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American psycho analysis
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Entrails torn from the body with bare hands, eyes gouged out with razor blades, battery cables, rats borrowing inside the human body, power drills to the face, cannibalism, credit cards, business cards, Dorsia, Testoni, Armani, Wall Street; all of these things are Patrick Bateman’s world. The only difference between Bateman and anybody else is what is repulsive to Bateman and what is repulsive to the rest of the world. Bateman has great interest in the upper class life, fashions, and social existence, but at the same time he is, at times, sickened by the constant struggle to be one up on everybody else. On the other hand Bateman’s nightlife reveals a side of him never seen during the day. Bateman is relaxed, impulsive, and confident while torturing and killing. He doesn’t have to worry about being better than anyone else. The only competition he has is his last victim. Torture and murder are the two true loves of Patrick Bateman.
From the beginning of the novel the reader is introduced to an almost mind numbing amount of details of Bateman’s social life, wardrobe, cosmetic products, etc. The reader is almost frustrated with the overabundance of details. Why is it important to know what kind of hair gel Bateman used on Tuesday before an important meeting with his friends? What’s the point of numerous chapters of extreme analysis of Genesis, Whitney Houston, etc? Bateman’s obsessions are extremely complex but at the same time he doesn’t limit himself to one area of obsession. Bateman’s knowledge of fashion is truly amazing, but what about his knowledge of weapons. His knowledge of pain is a true genius in itself, but how many people can spit out specifications on the frequency responses of various brands of stereo receivers and speaker systems like Bateman?
The point can be made that Bateman is simply trying to be better than everyone else, have more stuff, look better, and out do his rival workers, but that’s too simple. Bateman is obsessed with perfection. But why? Boredom, lack of a personality, and pursuit of happiness all come to mind. It’s hard to tell what exactly would make a person with so much so unhappy. Boredom does play a role in Bateman’s demented world, and so does lack of personality. It can certainly be said that Bateman is simply looking for happiness. I think Bateman does somewhat satisfy his boredom, and does make himself fe...
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...ion with his life when he says, “’Kill. . . All. . . Yuppies’.”
Of course anybody that knows Bateman wouldn’t take this statement literally, and in fact the statement is simply ignored like many other attempts Bateman makes at exposing his anger or his dark side.
To summarize Bateman’s sense of the repulsive in one word, phrase, or idea would be impossible. However, I do think the repulsion with his surroundings comes from his relatively easy life. He has all the money he needs, and works for even more. He was born into a wealthy family and was given everything except happiness. Bateman’s constant struggle with himself and those around him stems from his repulsion of everything he is and has become. His nighttime endeavors with prostitutes and the homeless are more than releases for his frustrations, they are a way for Bateman to express himself in a different way than everyone around him does. Bateman doesn’t have to flash a shiny business card at a whore to make her go to his house. The homeless people don’t care if Bateman owns a tanning bed or not. The only thing that matters to Bateman is whether or not these people will scream, bleed, and die the way he wants them to.
In “Proofs,” a sixteen year old boy narrates his father crossing the border between America and Mexico. To begin, Rodriguez says, “He wanted books. He had none. You are lucky, boy” (415). This referred to when the father had nothing and how the son is fortunate to have a better life than his dad did. Throughout the essay, Rodriguez has small segments in which the son and the father have
...eam, as Romero showcases the fact that the flaws shown within the characters end up turning their situation into something far worse than it had been in the beginning. It shows just how depraved, violent and absolutely terrifying humans can easily become when put into situations without consequences. Romero’s film is dredged in cynicism towards the modern American Dream, the way he deals with symbolism towards how “just” the American system is during battles and war, and how incredibly messed up our generalized view on racism and the ever ongoing struggle for certain ethnic groups to survive is. “The negativity of the characters extends, in fact, into every facet of their lives; indeed, the film implies the deepest denial of the goodness of effectiveness of every facet of human life in general. Every kind of human relationship is ridiculed or negated in the film.” 4
On a cold Halloween night in 1963, in the film Halloween, a six-year-old boy named Michael Myers was seen stabbing his older sister to death with a gigantic kitchen knife then leaving to stand outside the house with a blank expression on his face. As a result he was sent to Smith Grove’s Mental Hospital which he escapes from 15 years later to go after 17 year old Laurie Strode and her friends Lynda and Annie. Warshow’s essay, The Gangster as Tragic Hero, depicts American society’s need to show public cheerfulness and maintain a positive morale as well as its desire for something more sinister, something more brutal. This desire to indulge in the forbidden fruit of sadism and cruelty is what makes the gangster persona so appealing to the nation. He is the man of the city. He emerges from the crowd as a successful outlaw and his only aspiration is success through brutality.
