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A essay on hamlet personality
Analysis on Hamlet's personality
Hamlet characters and personality
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Hamlet is a Shakespearian tragedy that takes place in the kingdom of Denmark. The plot
consists of murder, betrayal, revenge, suicide and insanity. Hamlet the prince of Denmark, main
character of Hamlet, has many character traits which are contrasted by other figures in the play.
Hamlet’s personality is especially contrasted by three other main male figures of the play being
Horatio, Claudius, and Laertes.
Horatio is Hamlet’s best friend in the play whom is let into the mind and secrets of
Hamlet. Horatio’s other part in the play is the reader’s indication that since he and Hamlet both
saw the ghost, Hamlet’s sanity isn’t in complete doubt. Horatio is a man of virtue, known as
being very strong, rational, and having unwavering strength of character. Hamlet turns to Horatio
as a result of these characters, which Hamlet lacks within himself. One could also argue the fact
that hamlet admires and idolizes Horatio for these traits. Horatio accepts fate and remains level
headed which maintains control of emotional upheaval. Hamlet lacks this control, allowing his
emotions to take control of him. As Hamlet is dying, Horatio is ready to commit suicide.
Horatio’s act is one of honour, not emotional attachment. Horatio rises to the occasion, to be the
one whom retells the events that occurred during the play so the events are kept real and
unforgotten. Throughout the play, Hamlet had thoughts of suicide but was driven by being
unable to cope with his emotions. Hamlet’s emotions also get in the way of his plots for revenge.
Hamlet is bent on thoughts of revenge on Claudius for the murder of Hamlet’s Father.
Laertes is also guided towards acts of revenge, but on Hamlet for the death of Laertes’ father...
... middle of paper ...
...arrying out his father’s revenge, but he planned on doing it himself for the sake of
avenging his father. Claudius’ actions were only beneficial to him, and were carried out for his
selfish purposes. When Claudius had killed King Hamlet, it was only to steal the throne and
assume his wife. Hamlet’s actions were more for the greater good. Hamlet plans on killing
Claudius for the sake of his family’s honour, and to avenge his fallen father.
Claudius, among the characters Laertes and Horatio are important in the play as foils to
Hamlet. Their character foils contrast that of Hamlet’s character. Overall, Hamlet’s dominant
character traits are procrastination, indecision, impulsive, devoted, and emotional. Having his
traits contrasted by these fellow characters aids in the understanding of Hamlet’s true nature and
the understanding of the plot.
...r. Hamlet speaks to Horatio quietly, almost serenely, with the unexultant calm which characterizes the end of the long, inner struggle of grief. He has looked at the face of death in his father’s ghost, he has now endured death and loss in all the human beings he has loved, and he now accepts those losses as an inevitable part of his own condition. “He states, “The readiness is all” suggesting what is perhaps the last and most difficult task of mourning, his own readiness to die” (Bloom 135). Hamlet recognizes and accepts his own death.
After demolishing the theories of other critics, Bradley concluded that the essence of Hamlet’s character is contained in a three-fold analysis of it. First, that rather than being melancholy by temperament, in the usual sense of “profoundly sad,” he is a person of unusual nervous instability, one liable to extreme and profound alterations of mood, a potential manic-depressive type. Romantic, we might say. Second, this Hamlet is also a person of “exquisite moral sensibility, “ hypersensitive to goodness, a m...
Throughout literature, there a character who provides a moral compass for other characters. In William Shakespeare's Hamlet, Horatio’s character seems fairly simple: somewhat of a “yes-man” to Hamlet, often agreeing with anything Hamlet says. However, at the end of the play we understand his significance, as he is one of the last survivors. This transition is unexpected because for most of the play, Horatio is a reserved character and doesn’t speak very often. Despite this, it is clear that Horatio and Hamlet’s friendship is extremely deep, and Hamlet trusts Horatio more than anybody. At first, the relationship is one of a prince and an advisor, but as the play goes on we realize they are in fact close friends. Horatio is much more than a “yes-man” to Hamlet, even though this may not be visible for most of the play. This friendship is due to three of Horatio’s characteristics: trustworthiness, loyalty, and admiration, which make him an ideal friend to Hamlet. These traits also inspire confidence in Horatio from other characters in the play. Even Shakespeare shows that he values Horatio by allowing him to survive at the end of the play.
