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Characteristics of a tragic hero
Essay on greek myths
Essay on greek myths
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Comparative Character Analysis of Classical Vs. Modern Tragic Protagonists.
A hero/ heroine is described as the principal male/ female character in a literary or dramatic work or the central figure in an event, period, or movement. The classic tragic hero was defined by Aristotle in the fourth century as, “someone who is highly renowned and prosperous” (LATWP, 639), suggesting that there is a “natural right ordering and proportion of traits within the human being that if violated, produces calamity” (LATWP, 639). The book goes on to define classical tragedy as one that “involves the inevitable destruction of a noble person by means of character flaw, usually a disproportionate measure of a specific human attribute such as pride, jealousy or indecision” (LATWP, 639).
On the other hand, another type of tragic hero exists, the modern tragic hero. This type of hero is a product of a clash between the individual and the social environment. Arthur Miller, the famous playwright said, “each person has a chosen image of self and position, tragedy results when the characters environment denies the fulfillment of this self concept.” (LATWP, 640). This is a contrast from Aristotle’s classic tragic hero because the hero is no longer born into nobility but gains stature in the action of pitting self against cosmos, and the tragedy becomes, “the disaster inherent in being torn away from our chosen image of what and who we are in this world.” (LATWP, 640).
In the tragic play named after it...
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
What is a tragic hero? The most well known definition of a tragic hero comes from the great philosopher, Aristotle. When depicting a tragic hero, Aristotle states "The change in the hero's fortunes be not from misery to happiness, but on the contrary, from happiness to misery, and the cause of it must not lie in any depravity but in some great error on his part." In addition, he explains the four essential qualities that a tragic hero should possess, which are goodness, appropriateness, lifelike, and consistency. All of these necessities help to classify the character of John Proctor in Arthur Miller's The Crucible as the tragic hero of the play. Not only does he unfortunately fall to desolation, but also his character captures the sympathy and pity from the audience or readers. Proctor's downfall in the play is initiated by a human flaw, which to a great extent qualifies him to be the tragic hero.
What do you define a tragic hero as? In Romeo and Juliet, Romeo is seen as tragic hero by Aristotle’s tragic hero characteristics. The six tragic hero characteristics are having noble greatness, being imperfect, having a downfall that is partially their own fault, their misfortune is not wholly deserved, fall is not pure loss, and some good has come from the hero’s death. In William Shakespeare’s Romeo and Juliet, Romeo is a tragic hero because he has noble stature or greatness, his downfall is partially his fault, and some good has come from his death.
A tragic hero is an individual who possesses a fatal flaw in their character that will bring about their own destruction or suffering. Aristotle believed that “A man doesn't become a hero until he can see the root of his own downfall. (Aristotle #1)” This Ancient Greek philosopher also believed that each tragic hero has four characteristics. The first of these characteristics is that a tragic hero is born with either wisdom or high integrity, and in some cases both. Aristotle’s second characteristic is that they contain a fatal flaw in their character that may cause them to behave irrationally. The penultimate characteristic is that each hero will suffer a turnabout of fortune brought about by their own flaw in character. Finally, the last characteristic is that the tragic hero will find out that their own turnabout of fortune was brought about by their own actions. McCandless in into the wild is the ideal tragic hero mentioned by Aristotle. McCandless had everything in the world but he gave it up to live in the wilderness and through his own actions he paid the ultimate price. McCandless is seen by the world as a young man who left the corrupted society to embrace a journey only a few would dare. “That's what was great about him. He tried. Not many do. (Krakauer 96)” This journey ended up being the best time of his life and the fact that he attempted this wildlife adventure makes him look more like a daring hero than an idiotic teen.
In with the old and in with the new, Aristotle defines a tragic hero by a set of basic standards. The tragic hero must cause his own fate, though the fate may not be wholly deserved, and the tragic hero must be capable of learning from his mistakes. These principles stand unchanged throughout the course of time. Classical Greek Tragedy Oedipus the King and contemporary A Doll’s House exhibit tragic heroes. Not so simple housewife Nora Helmer and the great king Oedipus bind the fundamentals of Classic and contemporary literature by exemplifying Aristotle’s true definition of the tragic hero.
