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Importance of editing in film production
Essay of film editing
Importance of editing in film production
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From The Conjuring, this scene is meant to evoke fear and suspense in the audience. Horror movies like these do well because it does not take much for the audience to expect the evil lurking around the corner. Even with this sense of apprehension built up from the beginning, to make an audience truly terrified requires the editor of a movie to decide how they will elicit these reactions from the audience. The editor for The Conjuring did a great job in the shots, pace, sounds, and mood he chose to make this clip scary and shocking. At first, all we hear is the sound of rain and thunder. Storms are always the portent for disaster, and in a horror movie that deals with demons like this one, the storm is not a good sign. Storms are a great way to garner a response from the audience. Taking place at night, the lightning is the only source of light which only comes in bursts. The brief flashes of light scare people because everyone is afraid of what is lurking in the dark. With this scene taking place at night, the dark is used purposefully as an effective scaring tactic. The sixth shot with the girl at the top of the stairs is very interesting because only the top is illuminated. Given the recent sequence of events, the audience is left to imagine what is hiding in the …show more content…
Without dialogue, the audience is left with only hearing the music and sounds of rain and the character’s breathing. Watching this movie during the day did not lower my amount of fear or excitement I felt throughout and I think that is in part of the music. The building crescendos in the music alerts the audience that something bad is going to happen, but the problem for the audience is they do not know when the jump scare will happen. The main part of a jump scare is the sudden spike in music which can be seen in this scene as an example at 0:35, 1:34, and at
The sound used in this scene are all diegetic, the sounds of gunfire and explosions show that the characters in this scene are in very real danger of being shot or blown up, this helps the viewer grow a more personal connection with the characters since the scene is towards the end of the film, the viewer has developed a personal connection with the characters and do not want them to die. The diegetic sounds of military personnel can be heard, this is used to show the urgency that the military personnel have to get The Sapphires and Dave out of the dangerous situation.
The setting gives the reader a sense that terror awaits. This story shows this by talking about the lighting
The film starts out with orchestral music, and shows James Dean's character, Jim, drunk on the ground of a sidewalk. The sound of a police siren is heard and used as a transition into the next scene that takes place, understandably, in a police station. While in the police station, Jim is yelling along with the sound of the siren, and humming loudly to give the impression that he is drunk. At one point in the scene he is brought into another room with an officer, and begins to punch a desk. The sound effects are loud, and the he pauses, and music begins again when he begins to hurt. Again, a siren is played at the transition to the next scene. However, for the most part, score music is played during all transitions.
Though the majority of the film remains well-lit as the characters remain in the generator-powered bunker, the scenes begin to darken with low-key lighting as the film nears its ending, reflecting the more sinister and suspenseful aspects of the plot. In the chase to escape from Howard, Michelle is flooded with shadows and darkness as she crawls through the air ducts to reach an air filtration system room with a door leading to the outside world. The unpredictability of Howard catching up to her already triggers a thrilling sensation within the audience, causing their hearts to race with adrenaline. Along with the action, Trachtenberg enhances these emotions of fear by dimly lighting the film sequence in order to generate apprehension towards the uncertainties held within the shadows. As Michelle frantically manages to break open the door, low-key lighting continues to add intensity to the still shot of her standing in the darkness of the night outside the bunker. This holds the viewer in their seats and encourages them to glance around at the corners of the screen, anticipating a jump scare to come out of the shadows. Though previous scenes have been flooded with light, Trachtenberg’s use of darkly lit scenes presents a stark contrast, creating suspenseful tones that impose feelings of fear and adrenaline on viewers and making the film out to be incredibly
The imaginative Nightmare Before Christmas is considered one of the most imaginative films in some of the most recent decades. This film masterpiece from the creative and revolutionary mind of Tim Burton has been one of my favorite movies from the time that I first saw it when I was a small child, to now. The beautiful textures and colors perfect capture both holidays of Halloween and Christmas in the film. Along with the textures comes a masterfully soundtrack that so perfectly adds mood and depth to this story. The even the beautiful textures are enough for this film to land itself in someone’s favorite list.
