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Gender issues in literature
Gender issues in literature
Literary devices essay
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Our group selected our play presentation on “The Cold Equations” by Tom Godwin. This play is about a girl named Marilyn who was ejected from the Stardust aircraft. Our group selected this play so we could create an exciting, interesting, and suspenseful alternative ending. We titled our alternative ending, The Slightly Warmer Equation because of the happier and lighter storyline that our play has in comparison to “The Cold Equations” dark and dreadful storyline. The reason we did this was so that we could convey to the audience that Marilyn was getting closer to solving her own life equation and living happily ever after. The main conflict in the play is that Marilyn has floated onto the Octagon spacecraft belonging to aliens. She is then discovered …show more content…
by an alien named Malron, her life is put in jeopardy, and to her surprise she begins to have feelings for him. By the end of the play Marilyn accepts her feelings for Malron and they live happily ever after. Our play’s context follows the elements of drama’s pyramidal pattern, a protagonist and antagonist, elements of setting, and the accomplishment of delivering an entertaining and positive storyline to our audience. Within our play’s pyramidal pattern, it contains a rising action, climax, falling action, and resolution. The rising action is in the beginning of the play when Marilyn realizes she is alive, but unknown that she is aboard an alien spacecraft called the Octagon. She is unknown of her surroundings and it sets a pathway for the climax of the story. The climax occurs at the moment when Marilyn’s life is put in danger when the aliens are about to kill her. However, Malron the alien has a moment of sympathy and allows her to stay aboard the Octagon. As the storyline proceeds, it transfers into he falling action of the play. This occurs when Marilyn comes to the realization that she has romantic feelings toward Malron. Finally, the resolution occurs at the end of the play when Marilyn decides that she wants to further her relationship with Malron and they live happily ever after. By following the pyramidal pattern, this allowed us to develop Malron as the Protagonist and Malron’s parents as the antagonist to entertain the audience.
It is easily identifiable that Malron is the protagonist through his actions within the play. An example being when Malron stops himself from killing Marilyn. Rather than shooting her in the head, he pulls away the gun and begs his parents to allow Marilyn to stay aboard the Octagon. The reason that this shows he is the protagonist is because He states specifically to his parents, “Wait! I mean, she isn't really doing any harm, we could always just let her work on our spacecraft. You said we needed a new cook anyway! And…And…What if she was meant to come here for a reason?” (1.4). This quote shows his courageous act for Marilyn, making him the identifiable protagonist. As for the antagonist within our play, it is Malron’s mother and father. The reason that they are the antagonist is because of his disapproval of Malron wanting to save Marilyn’s life. The father directly states to Malron, “Look at her! She is already passed out, just make it easy and kill her. Besides, are you insane? A human? Working on my spacecraft! I couldn't have it!” (1.4). After this statement Malron’s mother agrees and questions why Malron wants to save Marilyn. These comments made by Malron’s parents are what make them the antagonists because of their opposition of what Malron is doing. . However, as the story proceeds we decided to make the parents accepting of Malron’s decision to save Marilyn because they care about their son's happiness. The protagonist and antagonist and are what made the story enjoyable for the
audience. In order to deliver an entertaining and positive storyline, we needed to include the proper elements of setting: place, time, and environment. The play’s setting takes place aboard the Octagon alien spacecraft. As for the time period of our play, we describe in the introduction that it takes place during the future. The entire play contains three different scene changes. It first begins with Marilyn floating in space. Next, the scene changes to a storage room on the Octagon. The final scenes of the play occur in a conference room on the spacecraft. Through the use of a proper setting the audience is able to visualize what is going on, and have a full understanding of the place, time, and environment. Our group wanted to use the elements of drama so that we could deliver an enjoyable and amiable storyline to our audience. We did this by making the falling action and climax of the play dark and scary, while the rising action and resolution was light and jovial. In order to do this, we had to make sure that our falling action and resolution contained positive dialogue among characters. We