only to fall and both die.
Roderick and the fall of the house of usher have a deceiving appearance. Poe introduces “In this was much that reminded me of the specious totality of woodwork which has rotted for long years in some neglected vault with no disturbance from the breath of the external air” (312). After meeting Roderick and going inside the house, which appear to be normal, it is revealed that the interior is deteriorated. This home is void of others existence, excepting Roderick and Lady Madeleine. He has “A cadaverous of complexion, an eye large,liquid and luminous beyond comparison, lips somewhat thin and very pallid.” (363). It appears to the readers that Roderick has lost his soul due to his ghostly appearance. His illness has taken a toll on his outward appearance.”The ‘House Of Usher’ an appellation which seemed to include… both the family and the family mansion” (311). The house of usher reflects what is going on within the family. Craziness and neglection engulf Roderick’s as much the house. Roderick’s mental illness and the house are
The story starts out with the narrator riding up to an old and gloomy house. He stresses that the overall persona of the house is very eerie. The reason he is at this house is because he received a letter from an old friend by the name of Roderick Usher. Roderick and the narrator were intimate friend at a young age but they had not spoken to each other in several years. The narrator examined the house for a great time as he rode toward the house, he noticed that the house had been severely neglected over time. That the house’s beautiful woodwork and Gothic type of architecture have not been maintenance to any degree since he had last seen it.
In "The Fall of the house of Usher," Edgar Allen Poe creates suspense and fear in the reader. He also tries to convince the reader not to let fear overcome him. Poe tries to evoke suspence in the reader's mind by using several diffenent scenes. These elements include setting, characters, plot, and theme. Poe uses setting primarily in this work to create atmosphere. The crack in the house and the dead trees imply that the house and its surroundings are not sturdy or promising. These elements indicate that a positive outcome is not expected. The thunder, strange light, and mist create a spooky feeling for the reader. The use of character provides action and suspense in the story through the characters' dialogue and actions. Roderick, who is hypochondriac, is very depressed. He has a fearful apperance and his senses are acute. This adds curiosity and anxiety. The narrator was fairly normal until he began to imagine things and become afraid himself. Because of this, the audience gets a sense that evil is lurking. Madeline is in a cataleptic state. She appears to be very weak and pail. Finally, when she dies, she is buried in a vault inside of the mansion. In this story, the plot consists of rising events, conflict, climax, and resolution. The rising events include the parts in the story when the narrator first arrives at the house, meets Roderick, and hears about Roderick's and Madeline's problems. Madeline's death and burial are part of the conflict. At this point, Roderick and the narrator begin to hear sounds throughout the house. The sounds are an omen that an evil action is about to occur. The climax is reached when Madeline comes back from the dead and she and her twin brother both die. Finally, the resolution comes when the narrator escapes from the house and turns around to watch it fall to the ground. The theme that Edgar Allen Poe is trying to convey is do not let fear take over your life because it could eventually destory you.
He describes his superstition one night, "I endeavored to believe that much, if not all of what I felt, was due to the phantasmagoric influence of the gloomy furniture of the room…" (1468). Hence, Poe makes use of the house to create a supernatural effect. Likewise, Poe describes the house to create a terrifying effect. "The Fall of the House of Usher" is a horror story. In order to develop a mood to get the reader frightened, Poe must portray the setting of the story. The house is described initially by the narrator, who sees the image of the house as a skull or death’s head looming out of the dead. He is not sure what to think and comments of the properties of the old house: "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher?
In “The Fall of the House of Usher” by Edgar Allan Poe, a man named Roderick Usher sent an urgent letter to the narrator- an old childhood friend, asking him to come to his home to keep him company. Roderick explained he has a nervous illness and would appreciate the presence of a supportive friend. Even though the narrator only remembers Usher as a childhood memory, he immediately left to go see him. His time at the House of Usher was terrifying. After always seeing the house as a mystery from the outside and knowing that their family always ended in an “unsatisfactory conclusion,” (Poe 2706) the narrator experienced the disturbing trapped inside life of Roderick Usher and his twin sister, Madeline.
In the story “The Fall of the House of Usher”, Poe presents the history of the end of an illustrious family. As with many of Poe’s stories, setting and mood contribute greatly to the overall tale. Poe’s descriptions of the house itself as well as the inhabitants thereof invoke in the reader a feeling of gloom and terror. This can best be seen first by considering Poe’s description of the house and then comparing it to his description of its inhabitants, Roderick and Madeline Usher.
Incest is an issue throughout the story and Poe constantly used symbolism in the story to relate back to incest. Poe uses symbolism to expose character traits throughout the story, from the very beginning we see that Roderick is a very unusual being that has many odd habits. "The most insipid food was alone endurable; he could wear only garments of certain texture; the odors of all the flowers were oppressive; his eyes were tortured by even a faint light; and there were but peculiar sounds, and these from stringed instruments, which did...
