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Sexuality and repression in the Victorian Age
Female repression in Victorian society
Sexuality and repression in the Victorian Age
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In City of Dreadful Delight, Judith Walkowitz effortlessly weaves tales of sexual danger and more significantly, stories of the overt tension between the classes, during the months when Jack the Ripper, the serial murderer who brutally killed five women, all of them prostitutes, terrorized the city. The book tells the story of western male chauvinism that was prevalent in Victorian London not from the point of view not of the gazer, but rather of the object. Walkowitz argues that the press coverage of the murders served to construct a discourse of heterosexuality in which women were seen as passive victims and sexuality was associated with male violence. Much of City of Dreadful Delight explores the cultural construction and reconstruction of class and sexuality that preceded the Ripper murders. Walkowitz successfully investigates the discourses that took place after the fact and prior social frameworks that made the Ripper-inspired male violence and female passivity model possible and popular.
The City of Dreadful Delight starts with some cultural analysis of the historical background that helped to produce the social landscape of Victorian London. In discussing the transformation of London, Walkowitz argues for seeing more than merely a shift from one type of city to another but rather a conflicted layering of elite male spectatorship, the “scientific” social reform, and W. T. Stead's New Journalism. Here Walkowitz investigates the “Maiden Tribute of Modern Babylon.” The “Maiden Tribute” consisted of a series of articles, authored by Stead and presented in the penny press, which exposed the sale of girls into prostitution. According to Walkowitz, these stories relied on the new scientific methods of social investigation, but the...
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...lass and sexuality by including papers like Stead's which brought middle-class readers in touch with the events of working-class London and provided workers with middle-class representations of themselves. City of Dreadful Delight is an assortment of cross-cultural contact and negotiation between class and sexuality in Victorian era London. Walkowitz's analysis emphasizes distinct “classes,” and the impact of events on each group. Through close social and cultural analysis of the explosion of discourses proceeding and surrounding Jack the Ripper, Walkowitz has demonstrated the historical importance of narratives of sexual danger particularly in the lens of sexuality and class. She explicitly demonstrated the conflicted nature of these discourses, outright showing the women marginalized by male discursive dominance, whose struggles continue to even generations later.
Judith R. Walkowitz is a Professor Emeritus at John Hopkins University, specializing in modern British history and women’s history. In her book City of Dreadful Delight, she explores nineteenth century England’s development of sexual politics and danger by examining the hype of Jack the Ripper and other tales of sensational nature. By investigating social and cultural history she reveals the complexity of sexuality, and its influence on the public sphere and vice versa. Victorian London had upheld traditional notions of class and gender, that is until they were challenged by forces of different institutions.
In The Murder of Helen Jewett, Patricia Cohen uses one of the most trivial murders during the 1800’s to illustrate the sexiest society accommodations to the privileged, hypocritical tunneled views toward sexual behavior, and the exploitation of legal codes, use of tabloid journalism, and politics. Taking the fact that woman was made from taking a rib from man was more than biblical knowledge, but incorporated into the male belief that a woman’s place is determined by the man. Helen had the proper rearing a maid servant, but how did she fall so far from grace. Judge Weston properly takes credit for rearing her with the proper strictness and education. Was Helen seduced at an early age and introduced to sexual perversions that were more persuasive that the bible belt life that the Weston’s tried to live? Was Helen simply a woman who knew how to use what she had to get what she wanted? Through personal correspondence, legal documentation, census reports, paintings, and newspapers we are able to make our own determinations. Cohen provides more than enough background and history to allow any one to make their own opinion how the murder of a woman could be turned into a side show at a circus.
At the beginning of the 1900s, there was a “sexual revolution” in New York City. During this time, sexual acts and desires were not hidden, but instead they were openl...
This essay will explore reasons why females such as Vanessa George turn to the crime of sex offending. Demonstrating my knowledge and understanding of classical criminological theory, exploring biological theories such as penis envy and more contemporary views such as liberation theory within feminism. The essay will then go on to look at the inequalities female sex offenders face within the criminal justice system in comparison with males, using chivalry theory and evil woman theory to explain this.
"The Painted Cohorts": selected readings on nineteenth-century prostitution from Stephen Crane, Maggie: A Girl of the Streets, ed. Kevin J. Hayes (New York: Bedford/St. Martin's, 1999).
Strongmore is described as alluring and seductive, making him appear as the sexual man that women of the Victorian Era tried to help to control their desires.Men were encouraged to repress their sexuality as well as women, and men who could not were permitted to see prostitutes.The young unmarried girl was the last person that a man should be seen with, but Strongmore violated this became a foil for young women desiring marriage.This story illustrated the fears of unrestrained sexuality and sedutive men who could ruin young girls, and both fears are embodied by Lord Strongmore.
Bram Stoker’s novel Dracula, written in 1897 during the Victorian era depicts and delves through the historical context of what society was like in the past. His extraordinary piece places a strong emphasis on sexuality by contrasting it with the conventional and stereotypical views towards sexuality that was once embellished during his life time. By painting an elaborate picture of the conservative society Stoker once grew up in, I contend that through his main female characters, he pursues to epitomize and challenge the Victorian notion of sexuality by incorporating female characters with strong sexual desires. This essay is primarily set forth to bring into light key ideas that may alter the way one perceives this novel by highlighting that Dracula is a seditious novel that embraces female sexuality in a time where “society sought to suppress woman sexuality” (Catherine J. Rose, 2).