made the falling action the moment when Marilyn realizes she has feelings for Malron. This occurs after they make the physical connection of dancing with one another. The stage direction stating, “Marilyn and Malron continue to dance around the room, they both lock eyes and pause” (1.7). After this moment Malron states to Marilyn, “Marilyn, has anyone ever told you that you have beautiful pupils?” (1.7). This compliment made by Malron towards Marilyn shows that he is complimenting her in a positive way. This moment is when Malron and Marilyn’s dialogue displays the positive storyline. By the end of the story Malron and Marilyn accept their feelings for one another and Malron states, “Yesterday is history, tomorrow is a mystery, but today is a gift that is why it’s called the present” (1.8). After this comment Malron and Marilyn embrace one another with a passionate hug. By ending the play with this encounter, it allows the storyline to end in a happy form. It also allows the audience to interpret that Malron and Marilyn live happily ever after aboard the Octagon. The content of The Slightly Warmer Equation follows the proper guidelines to deliver the elements of drama to our audience. We were able to do this through the plot’s pyramidal pattern, a protagonist and antagonist, elements of a time, place, and environment, and the delivery of a optimistic storyline to our audience. Our group incorporated a conflict, rising action, climax, and resolution, which gives our play a great plot. Along with this, our use of a Malron as the protagonist and Marilyn as the antagonist made the plot even more deliverable. Our group was able to accomplish our goal of creating an entertaining play through the elements of drama.
While many characters can be the protagonist or even the antagonist in this play I feel that the Protagonist of How to Succeed… is J. Pierrepont Finch who is played by Ben Fisher because the situations and setting focuses in on him and the other characters all connect directly to him in some way; on the other hand the protagonist would be trying to make it in the big leagues of business without trying. You can see this in the way there is interaction between Finch and other characters. For example Finch starts off working in the mailroom with Bud Frump played by Zeke Bennett and Twimble played by Anthony Conley-O’Donnell. When Twimble gets promoted he offers his job Finch who turns to his book for the answer which leads to him moving higher up in the company to working as a clerk. As Finch rises in the company his love connection with Rosemary who is played by Natasha Gutterud begins to grow. Yet, Finch is still more focused on getting t...
In a galaxy far away, where an EDS ship has fuel limited to the exact weight of the cargo there is a stowaway on the ship. In order to calculate for fuel ,a math equation is used to determine the amount of fuel the ship needs to get safely to its destination. If there is an unwanted x added into the equation the ship will run out of fuel and crash. In the short story, The Cold Equations, written by Tom Godwin, a pilot must fly the emergency fever serum to the planet Woden in order to save the six people there dying of a fever, but he comes across a stowaway (x) that makes it impossible for him to deliver the serum to the people in time,
you have because it could be taken away in a matter of seconds. The story starts in the late
Firstly, the authors use the use of protagonists to show how they can present similar ideas in different ways. The two protagonists which the authors present are Keating from Dead Poets Society and McMurphy from One Flew Over the Cuckoo’s nest. These characters have readers intrigued and on their feet from the beginning. These characters always keep the readers guessing what they’re going to do next for example when Keating says “No matter what anybody tells you, words and ideas can change the world.” The Protagonists are presented as very different people but are in reality extremely similar and serve the same purpose. The authors present them as
Each one complimented the other and it was as if they were two halves of one whole. Like many things in life, they each secretly enjoyed the immediate surroundings of the other. As much as Nel regarded the neatness of her house with dread, Sula felt the house to be comfortable and relished the neatness. On the same token, Sula disliked the disarray and lack of privacy in her house, but Nel found it to be a welcome change and a taste of real life. Sula and Nel found friendship in each other, because they were both lonely people. When they were young girls, they would go to Edna Finch’s Mellow House together to purchase ice cream. The ice cream representing the end of one’s life, the real treat was on getting there. They looked forward to the looks and sly comments of the boys as they made their way to the ice cream parlor, and as most girls do, exhibited an air of indifference while secretly relishing in the attention they received. It was an ...