A tragic hero is defined as a protagonist of a tragedy with specific characteristics. Usually, tragic heroes are able to evoke pity or fear from an audience, and can be relatable to ordinary people. For example, in Shakespeare’s Romeo and Juliet, Juliet is pitied because she is split apart from Romeo because of family ties, and she is also relatable because she displays human characteristics such as sadness and love. Secondly, tragic heroes have some type of goodness and have great stature. However, despite all these positive attributes, a tragic hero usually has a flaw of error, excessive pride, and a major reversal of fortune. For example, in Shakespeare’s Hamlet, Prince Hamlet is a man of noble status, but is led to destruction by his tragic
A tragic hero is a character who makes a judgement unavoidably leads to their own eradication. One may usually look for revenge or justice that may influence each character's choice. He has the tragic flaws of stubbornness and too much self-pride, and these flaws are struck with bad luck. Someone having good and bad sides, a tragic flaw, becoming aware of his mistakes and failing miserably in the end. In the play, Antigone, by Sophocles, Creon is portrayed as the tragic hero.
In his classic work "Poetics" Aristotle provided a model of the tragic hero. According to Aristotle, the tragic hero is more admirable than the average person. This results in the tragic hero being admired by the audience. For the audience to accept a tragic ending as just, it is crucial that the tragic hero be responsible for their undoing. At the same time though, they must remain admired and respected. This is achieved by the tragic hero having a fatal flaw that leads to their undoing. One of literature's examples of the tragic hero is Achilles from Homer's The Iliad. However, Achilles is different from the classic tragic hero in one major way - his story does not end tragically. Unlike the usual tragic hero, Achilles is able to change, reverse his downfall, and actually prove himself as a true hero.
A tragic hero can be described as a great or virtuous character in a dramatic tragedy who is
Aristotle sees tragedy of being made of pity and fear. When tragedies occur in people’s lives it appears fear and pity is always an accompanying trait. Aristotle finds these two emotions to be staples in creating the perfect tragedy play. A tragic hero is the direct spawn of creating a tragic play.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
A tragic hero can be defined by several different factors; the hero usually has a major flaw that prevents him from seeing the truth that lies in front of him, which contributes to the character’s peripeteia due to mistaken judgement. This mistake then leads to achieving anagnorisis, usually at the end of the play, but is too late to change anything, and results in death.
In the world today people consider a hero to be someone like Superman or Spider-Man. In the dictionary a hero is considered or defined as a person of distinguished courage or ability, admired for their brave deeds and noble qualities. Though a hero is thought to be free of mistakes they all have tragic flaws like everyone else. A tragic flaw is explained by Aristotle’s definition, which says that: a tragic hero as a character of great reputation and prosperity whose misfortune is not due to depravity or vice, for the hero is a virtuous man or woman but to an error in judgment resulting from a tragic flaw. Sometimes this flaw is an excess of virtue. In The Tragedy of Julius Caesar by William Shakespeare people are arguing over who is the perfect tragic hero Julius Caesar or Marcus Brutus. They both fit the criteria of a tragic hero, but Marcus Brutus proves to be the better and more fit of the two.
Aristotle describes a tragic hero as a few things. A tragic hero is neither good, nor thoroughly bad. He/she has potential for greatness, but is doomed to fail. He/she begins in a high position, but because of his/her decision, falls from greatness. A common tragic flaw in greek tragedies
The concept of tragic hero is very important in the construction of tragedy. It is the main cause of pity and fear. The tragic hero is a character between the two extremes; he is neither virtuous nor evil. At the same time, this character is better than the ordinary men or audience, he has some good qualities. Moreover, as a tragic hero, he is moving from happiness to misery by his downfall at the end. In fact, this downfall is caused by an error or a flaw in his character not by a vice or depravity. Another feature in the tragic hero is that he has good reputation and he is a man of prosperity. It can be said that Oedipus is a tragic hero because he has all the previous mentioned characteristics and the whole play is a classical application of this concept.