In every walk of life, people seek refuge from the judgmental perception of their contemporaries. Thus, many people live in secrecy. For them, secrecy is an absolute necessity in dodging undesired scrutiny and maintaining normalcy in public. When it comes to gender and the expression of it, lines are often blurred. While some hide, others brazenly parade their sexuality in public and their alternative perspectives on gender roles. In “The Bowery as Haven and Spectacle” from Gay New York, by George Chauncey, explores the emergence of the Bowery “fairy” bars, and how they became a sanctuary for the queer and working-class of New York City. He discusses in great length the tension that arises between the middle-class and working-class, the bars as a spectacle and a place to be entertained, the solicitation of sex work, and the makings of gay culture in the bar scene. The lines of gender were blurred when men took up cross dressing and the mannerisms normally associated with women. On the other hand, Merril Mushroom, writer of "How to Engage in Courting Rituals 1950's Butch-Style in the Bar", complies a laundry list of rules for butch lesbians on methods of attracting other women. Here, females cross gender boundaries and take on masculine personas. With this said, both pieces show the development of alternative gender identities. However, this switch in gender roles seldom occur outside the bar scene. Despite the semi-public gender blurring, those who identify with this lifestyle still feel the need to express themselves in an environment most accommodating to their blatant disregard of gender norms. The aforementioned pieces answer questions in regards to why one must live in secrecy, and how this secrecy gives way to the developme...
A querying of normative gender behaviour and sexuality pervades the 19th century gothic fiction text. What does this reveal about the cultural context within the tale exists?
Ehrenreich, Barbara and English, Deirdre."The 'Sick' Women of the Upper Classes," The Captive Imagination: A Casebook on the Yellow Wallpaper, ed. Catherine Golden, New York, Feminist Press, 1992, 90-109.
Through the use of satire, the issues presented by Waugh in Vile Bodies become greatly influenced by the time period in which the novel was written. Great Britain, in the late 1920’s and early 1930’s, was placed on the time line between the Great Wars. Thus, the novel’s placement in the history shifts its focus not only toward the emergence of the World War II but also on the depressed postwar economy of Britain at the time. Some of the most prominent ideas evolving during this period of time were embracive of the idea of change in areas such as religion, science, art, social rules, literature and economic and political conditions—changes that most often led to a feeling of “loss of community” (Wellman, 327). Because of the nature and the ongoing changes during this period the idea of modernism also played a major role in Britis...
The physical and social setting in "Mrs. Dalloway" sets the mood for the novel's principal theme: the theme of social oppression. Social oppression was shown in two ways: the oppression of women as English society returned to its traditional norms and customs after the war, and the oppression of the hard realities of life, "concealing" these realities with the elegance of English society. This paper discusses the purpose of the city in mirroring the theme of social oppression, focusing on issues of gender oppression, particularly against women, and the oppression of poverty and class discrimination between London's peasants and the elite class.
In conclusion, David Lodge managed to embody the concrete term of feminism. Through the character of Robyn Penrose, he creates the breakup of the traditional Victorian image of woman.“ `There are lots of things I wouldn 't do. I wouldn 't work in a factory. I wouldn 't work in a bank. I wouldn 't be a housewife. When I think of most people 's lives, especially women 's lives, I don 't know how they bear it. ' `Someone has to do those jobs, ' said Vic. `That 's what 's so depressing. ' ”(Lodge
The dark, ominous alleyways of London’s East End divulge a very gruesome history of women “ripped up like [pigs] in a market” (Grose). The area, once littered with the torn up remains of brutally murdered prostitutes, looms over the city as symbol for the story of one of the most notorious serial killers: Jack the Ripper. The case enthralls and captivates people’s minds even today, over 100 years later (BBC). This begs the question of how serial killers become part of history, an answer found in extensive media coverage. Time Magazine describes the phenomena Jack the Ripper left behind as a “rich legacy” and a “multi-million dollar industry,” eerily analogous to today’s coverage of serial killings (Grose). Jack the Ripper’s case provides an early example of the issues that arose with the advent of the serial killer—issues that still exist. The press has a unique role to play in serial killer investigations, but the line between helping and hurting society is often blurred. While the press has a responsibility to inform society of such serial killings in order to keep them informed and safe, publishing killer communiqués crosses ethical boundaries concerning the investigations and society.
The nineteenth century saw rapid development and reform across the whole of the country; with the Industrial Revolution transforming life in Britain. For working class women life was an endless struggle of passivity and labour; as soon as they were old enough they worked on farms, in factories or as servants to the middle classes (Lambert, 2009). For women in general, life was oppressive; constantly overshadowed by the male gender who were considered dominant leaders. In a Victorian household, the male was head of the family; his wife and children respected him and obeyed him without question. This critical analysis of two nineteenth century novels - Hard Times by Charles Dickens and Wuthering Heights by Emily Brontë, will discuss the representation of the two female protagonists in the context of the Victorian period and question whether they do indeed portray an endless struggle for survival and independence.