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Psychosocial impact of social media on young people
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Psychosocial impact of social media on young people
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The tragicomic Fun Home, by Alison Bechdel, is generally considered one of the most important pieces of the modern LGBTQ canon of literature. The graphic novel tells the story of Alison Bechdel’s attempt to find the truth about her father’s sexuality and what lead him to possibly commit suicide. Along the way, Bechdel finds her own sexuality. Bechdel’s choice to write about her and her father’s simultaneous journey to finding their sexuality was revolutionary at the time. Very few authors were writing openly about their own sexuality, and something even more revolutionary that Bechdel addressed was mental illness. It’s unexpected so late in this story, on page 137, that Bechdel would include a lengthy section discussing her childhood Obsessive Compulsive Disorder (OCD). Why
There are many reasons that Bechdel could have chosen to include this section, namely to accentuate the extent that she felt separated from her family, to compare how society, represented by her mother, has differing views about mental disorders and sexual orientation, and to show how reliable, or unreliable, she is as a narrator.
One reason Bechdel discusses her mental health in Fun Home is to show the direct effect that her parents had on her mental state growing up. On page 137, Bechdel mentions that one of her compulsions is perfectly lining up her sneakers. She labels the left shoe as her father and the right shoe as her mother. She tries to line them up perfectly as to not show favoritism for one show, or parent, over the other. Another compulsion of Bechdel’s mentioned on page 137 is that she felt the need to kiss all of her stuffed animals: “No matter how tired I was after all this, I had to
Every family has secrets. Taboo secrets are typically the one's we'd like to keep hidden the most. Unfortunately, what's done in the dark always finds itself resurfacing to the light. In Allison Bechdel "Fun Home", she recollects the memories that impacted her life the most when she was in the stage of discovering her true self. The memories we remember the most tend to play a major role in our life development. For Allison, one well-kept secret that her father contained well from her, unraveled many memories of the truth that laid before her eyes.
In City of Dreadful Delight, Judith Walkowitz effortlessly weaves tales of sexual danger and more significantly, stories of the overt tension between the classes, during the months when Jack the Ripper, the serial murderer who brutally killed five women, all of them prostitutes, terrorized the city. The book tells the story of western male chauvinism that was prevalent in Victorian London not from the point of view not of the gazer, but rather of the object. Walkowitz argues that the press coverage of the murders served to construct a discourse of heterosexuality in which women were seen as passive victims and sexuality was associated with male violence. Much of City of Dreadful Delight explores the cultural construction and reconstruction of class and sexuality that preceded the Ripper murders. Walkowitz successfully investigates the discourses that took place after the fact and prior social frameworks that made the Ripper-inspired male violence and female passivity model possible and popular.
In the memoir, Fun Home, Alison Bechdel effectively depicted her life as a child all the way up to age nineteen when she finally decided to come out to her family. Growing up Alison’s path crossed paths with struggles that try to hinder her while she attempts to grasp on to the identity of being homosexual. Even though Bechdel encounter struggles she is able to overcome those struggles in a supportive environment. Despite her father, Bruce Bechdel homosexuality, which was unknown to Alison for the majority of her life could possibly be the emotional core of Fun Home. In actuality, it is Alison 's personal coming out party that assists her mother, Helen Bechdel, to expose Bruce 's hidden relationships to Alison. Effectively, the process of writing the memoir has really permitted Bechdel to reminisce about her father through the spectacles of her experiences, later giving her the chance to reveal clues about her father 's undercover desires that she was incapable of interpreting at the moment. In a scene where Bruce takes his openly queer daughter to a gay bar embodies the dissimilarities amongst Bruce and Alison 's attitudes of dealing with their homosexuality. Bruce tussles with the shame of hiding his
The story of Anne's childhood must be appreciated in order to understand where her drive, inspiration, and motivation were born. As Anne watches her parents go through the tough times in the South, Anne doesn't understand the reasons as to why their life must this way. In the 1940's, at the time of her youth, Mississippi built on the foundations of segregation. Her mother and father would work out in the fields leaving Anne and her siblings home to raise themselves. Their home consisted of one room and was in no comparison to their white neighbors, bosses. At a very young age Anne began to notice the differences in the ways that they were treated versus ...
Throughout chapter one of Fun Home, Alison Bechdel portrays artifice and art as two very similar but distinct things; both overlapping and making it hard to differentiate between what is what. Art, in her view, is the truth, and a skill that has to be mastered. On the other hand, artifice contains partial, or full, amounts of falsehood; it covers up the truth in some way but contains art in itself. Artifice can be, like art, something mastered, but can also be a coping mechanism to cover up something good or bad. Bechdel turns both art and artifice into a very interlinked, combined, version of the two forms. When truth and falsehood are combined, after awhile, it becomes a challenge to distinguish between the two; evidently true to herself.
