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Human emotions expressed in hamlet
Emotions experienced in hamlet
Emotions experienced in hamlet
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In William Shakespeare’s tragic play Hamlet, Prince Hamlet conspires to avenge his father’s murder. Throughout the play, Hamlet spirals through bouts of insanity, depression, and hostility. However, across his tragic tale, Hamlet’s old friend Horatio remains a constant. A scholar and a loyal friend to Hamlet, Horatio acts as one of Hamlet’s many character foils, meaning his characteristics contrast to Hamlet highlighting certain personality traits and allowing the reader to understand Hamlet.
Horatio’s minor role is vital to the story of Hamlet. He does not add anything to the plot of the play and instead acts as the voice of common sense. Horatio is an outside observer to the madness that ensues after the murder of King Hamlet. All of Hamlet’s soliloquies revolve around irrational speculations about death and decay. However, Hamlet’s conversation with Horatio ground the play in reality. In those conversations, Hamlet reveals his feelings to his closest friend. Horatio is the only one Hamlet can come talk to about what is going on in his life.
When the encounter with the ghost occurs at the beginning of the play, Horatio’s original skepticism introduces doubt. When Horatio agrees that the spirit exists, the readers are allowed to believe that the ghost was not a figment of Hamlet’s imagination. At the first sighting of the ghost, Horatio, urging Hamlet to stay away from the ghost, says, “What if it tempt you toward the flood, my lord.../And there assume some other horrible form/Which might deprive your sovereignty of reason/ And draw you into madness? Think of it./The very place puts toys of desperation/Without more motive, into every brain” (III.ii.75). Horatio is foreshadowing Hamlet’s descent into madness. Here, Horatio is...
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...hen he wants to clearly communicate the truth or show an issue from a certain perspective, he uses Horatio’s credibility. Horatio illuminates the consequences Hamlet may face and as an outside observer, allows the reader a glimpse inside Hamlet’s mind. Hamlet’s admiration of Horatio shows what Hamlet considers important in a man. Horatio, in contrast, shows Hamlet’s deep character flaws and allows the reader a deeper insight to who Hamlet actually is, not who he claims to be through his soliloquies. In the end, Horatio himself becomes a playwright, using bodies the tell the tragic tale of Prince Hamlet.
Works Cited
Kaplan, Michael I. "Hamlet & Horatio: The Many Faces of Love." Language and Literature Arts. Armstrong Atlantic State University, n.d. Web. 12 Jan. 2014.
Crowther, John, ed. “No Fear Hamlet.” SparkNotes.com. SparkNotes LLC. 2005. Web. 13 Jan. 2014.
Although the play Hamlet is largely centered around the “tragic hero” Hamlet, it is the minor foil characters that gives us a deeper understanding of the text and a more conscious understanding of the internal struggles experienced by Hamlet. Each of these characters contrasts a specific aspect of Hamlet that would otherwise be overlooked. Horatio consolidates all of the desirable features that Hamlet wants to be into one person. Fortinbras, although in the exact same situation as Hamlet with his father dead and his uncle on the throne, is the complete opposite of Hamlet by choosing action over inaction. Finally, Ophelia personifies Hamlet’s innocence and the death of his innocence after the death of his father. Despite being opposites of each other, each of these characters bring a new outlook on the tragedy of Hamlet.
In Hamlet, by William Shakespeare, the main character, Hamlet, possesses qualities and characteristics that shape him into the man he is. Grief stricken and revenge seeking, Hamlet’s true self is displayed through his actions. Hamlet’s love, Ophelia, serves as a foil to his character highlighting his strong mind, coping methods with emotions, and corruption within families.
Many characters in the play have confidence in Horatio because of his trustworthiness. Horatio is very trustworthy, and not only in the way that he can keep a secret if needed, but he is honorable and keeps his word, and is honest to himself, showing integrity. Here, Horatio shows this trait by revealing to Hamlet that Hamlet’s father’s ghost had appeared.