The word protagonist comes from the Greek word protagistes, meaning “One who plays the lead role.” The protagonist is forced to adapt to various conditions, and overcome many obstacles. A separate character or an omniscient narrator usually tells the protagonist’s story, but the protagonist himself can also tell it. While there is normally only one protagonist, there can more than one antagonist. The antagonist is the character that opposes the protagonist, and is usually responsible for the obstacles in his way. One common literary technique that is often used to rapidly change an audience’s viewpoint on a story is the use of a false protagonist. A false protagonist appears to the reader as the main character (the protagonist), but is suddenly removed from the picture completely. This removal is often accomplished by killing the false protagonist.
In this essay, Ellerby goes through and gives a brief but accurate summary of the short story. Then she gives her interpretations of what this story was supposed to mean. She finally talks about the techniques Susan Minot used in order to get the atmosphere and emotions she wanted the reader to experience. I agree with how Ellerby interprets this story and it will be evident throughout this paper. Because I agree with what this essay had to say, I will be able to use it as evidence to support my ideas.
Hero in Much Ado About Nothing by William Shakespeare In this essay, I will be looking at the character Hero. I will write about how she interacts with other characters, her personality and her function within the play. The three scenes I will be looking at are Act 3 scene 1, Act 3 scene 4 and Act 5 scene 4. If I was directing Act 3 Scene 1, I would want Hero to come across to.
Tennessee Williams’ Suddenly Last Summer is a one-act play with a cast of colourful characters ranging from the eccentric Violet to the troubled Catherine. One individual, George Holly, is more minor than others, and as such might get overlooked. However, the Fictional World method of analysis uncovers new insight into his nature. By analysing George’s character in the Social World of the play specifically, we get a better understanding of how traumatic and powerful the climax really is.
The theme of the play has to do with the way that life is an endless cycle. You're born, you have some happy times, you have some bad times, and then you die. As the years pass by, everything seems to change. But all in all there is little change. The sun always rises in the early morning, and sets in the evening. The seasons always rotate like they always have. The birds are always chirping. And there is always somebody that has life a little bit worse than your own.
The classical model also stresses conflict between antagonist and protagonist, the protagonist instigating action and the antagonist’s resistance to it, with the protagonist winning. (360) When Keaton fires the cannon, he initiates conflict between himself and the Union soldiers. The Union train outrunning Keaton’s cannonballs and placing traps is the antagonist resisting the protagonist. Since Keaton does not resolve the conflict immediately, instead requiring several cannon shots, the audience is drawn into their conflict, hoping Keaton will slow down the Union train and save his love, in spite of the obstacles. The audience is invested in determining the chase’s outcome, because there is always another blockage, another conflict, keeping them engaged in the chase and supporting the protagonist’s
Speaking literarily about Bridge to Terabithia, we can see the character development, although very traditional and utilized often in story lines, it was all well developed, with the protagonist, the antagonist, the stereotyping, flat and round character traits, and with some of both the dynamic and static characters. The protagonist as defined as the central character would be Jesse, but, in the sense that Jesse and Leslie become one in the story, I am going to state that both would be the main protagonist characters. However, in the same sense the main conflict in the story presented to us was that Leslie dies, in that case, Jesse would ultimately be the protagonist character. With typically many conflicts in a story, as this one has, we have to look at the main conflict, which was the eventual death of Leslie. Leslie is defiantly not the antagonist her...
(LATWP, 640). In the tragic play named after its equally tragic heroine, Antigone’s character unfolds as the perfect example of the classic tragic protagonist character.
Although not stated directly, Guy de Maupassant suggests that his main character, the protagonist, is also the antagonist. The title alone leads the audience to believe this is true. Though it is in third person and one cannot read the thoughts of the characters, the narrator accurately shows the reader the change of heart. Traditionally, the protagonist and antagonist are separate individuals, but Mother Savage should not be viewed as such. Victoire Simon (Mother Savage) experiences a change in herself that forces her to share the role of the protagonist and the antagonist.
Determine all of the story's conflicts. Determine the major conflict and state this in terms of protagonist versus antagonist.