William Shakespeare wrote about a distraught prince trying to avenge the wrongful death of his father while all his faith in honesty and the good of man was nearly destroyed. In his play Hamlet, Hamlet is the prince and he is the one who would have lost all his faith in the good of man had it not been for his loyal friend Horatio. Many critics say that Horatio did not play such an important role in the tragedy, that he merely was the informant for the audience and that his character was not developed beyond that fact that he was just the honest confidant of Hamlet. That may be true, however, Horatio does serve two central purposes to the drama, and it is through these purposes that show the qualities that make Horatio memorable and admirable. Horatio is the harbinger of truth. It is through Horatio that the actions taken by Hamlet gain credibility. He is the outside observer to the madness. Hamlet could soliloquize on and on, but it is his conversations with Horatio that gives sanity to Hamlet’s thoughts. His second role is to be the loyal, truthful confidant of Hamlet.
In the play Hamlet, by William Shakespeare, the confidant Horatio is created to serve a number of different purposes. Horatio is a flat character. He is a loyal, obedient, and trustworthy companion to Hamlet. His character does not undergo any significant transformation throughout the play, except that he serves as a witness of the death of Hamlet, Claudius, and Gertrude. Horatio's role in the play seems to be as a utilitarian character that Shakespeare created in order to heighten the suspense of the play. Also for Horatio to be Hamlet's ear so as to appease the audience's ear, and to communicate the moral of the play.
Fortinbras, Laertes, Hamlet: hero, villain, mechanism of conflict. This triad is necessary to Shakespeare 's celebrated play, Hamlet. Despite his crucial role, the first named character is often absent in productions. Fortinbras represents the brave hero Hamlet wants to be and ultimately becomes, while Laertes represents Hamlet 's emotional self-doubt and self-hatred that drives the play 's conflict. The separate subplots of Fortinbras and Laertes mirror both Hamlet 's contradictory personality and the play’s plot.
There are many ways to interpret Hamlet 's relationship with Horatio. Most obviously, Horatio is the only person in the play that Hamlet trusts. He is the only one who knows for certain that Hamlet 's madness is an act, the one person Hamlet confides in personally, and the one whom bids Hamlet goodnight upon his death. Considering his conflicts with his family, Horatio is the only "family" Hamlet has. He understands that Horatio is very rational and thoughtful, yet not overly pensieve like himself. As the play continues, Horatio questions Hamlet 's judgment twice. Once is when Hamlet tells him of a letter from King Claudius that he has found in Rosencrantz and Guildenstern 's pack, telling the King of England that he must have Hamlet killed. The second instance is when Hamlet tells Horatio that he will fight Laertes, son of Polonius, who Hamlet killed earlier in the play. Horatio loves Hamlet with all his heart, but he is directed by a more sensible disposition, which makes him to speak the truth to Hamlet, despite the fact that Hamlet never once takes Horatio 's warnings. In fact, there is only a single point in the play at which Horatio loses his sensible outlook, and it is but a momentary loss. At the end of the play, when Hamlet is killed in his fight with Laertes, Horatio, in his grief, offers to kill himself with his own sword. It is Hamlet 's dying request that Horatio tell
The character of Hamlet is very prestigious, but he has many shortcomings. In many cases, he shows that he is all words and no action. He waits until the very last minute to take a course of action. Hamlet realizes this, and he wishes that he had the characteristics of Fortinbras, Laertes, and Horatio.
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
Horatio. Horatio is a good friend, as stated in Act 1, Sc 2, L163, and the
Hamlet’s anger and grief- primarily stemming from his mother’s marriage to Claudius- brings him to thoughts of suicide, which only subside as a result of it being a mortal and religious sin. The fact that he wants to take his own life demonstrates a weakness in his character; a sense of cowarness, his decision not to kill himself because of religious beliefs shows that this weakness is balanced with some sense of morality. Such an obvious paradox is only one example of the inner conflict and turmoil that will eventually lead to Hamlet’s downfall.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
Hamlet is a paradox; he is a perplexing character that throughout the play has more to show. Hamlet is a person of contradictions he is inquisitive and profound yet indecisive. The experiences Hamlet goes through led to dramatic changes in his character. In the beginning we are introduced to a young man who is mourning for the death of his father and struggling with the sudden marriage of his mother to his uncle. Hamlet faces the dilemma of wanting to avenge his father’s death and suppressing his intense emotions in order to calculate a plan.
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.