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The Deserted House - Original Essay
I walked that road every day on my way to school, and had often
glanced at the house but that day I actually stopped to look at it
properly. I’m not sure what drew my attention to it, maybe it was the
creaking gate or the banging of the door at the end of the path as the
wind whistled through it into the house. Something drew me from the
pavement towards the overgrown privet hedge, which partially obscured
the rotting wooden gate, with the paint peeling from it. As I stepped
inside the gate I was astounded by just how unkept it was. The long
grass was a wilderness, filled with crisp packets and cans, and any
other rubbish that people felt like hurling over the hedge or gate.
There were the remains of an oriental take-away meal, which looked
like it had attracted rodents. As well as long grass, the wilderness
was full of thistles and there were dandelion seeds blowing
everywhere. The flowerbeds were now barely visible to the side of the
grass and filled with weeds and what was left of the hardwearing
perennials. After I had managed to make my way down the path, kicking
the litter to one side and trying to steer clear of the stinging
nettles, I was amazed to see that postmen and people who deliver
leaflets had actually wasted their time in delivering to that
obviously vacant address. The letterbox was overflowing, and the rest
was being blown around the path and garden by the wind. The free
newspapers were yellowing in the sun.
I took a couple of steps back to look more closely at the exterior of
the house, and I noticed just how neglected it was. From the road I
could see that there ...
... middle of paper ...
... closer look. When I had finished surveying the
garden I turned my attention back to the house, which had gone eerily
quiet. The front door was not banging anymore, there were no creaking
floorboards to be heard, and I could not hear the rustling of paper in
the hall. All that could be heard were the birds outside and the tap
dripping insistently. Feelings of guilt overcame me, I felt like I
should not have been there uninvited and that this was a sign for me
to leave. I moved swiftly to the front door and walked briskly out of
the house, pulling the front door behind me, up the path again, the
nettles already flattened from my first approach. When I reached the
gate I took one last look at the abandoned house, before taking that
final step onto the pavement and continuing my journey having
satisfied my curiosity.
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"In a little four-room house around the corner. It looks so cozy, so inviting and restful."(79) With this description Chopin introduces the reader to Edna’s new residence, which is affectionately known as the pigeon house. The pigeon house provides Edna with the comfort and security that her old house lacked. The tranquility that the pigeon house grants to Edna allows her to experience a freedom that she has never felt before.
In the featured article, “Beside Oneself: On the Limits of Sexual Autonomy,” the author, Judith Butler, writes about her views on what it means to be considered human in society. Butler describes to us the importance of connecting with others helps us obtain the faculties to feel, and become intimate through our will to become vulnerable. Butler contends that with the power of vulnerability, the rolls pertaining to humanity, grief, and violence, are what allows us to be acknowledged as worthy.
Anne Bradstreet, whom most critics consider America’s first “authentic poet”, was born and raised as a Puritan. Bradstreet married her husband Simon at the tender age of eighteen. She wrote her poems while rearing eight children and performing other domestic duties. In her poem “Upon The Burning Of Our House, July 10th, 1666”, Bradstreet tells of three valuable lessons she learned from the fire that destroyed her home.
In Kate Chopin's novel The Awakening, Edna's two different houses symbolize her life greatly. Her first house, the mansion of which she shared with her husband, symbolized her life before she started to awaken and realize the kind of life she was in. Her second house, the pigeon house of which she lived in alone, shows her life after she starts to awaken and realize what is going on with her life and that she was not happy before. These two houses show very strong meaning of a before and after of her awakening.
Over twelve million immigrants entered the United States from 1892 to 1954 through Ellis Island, a small island in New York Harbor. Ellis Island is located right off of the New Jersey coast in the upper bay near the Statue of Liberty. Over the years the islands sized enlarged from its original 3.3 acres to 27.5 acres from landfill obtained from ship ballast and the construction of the New York City subway system.
Marilynne Robinson gives voice to a realm of consciousness beyond the bounds of reason in her novel Housekeeping. Possibly concealed by the melancholy but gently methodical tone, boundaries and limits of perception are constantly redefined, rediscovered, and reevaluated. Ruth, as the narrator, leads the reader through the sorrowful events and the mundane details of her childhood and adolescence. She attempts to reconcile her experiences, fragmented and unified, past, present, and future, in order to better understand or substantiate the transient life she leads with her aunt Sylvie. Rather than the wooden structure built by Edmund Foster, the house Ruth eventually comes to inhabit with Sylvie and learn to "keep" is metaphoric. "...it seemed something I had lost might be found in Sylvie's house" (124). The very act of housekeeping invites a radical revision of fundamental concepts like time, memory, and meaning.
“The Pastoralization of Housework” by Jeanne Boydston is a publication that demonstrates women’s roles during the antebellum period. Women during this period began to embrace housework and believed their responsibilities were to maintain the home, and produce contented and healthy families. As things progressed, housework no longer held monetary value, and as a result, womanhood slowly shifted from worker to nurturer. The roles that women once held in the household were slowly diminishing as the economy became more industrialized. Despite the discomfort of men, when women realized they could find decent employment, still maintain their household and have extra income, women began exploring their option.
The Romantic movement of the nineteenth century in Europe involved those who wished to express their disapproval of industrialism. Romantics focus on individualism as well as images and ideas created by the imagination. Romantics are very centered around a certain beauty and power of nature as opposed to material objects. Romantics stay away from the more realistic part of life, this is greatly expressed in Romantic literature and art. Specifically, in Arthur Rimbaud’s “Ophelia” it is evident to see the fascination with nature as well as the individual. He states, “On the calm black wave where the stars sleep/ Floats white Ophelia like a great lily,/ Floats very slowly, lying in her long veils . . .”(891). Here there is evidence of a Romantic’s
The story of the Fall of Man is known to many people not so much through the Bible as through John Milton's Paradise Lost. Milton's work presents a version that has become part of biblical custom, and to a certain degree aid in the understanding of the Creation and the Fall based on Milton's additions and explanations. The poem's monumental influence aside, Milton's unparalleled perspective has made Paradise Lost one of the most significant works that is relatable to his own era and the present. However, religion is not the only aspect that can be presented at a contemporary angle. By bringing in symbolic figures he invites allegorical interpretations that allow similarities to be made about community structure. Milton appeals to a modern audience by recognizing the structure of society throughout Paradise Lost. Today’s generation remains familiar with this societal component and its various interpretations.