After talking with the ghost, Hamlet, comes back to Horatio and Marcellus and tries to explain to them never to let anyone know what has happened. Both are very scared but agree to the prince’s, but both are still looking to find out what happened between the ghost and him. Further on in the evening Hamlet takes Horatio to the side and explains to him that no matter how odd he acted that Horatio say nothing. (And therefore as a stranger-you most need help you Act1 sc5 line 187-202) He basically explained to Horatio that he was going to be acting much differently than normal, and he told him not to ask questions. This here proves he knew what he was going to have to do. It shows that he was willing to get his revenge by any way possible.
Horatio serves often as the voice of reason, for instance; he is skeptical of the watchman's testimony that a ghost appeared during their watch in the previous night. Marcellus says of the watchman's testimony, "Horatio says 'tis but our fantasy, / And will not let belief take hold of him" (1.1.23-4). Horatio believes the watchmen only when he witnesses the ghost and even then is still skeptical. He is also the voice of reason when he asks Hamlet to restrain himself from meeting the ghost. He is afraid that Hamlet will hurt himself or go mad (1.4.63-91), finally telling Hamlet, "Be ruled, you shall not go" (1.4.81). Hamlet often seeks verification of events from Horatio as well. Horatio agrees with Hamlet, in 1.4, that the night is cold (1.4.2), and verifies Hamlet's belief that the ghost is "wondrous strange" (1.4.164). Horatio does not exaggerate about the length of the stay of the ghost. In 1.2, Horatio tells Hamlet that the ghost stayed in his presence for possibly "a hundreth" (1.2.137), followed by Marcellus and Barnardo's utterance, "Longer, longer" (1.2...
Throughout the play Horatio constantly tries to bring Hamlet back to reality by advising him to follow his mind instead of his heart. When Hamlet decides to follow the ghost, Horatio strongly opposes by saying, “What if it tempt you toward the flood, my lord, or to the dreadful summit of the cliff that beetles o’er his base into the sea, and there assume some other horrible form, which might deprive your sovereignty of reason and draw you into madness?” (Shakespeare 1, 4, 69-74). Horatio’s warning to Hamlet suggests the idea that he views the unknown more cautiously than the reckless prince. Additionally Horatio’s inference about how the ghost might “drive [Hamlet] into madness”(1, 4, 74) displays a foreshadowing of Hamlet’s fate, emphasizing the idea that the warnings from the spokesman of common sense goes unheeded by the tragic hero. In addition to giving advice against the ghost, Horatio advises Hamlet in the matter of the match with Laertes saying, “If your mind dislike anything, obey it” (5, 2, 18). By this advice Horatio implies that he as well holds a suspicion against the King and Laertes and has doubts towards the match as Hamlet does, however, Hamlet ignores this sensible advice and leaves his life into the hands of
There are many ways to interpret Hamlet 's relationship with Horatio. Most obviously, Horatio is the only person in the play that Hamlet trusts. He is the only one who knows for certain that Hamlet 's madness is an act, the one person Hamlet confides in personally, and the one whom bids Hamlet goodnight upon his death. Considering his conflicts with his family, Horatio is the only "family" Hamlet has. He understands that Horatio is very rational and thoughtful, yet not overly pensieve like himself. As the play continues, Horatio questions Hamlet 's judgment twice. Once is when Hamlet tells him of a letter from King Claudius that he has found in Rosencrantz and Guildenstern 's pack, telling the King of England that he must have Hamlet killed. The second instance is when Hamlet tells Horatio that he will fight Laertes, son of Polonius, who Hamlet killed earlier in the play. Horatio loves Hamlet with all his heart, but he is directed by a more sensible disposition, which makes him to speak the truth to Hamlet, despite the fact that Hamlet never once takes Horatio 's warnings. In fact, there is only a single point in the play at which Horatio loses his sensible outlook, and it is but a momentary loss. At the end of the play, when Hamlet is killed in his fight with Laertes, Horatio, in his grief, offers to kill himself with his own sword. It is Hamlet 's dying request that Horatio tell
The character of Hamlet is very prestigious, but he has many shortcomings. In many cases, he shows that he is all words and no action. He waits until the very last minute to take a course of action. Hamlet realizes this, and he wishes that he had the characteristics of Fortinbras, Laertes, and Horatio.