In “The Fall of the House of Usher” by Edgar Allan Poe, the death of Madeline and Roderick Usher represents the ending of something, and in this specific case, the ending of a generation. Throughout the story, it is made very clear that Madeline and Roderick are the last living people of the Usher generation. Roderick Usher explicitly states on page four, “‘Her decease,’ he said, with a bitterness which I can never forget, ‘would leave him (him the hopeless and the frail) the last of the ancient race of the Ushers.’” Therefore, when they both die at the end, it is clear that it is the end of a generation. The ending of their generation creates a depressing and serious feeling through this story due to the fact that the Usher’s will be no more.
Roderick and his twin sister Madeline are the last of the all time-honored House of Usher. They are both suffering from rather strange illnesses which may be attributed to the intermarriage of the family. Roderick suffers from "a morbid acuteness of the senses", while Madeline's illness is characterized by " a settled apathy, a gradual wasting away of the person, and frequent all though transient affections of a partly cataleptically character" which caused her to lose consciousness and feeling. The body would then assume a deathlike rigidity.
The Fall of The House of Usher is an eerie, imaginative story. The reader is captured by the twisted reality. Many things in the story are unclear to the reader; but no less interesting. For instance, even the conclusion of the story lends it self to argument. Did the house of Usher truly "fall"? Or, is this event simply symbolism? In either case, it makes a dramatic conclusion. Also dramatic is the development of the actual house. It seems to take on a life of its own. The house is painted with mystery. The narrator himself comments on the discerning properties of the aged house; "What was it, I paused to think, what was it that so unnerved me in the contemplation of the house of Usher" (54)? The house is further developed in the narrator's references to the house. "...In this mansion of gloom" (55). Even the surroundings serve the purpose. The narrator describes the landscape surrounding as having, "... an atmosphere which had no affinity with the air of heaven, but which had reeked up from the decayed trees, and the gray wall, and the silent tarn a pestilent and mystic vapor, dull, sluggish, faintly discernible, and leaden hued" (55). This fantastic imagery sets the mood of the twisted events. Roderick Usher complements the forbidding surroundings terrifically. His temperament is declining and he seems incessantly agitated and nervous. And, as it turns out, Roderick's fears are valid. For soon enough, before his weakening eyes, stands the Lady Madeline of Usher. This shocking twist in the story is developed through the book that the narrator is reading. The last line that he reads is, "Madman! I tell you that she now stands without the door" (66)! Without suspecting such an event, the reader soon finds Lady Madeline actually standing at the door. She is described as having, "...blood on her white robes, and the evidence of some bitter struggle upon every portion of her emaciated frame" (66). This line not only induces terror but invites debate. Upon seeing the woman the reader has to consider the cause of her death.
In “The Fall of the House of Usher”, Poe’s use of dark, descriptive words allow him to establish an eerie mood. Poe’s unique style of writing along with his foreshadowing vocabulary is significant in creating a suspenseful gothic story. At the beginning of the short story, Poe describes the House of Usher to be “dull”, “oppressive”, and “dreary” (1265). His choice of words strongly emphasizes a mood of darkness and suspense as he builds on the horrific aspects of this daunting tale. At first glimpse, the house itself is surrounded by the feeling of “insufferable gloom”, (1265) “[t]here was an iciness, a sinking, a sickening of the heart, an unredeemed dreariness of thought [...]” (1265). The atmosphere that Poe describes in the statement above establishes a spine-chilling mood. Poe uses words such as “insufferable gloom”
Edgar Allan Poe is undoubtedly one of American Literature's legendary and prolific writers, and it is normal to say that his works touched on many aspects of the human psyche and personality. While he was no psychologist, he wrote about things that could evoke the reasons behind every person's character, whether flawed or not. Some would say his works are of the horror genre, succeeding in frightening his audience into trying to finish reading the book in one sitting, but making them think beyond the story and analyze it through imagery. The "Fall of the House of Usher" is one such tale that uses such frightening imagery that one can only sigh in relief that it is just a work of fiction. However, based on the biography of Poe, events that surrounded his life while he was working on his tales were enough to show the emotions he undoubtedly was experiencing during that time.
The Fall Of The House of Usher is a terrifying tale of the demise of the Usher family, whose inevitable doom is mirrored in the diseased and evil aura of the house and grounds. Poe uses elements of the gothic tale to create an atmosphere of terror. The decaying house is a metaphor for Roderick Usher’s mind, as well as his family line. The dreary landscape also reflects his personality. Poe also uses play on words to engage the reader to make predictions, or provide information. Poe has also set the story up to be intentionally ambiguous so that the reader is continually suspended between the real and the fantastic.
When Madeline supposedly "dies", and is placed in her coffin, the narrator notices "a striking similitude between brother and sister...." It is at this point that Roderick informs his friend that he and the Lady Madeline had been twins, and that "sympathies of a scarcely intelligible nature had always existed between them." Edgar Allen Poe treats Madeline and Roderick as if they were identical twins instead of fraternal twins. He implies the Roderick and Madeline are so close that they can sense what is happening to each other. Lady Madeline, twin sister of Roderick Usher, does not speak one word throughout the story.