At the start of the film, Marker put in this familiar noises of the planes to tell us that it was situated at the airport. Without the use of the sound in this particular scene, it would be just a photo montage whereby the viewers wouldn't probably feel the present of planes. Music helps to establish a sense of the pace at each of the accompanying scene and sometimes overlap voice-over musical score. At the beginning of the film, the images of the war torn Paris was accompanied by some sort of choir music that sounded very depressing and melancholic which then adds to the atmosphere. With the film starting off with this eerie atmosphere could also foreshadow a depressing storyline later on, that the protagonist meets his own death. Furthermore with the deliberate use of music in various part of the film, it kind of foreshadow the tragic ending whereby the fixated image of him as a child watching someone die at the
The Shining is about a white middle class dysfunctional family that suffers from natural and supernatural stresses in an isolated Rocky mountain hotel. .The father, a former teacher turned writer, is portrayed as a habitual drinker, wife- and child-abuser, with a kind of evil streak The mother is shown as a battered woman. The film suggests that due to the abuse at the hands of his father and the passivity of his mother, the child of this family developed psychological problems. He had imaginary friends and began to see frightening images.
beginning and then a sudden turning point leading to a horrible end. It also represents the gothic genre with the idea of a wonderful life. being taken by an evil force, using the thunderstorm as a metaphor. for the destructive force that takes such light and innocence from the world. The world is a
Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
The producer was aiming to create mystery and fear. The dark of the night and the description of the house as feeling dead in the protagonist’s narration sets a suspenseful scene filled with fear and tension. The young girl is followed by the camera as she explores the mansion. When entering the room suspected to be that of her aunts the camera leaves her side to pan around the room. The darkness doesn’t reveal everything but one becomes aware of a search. The revelation of little secrets leaves the viewer with many questions. The room is familiar to the protagonist as she finds items symbolic to her and familiar photographs. This familiarity however does not retract from suspicions that something sinister has been hidden. The producer has successfully captivated the viewer. The protagonist is being followed throughout the scene and has thus allowed for the viewer to bond with them. They are engaging with the audience through narration and have in return enticed the viewer to follow them along their journey. One feels nervous for the young girl however through tension in the scene one does not want them to discontinue the journey as too many questions have been left unanswered. One has been drawn into the world of which the protagonist dwells and is intrigued as to how the drama is
Sound is an extremely important element to a film. Music, the sound chosen in this scene, is categorized as non-diegetic, which means that the music is not in the story world. The directors use deep, dramatic, intense music when Nick is interrogating Judy about her speech. The music in the scene helps the audience feel the anxiousness that Judy is feeling towards predators, particularly Nick. As the music plays in the background, the intensity of the scene grows immensely. The directors use the music to help heighten the emotion during this encounter and reveal Judy’s inner fear of predators that gets the best of her in this
Through the use of different gothic elements such as gloom and horror, each film is able to become gothic. In Emily Bronte's Wuthering Heights the constant wind, rain, and dark cloudy skies make their presence felt throughout the entire film. This stormy weather lead to bad things happening and was usually around when the film was set at Wuthering Heights. The weather is symbolic of the attitudes of the people from Wuthering Heights as well as death. It depicted the inner fury of each person living there, as well as the dead. When Lockwood sees Catherine's ghost it is during a fierce storm that smashes through a window. In Mary Shelley's Frankenstein the use of stormy weather would almost always lead to something wrong or evil happening. Though this weather is also symbolic, it was not symbolic of a household of bad attitudes. The use of storms was to symbolize the presence of evil as well as the creation and destruction of a Monster. When Frankenstein's monster comes to life it can be said that one monster is born, and one monster is destroyed. The monster being destroyed is Dr. Frankens...
Every scene with the witch in the wood is genuinely creepy and disquieting, as Kurosawa gets great performances out of his actors and uses the visuals, like the fog, to great effect. The witch isn’t the only creepy scene though, as Washizu’s hallucinations at a feast are also quite startling and make viewers’ skin crawl. Moreover, Kurosawa is clearly a good storyteller (the screenplay is by Hideo Oguni, Shinobu Hasimoto, Ryȗzô Kikushima and Kurosawa). The film grabs you from the opening scene, the chanting notwithstanding, as we eagerly anticipate news of the battle that occurs off screen.
No matter how many times I had watch this horror film, it still gives me the creeps. The Conjuring, directed by James Wan is a based on a true story according to Ed and Lorraine Warren diary. This film is mostly about a demonic aura surrounding the house and is attacking the Perron family daily. The Conjuring starts off with a family of 7 moving into a new home in the countryside with their dog. As they start to settle down, they begin to experience some terrifying activities inside the house: the mother gets locked in the basement at night, the unknown bruises on her, the daughters get pulled from the bed, hair gets pulled and they start to see people who really is not physically there with them.
As a result, all we're left with at the conclusion is a little sloppy and a real quote from Ed Warren warning us that demonic powers are real and our own personal choices matter. Which may or may not be the case to you. But if evil and moral choices were what the filmmakers cared about, I wish they would make a movie about them instead of theses so called “horrific” events. Instead, The Conjuring is dedicated to the completely wasteful task of encouraging its viewers over and over, in various ways, to pretend that the unoriginal nonsense on screen actually happened in real life. That isn't scary actually It's not even startling. It's just another movie horror movie!