Horatio's role in Hamlet is minor, however he serves two purposes central to the drama. Horatio provides the truth. It is through Horatio that the actions taken by Hamlet and other characters gain credibility. He is the outside observer to the madness. Hamlet could soliloquize to no end, but it is his conversations with Horatio that ground the play in reality. Horatio believes Hamlet and thus we have permission to believe. He sees the Ghost and so we can believe that Hamlet has seen the Ghost. If Horatio were not there, Hamlet's sanity would truly be in doubt.
Hamlet by William Shakespeare is one of the world’s most revered literature. The main character, Hamlet, is arguably one of the most intriguing characters the playwright ever developed. Hamlet is daring, philosophical, mentally unstable at times, and clever. Throughout the play though, these characteristics change and/or diminish as Hamlet is put through a plethora of unfortunate events. His father is murdered by Claudius, his mother soon after marries Claudius, Rosencrantz and Guildenstern betray him, and his girlfriend most likely commits suicide. While Hamlet is incredibly philosophical, indecisive, and full of resentment in the beginning of the play, he becomes violent, instinctive, caring and sympathetic towards the end of the play.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
In the act 1, sense 1, the appearance of ghost implicated that something would be happening in Denmark and created interest and caution to audience and Horatio. Ghost always represents horror and fear nowadays, and people think that ghost maybe has unfinished hope before death or revenge for somebody. In the Shakespeare world, ghost shows up in somewhere, where it’s not supposed to be. That means that there is someone else, especially in western culture. Horatio said, “has the ghost appeared again tonight” (1.1 21), and “it will not appear” (1.1 29). Horatio was educated, so he didn’t believe that. On the other hand, Bernardo and Marcellus believed the ghost was real and tried to prove it. Through the conversion and background between Horatio and officers, the plot creates the suspense and question to audience. Does the ghost really exist? Meanwhile, the audiences feel curious about the ghost.
Hamlet is a tale of tragedy by Shakespeare which tells the story of the prince of Denmark who is on a quest to avenge the death of his father at the hands of his uncle whom subsequently becomes king of Denmark. This is what fuels the fire in the play as Hamlet feels the responsibility to avenge his father’s death by his uncle Claudius; however, Claudius assumed the throne following the death of hamlets father. It is in this context that we see the evolution of hamlets character from a student and young prince of Denmark to the protagonist and tragic hero in the play.
When considering Hamlet’s generally isolationist and lonesome nature, it is possible to conclude that Hamlet suffers from a mental disorder. Throughout the course of the play, Hamlet tends not to share his inner feelings with others and does not have many close friends. One notable exception is Horatio, Hamlet’s closest and most loyal friend. Horatio is the only character to whom Hamlet expresses his true feelings, and Hamlet welcomes Horatio’s calm level-headedness, providing an insight into the kind of person Hamlet appreciates: “Give me that man / That is not passion’s slave, and I will wear him / In my heart’s core, ay, in my heart of heart, / As I do thee” (3.2, 64–67). If Hamlet’s idea of a friend is any indication as to why he strays away from shar...
The perfection of Hamlet’s character has been called in question - perhaps by those who do not understand it. The character of Hamlet stands by itself. It is not a character marked by strength of will or even of passion, but by refinement of thought and sentiment. Hamlet is as little of the hero as a man can be. He is a young and princely novice, full of high enthusiasm and quick sensibility - the sport of circumstances, questioning with fortune and refining on his own feelings, and forced from his natural disposition by the strangeness of his situation.