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Analysis of the poem the winter
Analysis of Robert Frost's winter poems
Analysis of Robert Frost's winter poems
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Recommended: Analysis of the poem the winter
I think that reading this poem is perfect timing. We are starting to see and feel this transition from beautiful fall to a change in the surroundings to cold snowy winter. In the poem, "First Snow", Mary Oliver is describing this transition of knowing the moment that fall is over and winter is taking over. And with this transition of the darkening of fall to the bright snow, I feel like it is a transition on one’s own questions, because you are moving from that darkness of the unknown to the light of knowing you have found the answers. Oliver sets up her poem as a monologue with an implied audience (or at least a companion), as we see when the poem says; “calling us back”, “the darkness we expect” and “assailed us all day”. These expressions …show more content…
put the readers into the poem with the speaker With this being a monologue and putting these subject words throughout we are putting ourselves into the poem because we are responding to the “us” and “we’s”. So this is how the poet encourages her readers to create our own images as we relate to this poem to our own selves. The poem simply begins with, "The snow"(line 1) and invites us to imagine this glimpse of snow, anywhere from a simple beautiful snowflake to a dreadful blizzard.
And this is where we start with our image. Then Oliver adds, “began here this morning and all day” (2-3) which immediately changes your image to this beginning of the day where the snow is only just starting to fall. Also, Oliver seems to personify the snow by saying “it’s white rhetoric everywhere”(4-5) by giving the sense of knowledge to the snow. Oliver is showing this knowledge that the snow has by playing with this word “rhetoric” meaning having the art of persuasive speaking, so it shows how this snow is grabbing our attention. And then it continues with “calling us back to why, how, whence such beauty and what the meaning;” (6-8) this changes your image of snow greatly to making you think of snow as a greater power leading you to seek questions. This is an automatic change from snow to self. Then it transitions back to the focus back on snow, “flowing past windows,” (9-10) and you are then again transferred back to this image of snow fluttering through the wind, but you also have your thoughts of the unknown and you are relating it to the snow all of this unknown is just floating …show more content…
around. Then the mood shifts along with changes in the words.
You can see this shift through the use of punctuation. This form of punctuation is the second of the total of three main sections in this poem separated through periods. In line 14 states, “it has finally ended.” This is the first period that appears in the poem. You are starting from light, fluffy, flowing snow to now a transition. “The silence is immense,” (15-16) is how the next section is started. This moves from the snow as a whole to a snowy night. Snow takes things away from us like described in this next section. “nowhere the familiar things:stars, the moon, the darkness we expect and nightly turn from.” (18-22), the snow is covering what would normally be in sight. Then relating back to the beginning, the poem seems to suggests that “snow” can blind you from the answers that you seek. This is also the end of the second section, and once again the mood is immediately
changed. The poem contains many similes and personifications, and the beginning of this third section is a perfect example, “Trees glitter like castles of ribbons,” (22-24). In these lines, Oliver is describing the trees as some of the most beautiful things in winter because the snow and ice make the trees glisten and create such a peaceful scene. But again the questions appear in this last section. “and though the questions that have assailed us all day remain-” (28-30) Mary has again related these questions back to the snow. The snow has “assailed”; it had struck us just as so many questions do. Then it switches, “walking out now”(31) once you get to the sentence you begin to get anxious and curious to what you are going to see as you are walking out now, and this shift in the nature and direction of Oliver’s language also is a great way to transition to the end. When she writes “into the silence and the light under the trees, and through the fields,” (32-34) she is still building up to the end, so that although you have continued to search for answers to the questions, by the end it “feels like one.” (35) After all of your searching you have finally found what you were looking for and you feel as one, the answer is a part of you. Our questions are floating like snow that begins to entrances us. Sometimes it is a struggle to our own selves and it can be difficult to try and seek answers. Then snow can create a light or brightness, and just like our questions they can enlighten us so that once we “find the light” and find our answers we seek they become one within us, our own thoughts, beliefs and experiences are within us.
“Winter Evening” by Archibald Lampman, and “Stories of Snow” by P.K Page are two poems describing the human experience of winter. Winter is seen, by some, to be blissful, magical and serene. Winter could also be described as pure and heavenly, with the white snow resembling clouds. However, others have a contrasting viewpoint; they paint winter in harsher light, giving the impression that winter is bitter and ruthless. Others still, have a mixed viewpoint and may recognize both the positives and negatives to the season.
Many overlook the beauty that is expressed by nature. The images put together in nature influenced Mary Oliver’s “First Snow.” The beauty expressed in “First Snow” shows how there is hidden beauty in nature such as snow. Also how snow, not so simple, is something so stunning and breath taking. The descriptions of Oliver’s visions show that many things are overlooked in nature and shouldn’t be. She elaborates to show that nature sets forth not just snow, but something so much more. Mary Oliver uses many examples and proofs to show the beauty. In “First Snow” Mary Oliver conveys the image of snow to embody the beauty of nature.
