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Supernaturalism in literature
Experience of fear as a narrative
Experience of fear as a narrative
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Recommended: Supernaturalism in literature
I breathed in the misty air of the gracefully falling snow, trembling with nervousness but confident with sheen. It shook, barely, but it seemed disastrous, then again barely though; it was like looking at water drop upon a crystal surface. The snow looked so beautiful, but it was to touch the ground. Everything looks beautiful until it falls down.
My scarlet lips were losing its hue: the careful articulation of design was set upon my face, but too soon did it not last. I could hear the chiming of the clock nearby, only to signal a minute until twelve. It was dark. The dusk dawned upon me, but the street light above succeeded to glare the road ahead. No, this was not at all of significance to my own near yet potential future, but the act of its description seemed so beautiful at the time: leading its path for one who takes the road. No one else was in my presence. I was alone.
If only I had a dollar. If only I had one. Then I could regain my stability and venture into the world again.
As if it would make a difference; in reality, it wouldn’t. But as to grasp on the single slip – indeed, money – with all of my existing hope was urging me to stay afloat upon a racketing ship, to encourage wishful thinking upon turbulence, and to steady my tremulous fingers onto the jagged cliff, what is, hope.
I could wait no longer. He wasn’t coming. I pulled my wool coat over my body to ensure my mental health and weather protection awareness and stumbled on the rocky stone steps up to the clinic, pushed my way inside, only to meet the fresh rush of the blasted heater and the hearty sound of bells as I entered. The worker was pale-faced yet well-built, only to mask his face with an unenthusiastic smirk and an extremely voracious grunt.
“C...
... middle of paper ...
...n’t you use your pixie dust to explode up this chamber?”
Bell shook her head in disagreement, “No, that won’t work. I don’t have that much left to get out, and that fat receptionist will probably hear us.”
“How about I use my curls to pull down the icicles?” Glory posed, ready to untie her bonnet and whip out her unruly locks of blonde hair.
I shook my head. “It’ll take too long. How about Aurora uses her anti-spindle serum to melt them while you pull them down? It’ll be faster.”
And we agreed on that. In twenty minutes time, the ice chamber was icicle-free, with the only exception of physical ice encumbering the cavern and no possible way to escape with the ice burdening us inside. After another five minutes of brainstorming, we agreed to have Peter douse the hall with his aging deferment medicine, which would turn the ice back into water.
Then we were out.
The timeline carries on chronologically, the intense imagery exaggerated to allow the poem to mimic childlike mannerisms. This, subjectively, lets the reader experience the adventure through the young speaker’s eyes. The personification of “sunset”, (5) “shutters”, (8) “shadows”, (19) and “lamplights” (10) makes the world appear alive and allows nothing to be a passing detail, very akin to a child’s imagination. The sunset, alive as it may seem, ordinarily depicts a euphemism for death, similar to the image of the “shutters closing like the eyelids”
Many overlook the beauty that is expressed by nature. The images put together in nature influenced Mary Oliver’s “First Snow.” The beauty expressed in “First Snow” shows how there is hidden beauty in nature such as snow. Also how snow, not so simple, is something so stunning and breath taking. The descriptions of Oliver’s visions show that many things are overlooked in nature and shouldn’t be. She elaborates to show that nature sets forth not just snow, but something so much more. Mary Oliver uses many examples and proofs to show the beauty. In “First Snow” Mary Oliver conveys the image of snow to embody the beauty of nature.
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
And this is where we start with our image. Then Oliver adds, “began here this morning and all day” (2-3) which immediately changes your image to this beginning of the day where the snow is only just starting to fall. Also, Oliver seems to personify the snow by saying “it’s white rhetoric everywhere”(4-5) by giving the sense of knowledge to the snow. Oliver is showing this knowledge that the snow has by playing with this word “rhetoric” meaning having the art of persuasive speaking, so it shows how this snow is grabbing our attention. And then it continues with “calling us back to why, how, whence such beauty and what the meaning;” (6-8) this changes your image of snow greatly to making you think of snow as a greater power leading you to seek questions. This is an automatic change from snow to self. Then it transitions back to the focus back on snow, “flowing past windows,” (9-10) and you are then again transferred back to this image of snow fluttering through the wind, but you also have your thoughts of the unknown and you are relating it to the snow all of this unknown is just floating
Have you ever seen snow before? That white fluffy stuff that covers the ground completely. Well if you have, I am sure you have overcome an obstacle in your life and have reached something “irreplaceable and beautiful” (102). Just like Sister Zoe had said when she saw that snow falling from the sky. This story was very enlightening because the way the author brought in herself and portrayed herself through the character Yolanda was very intriguing. She brought the subject to life in many ways. However, the author of “Snow” uses two specific elements, its symbolism and its character to prove how overtime one individual will be able to overcome obstacles. Not only does theses elements point this out but the narrator also makes an impact of the reader as well.