In Alison Bechdel’s Fun Home, Bechdel uses the theme of appearance versus reality to highlight her relationship with her father. Bechdel utilizes her illustrations and short sentences to reveal these things about herself and her father. Bechdel opens her memoir with a chapter entitled “Old Father, Old Artificer”. Bechdel refers to her father, Bruce Bechdel, as an artificer because she sees him as a skilled craftsman. Bechdel describes, “His greatest achievement, arguably, was his monomaniacal restoration of our old house.” (Bechdel 4). Her father restored their old house to make it look like a huge mansion. Bechdel knows that this is just the appearance of their household because it is not an accurate representation of their family life inside the house. Bruce created an appearance that was the opposite of reality to cover up the actual wealth of their family. He hides the fact that his family may not be as wealthy and perfect as they appear to be. In this case, Bruce reveals he believes that appearance is more important than the reality of a situation. Appearance is also important on the inside of the home as well. Bechdel mentions, “Sometimes, when things were going well, I
In Alison Bechdel’s graphic novel entitled Fun Home, the author expresses her life in a comical manner where she explains the relationship between her and her family, pointedly her father who acts as a father figure to the family as she undergoes her exhaustive search for sexuality. Furthermore, the story describes the relationship between a daughter and a father with inversed gender roles as sexuality is questioned. Throughout the novel, the author suggests that one’s identity is impacted by their environment because one’s true self is created through the ability of a person to distinguish reality from fictional despotism.
In an attempt to become more like her father she tries emulate him, as he tries to make her become anything but him. As she develops, she becomes more aware of masculinity and acutely aware that her father doesn’t fit the definition. Bechdel sees men at gas stations and on television and realizes that her father is missing something that those men seem to have. In her endeavor to counteract his femininity, she becomes more masculine. Although, even at a very young age, Bechdel doesn’t show interest for feminine things. Alison seems to be oblivious to all of her father’s attempts. In this image the reader sees Bechdel analyzing all of men at the gas station. Alison drew this frame to show her readers what it was she was noticing when she was young. The men in this image are more built than her father, they dress in more casual clothes with tattoos and chew tins. However, she doesn’t seem to pay attention to the ad of the Sunbeam Bread in the background with the image of Miss Sunbeam. It is as if Alison wants her readers to know that she was given chances to evaluate what girls her age should be like but she was more interested in knowing what men were like. She was often seen in gender neutral clothes, with a boyish haircut and as she got older, her father became more direct with his wants for her to dress like a girl; she resented having to wear skirts, dresses, or accessories and
Bartholomae, D., & Petrosky, A. (2011). Ways of reading: an anthology for writers (9th ed.). Boston: Bedford/St. Martin's. “Judith Butler; Beside Oneself: On the Limits of Sexual Autonomy.”
In the graphic novel Fun Home, by Allison Bechdel, sexual self-discovery plays a critical role in the development of the main character, Allison Bechdel herself; furthermore, Bechdel depicts the plethora of factors that are pivotal in the shaping of who she is before, during and after her sexual self-development. Bechdel’s anguish and pain begins with all of her accounts that she encountered at home, with her respective family member – most importantly her father – at school, and the community she grew up within. Bechdel’s arduous process of her queer sexual self-development is throughout the novel as complex as her subjectivity itself. Main points highlight the difficulties behind which are all mostly focused on the dynamics between her and her father. Throughout the novel, she spotlights many accounts where she felt lost and ashamed of her coming out and having the proper courage to express this to her parents. Many events and factors contributed to this development that many seem to fear.
Alison Bechdel’s beautiful graphic novel Fun Home explores the cause and effect relationship that exists between her late father Bruce’s sexuality and his internalized homophobia and disapproval of her own budding sexuality throughout her young life. The book defies the natural chronological order of most novels by revisiting key points in her life multiple times, each instance from a slightly different viewpoint, or revealing vaguely different information. Because of this, we are shown her coming out three times throughout the novel, even though in one chapter it isn’t explicitly stated. Each time, though, is slightly different, because we are shown a different person’s reaction or point of view on the announcement. The themes of each chapter
Alison Bechdel’s specific, artistic and organized design of Fun Home: A Family Tragicomic is her method of explaining and expressing her sentiments towards her unique transitioning from childhood through to adolescence and onwards into adulthood. Elements such as specific colour use, mise-en-page, panelling, and exploiting the gutter are each examples of how Alison Bechdel communicates her development throughout life and the hardship that came with it. Bechdel’s memoir was written to mirror her life in a way so that the reader is completely encompassed in her story, her artwork and her use of language and words.
In chapter one, “Old Father, Old Artificer”, of her graphic novel Fun Home: A Family Tragicomic, the young Bechdel generated her identity through the tensions and mysteries that engulfed her family the home. Masculinity, physical strength and a modern outlook were her personality traits as she grew, becoming the “Butch to [her father’s] Nelly” (269) and his opposite in several aspects. A conscious effort was made on her part to set her own pace from what her father expected of her. He was a strong, influential figure within her life. Expressing emotions towards her father was strictly not allowed in the home. Bechdel was left “rushing from the room in embarrassment” (273) on the one unforgettable occasion that she went to kiss him goodnight. She...
The reader finds out that Berenice suffers from catalepsy, a form of epilepsy that cause’s long periods of a trance like state. (Merriam-Webster, n.d.) The description of Berenice as a child helps the reader to understand that she is beautiful and carefree and has no idea that as a young adult she will become ill. (Wordpress, 2012)
Henrik Ibsen catches the world off guard with his play A Doll House. The world is in what is known as the Victorian era and women and men have specific roles. The way the story unravels takes the reader by surprise. Ibsen wanted to write a play that would challenge the social norms and that would show the world that no matter how hard they press, they would not always win. Ibsen uses society’s customs, deception, and symbolism to keep the reader on their feet and bring them a play that they would never forget.