In the poem, it seems that somebody is inside his or her dwelling place looking outside at a tree. The person is marveling at how the tree can withstand the cold weather, continuous snow, and other harsh conditions that the winter brings. Witnessed throughout the days of winter by the person in the window, the tree’s bark stays strong, however the winter snow has been able to penetrate it. The tree becomes frozen, but it is strong enough to live throughout the winter until the spring relieves its suffering. When spring finally arrives, the effects of winter can no longer harm the tree. The freezing stage is gone, and the tree can give forth new life and growth in the springtime.
Joyce’s intentions of the snow will forever be open to interpretation, however it is reasonably evident that his intentions of the snow provide the reader with a symbol used to depict the unification and vulnerability of humanity. It is the snow that first showcases Gabriel’s dominant and superficial personality, and reciprocates itself as it serves as reasoning for the epiphany that illuminated his flawed humility.
Therefore, Oliver’s incorporation of imagery, setting, and mood to control the perspective of her own poem, as well as to further build the contrast she establishes through the speaker, serves a critical role in creating the lesson of the work. Oliver’s poem essentially gives the poet an ultimatum; either he can go to the “cave behind all that / jubilation” (10-11) produced by a waterfall to “drip with despair” (14) without disturbing the world with his misery, or, instead, he can mimic the thrush who sings its poetry from a “green branch” (15) on which the “passing foil of the water” (16) gently brushes its feathers. The contrast between these two images is quite pronounced, and the intention of such description is to persuade the audience by setting their mood towards the two poets to match that of the speaker. The most apparent difference between these two depictions is the gracelessness of the first versus the gracefulness of the second. Within the poem’s content, the setting has been skillfully intertwined with both imagery and mood to create an understanding of the two poets, whose surroundings characterize them. The poet stands alone in a cave “to cry aloud for [his] / mistakes” while the thrush shares its beautiful and lovely music with the world (1-2). As such, the overall function of these three elements within the poem is to portray the
In the other hand, the world is beautiful, full of green trees and different kinds of animals. To form a tree, it needs water, minerals, oxygen and mud, or place to grow. We are the same, we need support, good company, and good advice. A flower has its own time to blossom and has its own way to make the world beautiful. We have the same mission, to make our world beautiful, nice, and peaceful. We are the heroes of the world and we are the model of nature. We can do anything but we just have to be prepared for the upcoming struggle and difficulties. In the middle of the poem, Oliver says “mend my life! Each voice cried”. Oliver wants us to understand ourselves before understanding others. Sometimes we depart from our journey in different directions but only the knowledge of oneself can direct us on the right path. Knowledge is gained through observing nature. Whatever Mary Oliver has done in her life to find the truth of nature, she doesn’t want to give it up. She is focused on her grit and she wants to spread her peace of the
Frost uses different stylistic devices throughout this poem. He is very descriptive using things such as imagery and personification to express his intentions in the poem. Frost uses imagery when he describes the setting of the place. He tells his readers the boy is standing outside by describing the visible mountain ranges and sets the time of day by saying that the sun is setting. Frost gives his readers an image of the boy feeling pain by using contradicting words such as "rueful" and "laugh" and by using powerful words such as "outcry". He also describes the blood coming from the boy's hand as life that is spilling. To show how the boy is dying, Frost gives his readers an image of the boy breathing shallowly by saying that he is puffing his lips out with his breath.