He kills his father after slapping the cornflakes out of his hands just like his father did to him. While the hit man is in his twenties having fun, his mother is in the hospital dying of cancer. The fact that T.C Boyle puts the line “The priest wears black. So does the hit man.” means something. It means that both life and death or good and bad are both sides of the same coin. Both of them go hand and hand. They’re both messengers of something greater. The hit man’s first job, which we don’t find out till later, was to kill this one guy’s cousin. He then tells us he doesn’t like peas which was a foreshadowing of the waitress’s death. The hit man then attends a talk show which is really him talking to god and his angels. The whole description of the place and how the pediatrician has to deal with all the children (which is us) made it seem to be like god talking to death. The pun at the end, “Tell me - I’ve always wanted to know – what does it feel like to hit someone?” was just to make it funny. Later on when the hit man gave a wino $1800 then killed him meant that the wino used all his money on drugs which killed him. The hit man getting married, having a kid, going to work, and greeting his neighbors is all part of creating the sense of humanity in him. The fire, the 3 headed dog, and getting a gilded scythe is all part of making him seem like the reaper or something of that nature. At the end when he’s
Juror #1 originally thought that the boy was guilty. He was convinced that the evidence was concrete enough to convict the boy. He continued to think this until the jury voted the first time and saw that one of the jurors thought that the boy was innocent. Then throughout the movie, all of the jurors were slowly convinced that the boy was no guilty.
In the film, American Psycho, Patrick Bateman was a wealthy investment banker who also happened to be a serial killer. He was highly intelligent and was charming which attracted many of the women who came his way. Unlike most people in the world, he lived in constant pain. He was rarely happy with himself, and also hated everyone around him. He felt that he needed to inflict his pain on others in violent ways. He always had something disgusting to say such as, “I like to dissect girls; I am utterly insane.” It is outside of the norm to speak in this way, therefore he would be considered deviant. He displayed feelings of distress as he became frustrated very easily with himself and others. Everything
There are four crucial scenes of this film in which Hitchcock shows a change in perspective and identity through the mise-en-scène. Hitchcock’s signature motifs, style, and themes are conveyed through the mise-en-scène.
... immensity of its horror finally makes him drop the pretense of knowing detachment he has held for so long. As he drunkenly sobs, “What’s funny? What’s so goddamned funny? I don’t get it” (Ch. 2, 23) his lurking humanity becomes evident. The subtly of interplay between The Comedian’s persona, his humanity, and even his hypocrisy strongly support his status as a living person alongside Dr. Manhattan.
At a time when the stalker movie had been exploited to all ends and the image of mute, staggering, vicious killers had been etched into society’s consciousness to the point of exhaustion, a new kid entered the block. The year was 1984 and it was time for a new villain to enter into the horror genre. A villain that was agile, intelligent, almost inviolable yet viscous, and by all means deadly. A Nightmare on Elm Street introduced the distinctive presence of Fred Krueger to the horror industry and to the audience. Freddy Krueger took the center stage and with him a new era of horror films began. This horribly scarred man who wore a ragged slouch hat, dirty red-and-green striped sweater, and a glove outfitted with knives at the fingers reinvented the stalker genre like no other film had. Fred Krueger breathed new life into the dying horror genre of the early 1980’s.
Bateman has a threesome with his friend Elizabeth and Christie at Paul's apartment. Bateman kills Elizabeth during sex, and Christie runs, discovering multiple female corpses as she searches for an exit. She is chased by a naked Bateman wielding a chainsaw, and as she is running down the stairs of Paul's apartment building, is killed by the chainsaw which Bateman drops from several levels above
As reported in Child Maltreatment 2013, out of the estimated 905,000 victims of child abuse and neglect reported in the United States in 2013, 8.8% were victims of sexual abuse. 1 This means that in that year over 79,600 children were sexually abused in the United States. “There is general agreement among mental health and child protection professionals that child sexual abuse is not uncommon and is a serious problem in the United States.” 2
· Sedlak, A. (1990) Technical Amendments to the Study Findings--National Incidence and Prevalence of Child Abuse and Neglect: 1988. Rockville, MD: Westat, Inc.
Body Mass Index is used to show a person whether they are underweight, normal, overweight, or obese. BMI is used to measure our weight in relation to our height. When body mass is calculated this way, it is typically used to show a person their amount of body fat on a relative scale. Two women could be 5’7 and weigh 130 pounds yet one is healthy and the other is not. How could this be possible? One could have more fat on their body than muscle making them less healthy, but the result of the calculation would still be the same. While BMI can be a good tool to determine ranges of weight from underweight to obese, it may not be as accurate as determining body composition.
When thinking about statistics on child abuse, it’s very helpful to know that the idea of “child abuse” is very controversial. Recently, in particular homes and cultures, child abuse has come to be seen as a major social problem and a main cause of many people’s suffering and personal problems. Some believe that we are beginning to face the true prevalence and significance of child abuse. There is more to child abuse than just the physical scars; children are affected socially, mentally, and emotionally. According to the American National Committee to Prevent Child Abuse, in 1997, neglect represented 54% of confirmed cases of child abuse, physical abuse 22%, sexual abuse 8%, emotional maltreatment 4%, and other forms of maltreatment 12%.
1 in 10 children suffer from child maltreatment. 1 in 16 children suffer from sexual abuse. Nearly 1 in 10 children are witnesses to family violence. The youngest children are the most vulnerable to maltreatment. Over 25% of abused children are under the age of three while over 45% of abused children are under the age of five. Number of children in the United States who died because of abuse or neglect yearly: 1,593.