This poem sets out to expose the fact that we have the power to change the economy. We have the power to change how we think about money, making this poem a didactic poem. This means that it’s intended to teach, but in particularly having moral instruction as an ulterior motive. Walker’s poem also has no rhyme scheme, but uses imagery, alliteration, metaphors,
The fifty dollars I found in my dad’s wallet back then, made him seem o’ so powerful. I never doubted money’s holy strength, but now, all it is but weak, false numbers. The money needed simply to obtain the basic necessities, exceeded the realms of my feeble mind. It cast chains on my mentality, as I now hesitate to get the things I know I can afford. The money I thought would allow me to cruise through life is instead a weight on my back.
Standing on the balcony, I gazed at the darkened and starry sky above. Silence surrounded me as I took a glimpse at the deserted park before me. Memories bombarded my mind. As a young girl, the park was my favourite place to go. One cold winter’s night just like tonight as I looked upon the dark sky, I had decided to go for a walk. Wrapped up in my elegant scarlet red winter coat with gleaming black buttons descending down the front keeping away the winter chill. Wearing thick leggings as black as coal, leather boots lined with fur which kept my feet cozy.
Sabrina, Daphne and Puck were sitting on the floor of the living room in Granny’s house, where Sabrina and Daphne’s parents had left them for a short trip involving their mother’s sister in Australia. Granny and Mr. Clay had left them alone in the house for a while to get grocery’s (and a lot of water bottles).They were reading the old journals, trying to find any new information about Everafters and writing every new find in their own journals, sweating rivers of liquid, as the day was amazingly hot, breaking the 4 year heat record in Ferryport Landing. No one really wanted to do much except lie down on the couch with a lot of paper fans and water. Sabrina had been leafing through Jacob Grimm II’s journal, sighing as she put the book down for the eleventh time, as Puck had gulped down all of the water in one gulp and was rudely demanding more.
Through the corner of my eye, a car surged to a halt at the blinking red light. The breeze collided with my face, what a good feeling it was, cooling my warm skin. In the sweltering heat, a heat as wild as a loose, angered gorilla, I gazed through the tinted matt window, it was difficult to see. I made a picture out of the fuzzy view and saw a glamorous women sat beside a striking man. I looked at the car, with watery eyes, I regretted how I, I could have earned myself a fabulous car like that; it was not the case as I derailed my education far too early to get myself there. I turned a deaf ear to it.
It falls through the gray clouds, and powders all the trees. It fills the cracks of the road with white wool. It makes an even face of the mountains and of the plains. It reaches from the fences, and wraps around the rail, till it's lost. From tree stumps to flower stems, the snow just lays. It ruffles the world till it's gone.
I stared hungrily into my future uncomprehending why the dreams were so vivid and real, so colorful; and of major concern, why I could actually smell and taste the blood, which caused my parched and dry throat to constrict with a painful thirst. In the middle of the unbearable thirst, was a powerful voice in my head, a dim illumination, as if connected by cameras, which provided no image?
The woman nodded in acceptance before going to get a nurse who escorted both Ami and me to an isolated room in the back. I was told to take a seat on the gurney and not to drink anything or even use the restroom that she would be right back with some paperwork for me.
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.
THE BLAST of Sunday morning glared through the blinds, something my eyes were not prepared for. I flung the duvet aside and searched for my balance through blurry vision. The bed made a horrific creak as I got up, I had to remind myself. Get a new mattress. When my eyes decided to return to a clear state I caught my reflection in the mirror propped up on my worn desk. Straggly hair and unkempt stubble, the look of drained ability. I certainly looked the part for a working writer. However, this didn't reflect reality. My view rolled down to the blank pile of paper adjacent to my trusty typewriter, it certainly would be trusty if it wasn't such a stranger to me. I looked up to the reflection again, behind me lies a drab, dull apartment bedroom. An amalgamation of lifelessness and loss of colour, hardly an environment for a creative mind.