With that said, the initial tone in both poems change in their last stanzas. The poem “A November Landscape” begins with a very dark and somber tone, until it switches to a much lighter tone it’s fourth and last stanza. The word “yet” at the end of the third stanza signifies a change in tone as E.J. Pratt begins to present images of Spring, “This was the story told six months ago, When April lured the crocus through the snow.” Those images help express new life and hope for the better to come. On the other hand, the poem “Winter” starts off with a very somber tone, but changes to a much brighter one, then appears to slowly become somber once again. In the second stanza, we are introduced to the idea of a blossoming Spring, “Heal up the wounds, breathe freedom on the earth, Throw all her singing on the barren air… ” but that idea is quickly cut off by Winter suddenly reintroducing itself. The last two words of the poem “bitter breath” end it on a very dark and cold
The word order of the poem helps give us a tone for the poem by allowing us to feel the irritation or annoyance that the narrator feels toward the month of February. The way in which the words appear in the poem show us how the attitude progresses as the poem continues. For instance, the first word of the first line of the poem is “Winter” which gives us the idea that it is cold and that the days drag by. The last word of the poem is “Spring” and connecting winter to spring shows us the evolution of time through the seasons. This shows the connection between the seasons and the overall attitude that the narrator portrays to the seasons. Atwood places the word “fat” in the first line, shows helps to connect the winter with eating fatty foods because our bodies need it throughout the long winter to survive. In the summertime and even in the spring our bodies do not necessarily need to eat fatty French because bodies are able to evolve to the climate conditions and we do not need to stay as warm. Also, snuggling up to bed sheets and an eiderdown blanket are just not things that you would do in the spring when the climate is
After explaining the rut of life and the sickening of school, Oliver goes on to reminisce about the narrator's joyous summer by personifying nature to help connect the reader to her feelings about it and create a metaphor to encompass her view on life. Earlier in the passage “machines and oils and plastics and money” are used to illustrate the repetition and inevitable rut that the narrator feels school leads to. By personifying “the way the river kept rolling its pebbles” Oliver connects the rut of machines to a constant eroding that the river ensures. Oliver uses the personification of the river “rolling its pebbles” to help suggest the consistent beating of a life of conformity. The persistent flow of the river and operating of machines is idealized by the personification of the river connecting the two. Personification is also used to connect the happiness of singing with the wild wrens. By saying “the wild wrens sang though they hadn’t a penny in the bank” conveys that the birds are satisfied even though they do not have any possessions and have no connections with materialistic objects such as money. This personification shows that even though the birds have no possessions they are able to participate in joyous acts such as singing, which expresses the narrator's feelings when immersed in nature. In the final line personification is used to create a metaphor for the flowers well being in their natural state. “Dressed in nothing but light” Oliver shows how the flowers can remain elegant while untouched by variables among society. In the wild they are able to remain as pure and beautiful as may be even though they have nothing but the sun to dress them. This shows that the narrator thinks it is possible to appear beautiful when remaining as simple as possible. In the last stanza
We get the idea that the poem starts out in the fall, "Two roads diverged in a yellow wood" (5). The season fall represents the year coming to an end, and e...
She says, “I thought the earth / remembered me, she / took me back so tenderly, arranging / her dark skirts, her pockets / full of lichens and seeds.” The figurative language Oliver uses here can be identified as personification as the speaker describes how the earth cared for her as if she were at home, similar to how a mother would do to her child. She also says, “...but my thoughts, and they floated / light as moths...All night / I heard the small kingdoms breathing / around me…” Simile and personification is used in this section of the poem as the speaker describes how her thoughts floated like moths, and the kingdoms around her “breathing” in the night. From the examples given, we can suggest overall that Mary Oliver views nature as home and is alive
This student is pointing out how natural it is to follow and have your instincts. You may enjoy the things that cause you to separate from nature, but really, you need to become one with nature. Oliver’s poem is actually pretty persuasive. In the beginning she is illustrating how you do not have to do certain things to obtain happiness, but toward the end she is talking about your satisfaction with these others things that will actually satisfy you more by doing the one-with-nature-things.
The discursive blank-verse meditation "Birches" does not center on a continuously encountered and revealing nature scene; rather, it builds a mosaic of thoughts from fragments of memory and fantasy. Its vividness and genial, bittersweet speculation help make it one of Frost's most popular poems, and because its shifts of metaphor and tone invite varying interpretation it has also received much critical discussion, not always admiring. The poem moves back and forth between two visual perspectives: birch trees as bent by boys' playful swinging and by ice storms, the thematic interweaving being somewhat puzzling. The birches bent "across the lines of straighter darker trees" subtly introduce the theme of imagination and will opposing darker realities. Then, almost a third of the poem describes how ice storms bend these trees permanently, unlike the action of boys; this scene combines images of beauty and of distortion. Ice shells suggest radiating light and color, and the trees bowed to the level of the bracken, suggest suffering, which is immediately lighte...
Snow can has various meaning. As Foster points out, “Snow is clean, stark, severe, warm, inhospitable, inviting, playful, suffocating, and filthy .” In this story, the snowy night is symbol of the frozen relationship between Gabriel and his wife. It is also a symbol of death. When Gabriel sees snow, he has a sudden realization of the great unifier of all human which snaps him out of his superiority to other people. The season and the weather are both part of theme of death and rebirth in the story. The author used the season to bring Gabriel closer to the reality. The story is set in winter season which can signifies death, pain, old as well as rebirth, hope, or renewal. In this story, the winter represent renewal of Gabriel’s perspective of the world. Throughout the evening, a number of small events lead to Gabriel’s new approach of seeing the world. The end of his arrogance in not explicitly mentioned in the story, but one can assume that after an awkward interaction with Lily, the maid, disagreement with Miss Ivors and knowing about his wife’s previous lover Michael , he will change his ego and be connected with people surrounding him, which, in a sense, is a rebirth of