Comparison Of Young Goodman Brown And Young Goodman Brown

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“Young Goodman Brown” by Nathaniel Hawthorne and “A White Heron” by Sarah Orne Jewett share many similarities. One of these similarities includes Young Goodman Brown and Sylvia’s innocence. Upon entering the woods, they meet a stranger who tries to steal their innocence away. Although these strangers are different people, they offer Young Goodman Brown and Sylvia alluring things, which come at a cost. The price is their innocence. There are many parallels in these two stories, but ultimately Sylvia and Young Goodman Brown make different choices with similar outcomes when it comes to their innocence. Because these two stories are very similar, the way that I read “A White Heron” was directly affected by previously reading “Young Goodman Brown.” Within these two stories, the main characters have tangible items which symbolize their innocence - they are both tempted to give them up at a price - and finally the interpretation of these stories is affected by intertextuality. For Young Goodman Brown, the tangible object that represents his innocence is his wife Faith. Faith, his wife, with her pink ribbons embodies his purity and innocence, “And Faith, as the wife was aptly named, thrust her own pretty head into the street, letting the wind play with the pink ribbons of her cap while she called to Goodman Brown” (Hawthorne 1). Here Faith seems young, free and innocent as she lets the wind play with her pink ribbons. Faith does not want Young Goodman Brown to leave her alone for the night, yet he does anyway. If he had simply just stayed home as his Faith wanted, he never would have walked with the Devil or almost given up his innocence. An online source entitled “Color Psychology” calls pink a representation of “[...]the sweetness ... ... middle of paper ... ...oodman Brown’s innocence is directly intertwined with his wife Faith, so, when she is seen at the satanic ceremony, Young Goodman Brown does not know what to believe in anymore. Faith’s pink ribbons are a deeper representation of the girlish innocence she carries within her. Likewise, Sylvia's innocence is interlaced with the white heron. If the bird were to die, then so would her innocence as she would be taking a step into the adult world. Since I read “Young Goodman Brown” first, my interpretations and connections that I made between the endings of “A White Heron” might not have been there if I were to read the stories in reverse order. Overall, the principle of intertextuality in “A White Heron” and “Young Goodman Brown” shaped my interpretation of the way Sylvia and Brown go through temptation to give up their innocence and must find their own way to retain it.

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