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Personality of hamlet
Parallels between Fortinbras and the hamlet
Parallels between Fortinbras and the hamlet
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The Tragedy Triad Fortinbras, Laertes, Hamlet: hero, villain, mechanism of conflict. This triad is necessary to Shakespeare 's celebrated play, Hamlet. Despite his crucial role, the first named character is often absent in productions. Fortinbras represents the brave hero Hamlet wants to be and ultimately becomes, while Laertes represents Hamlet 's emotional self-doubt and self-hatred that drives the play 's conflict. The separate subplots of Fortinbras and Laertes mirror both Hamlet 's contradictory personality and the play’s plot. Hamlet 's deliberation in murdering Claudius results from the contradictory traits that quarrel within him. Henry MacKenzie notes contrasts in Hamlet 's personality, such as how he possesses the "strongest purposes of revenge" but is "irresolute and inactive," or how he holds the "gloom of the deepest melancholy" but is simultaneously "gay and jocular" (MacKenzie 150). This array of traits that …show more content…
(Shakespeare 5.1.203-208) Laertes ' hatred for Hamlet initially perplexes him. Claudius easily persuades Laertes into seeking revenge for Polonius ' death on Hamlet. Hardison notes how effortlessly his Claudius manages to influence Laertes character, as "once in the power of Claudius," Laertes "engages himself to perform acts of unmitigated treachery-- acts which are in direct violation of his own code of honor" (Hardison 157). Before Laertes dies, however, his views shift to the views he will die with, proclaiming: Exchange forgiveness with me, noble Hamlet. Mine and my father 's death come not upon thee, Nor thine on me. [LAERTES dies] (Shakespeare
Respectively, Fortinbras fights for land that he knows is worthless, and through his controlled actions, he fights for honor and respect from his subjects so that he can slowly begin to avenge his father’s death. Second of all, Hamlet compares himself to Fortinbras since Fortinbras is an honorable man whose risk may not have the greatest reward. Hamlet says:
Laertes is a noble and dignified man,but when his father is killed, he is driven to act on anger instead of his sense. He is driven to revenge the same way Hamlet is. Claudius is able to bend Laertes’ anger into something he can use against Hamlet in Act 5 during the duel between Hamlet and Laertes. Claudius’ cool persuasion is seen in Claudius’ words when Laertes brings a mob to the palace after hearing of his father’s death:
The Shakespearean play, Hamlet, is a story of revenge and the way the characters in the play respond to grief and the demands of loyalty. The importance of Fortinbras and Laertes in the play is an issue much discussed, analysed and critiqued. Fortinbras and Laertes are parallel characters to Hamlet, and they provide pivotal points on which to compare the actions and emotions of Hamlet throughout the play. They are also important in Hamlet as they are imperative to the plot of the play and the final resolution. Hamlet, Laertes and Fortinbras are three young men who are placed in similar circumstances, that is, to avenge their father's deaths. The way the each comes to terms with their grief and how they rise to the call of vengeance is one of main contrasts between the three.
In Shakespeare’s Hamlet, there are multiple times where the protagonist, Hamlet, is portrayed as Laertes, the antagonist. Although, while every character is almost a foil to Hamlet, only a couple stand out over all the other characters. Amongst Laertes, Fortinbras, and Claudius, I’ll be focusing my essay on how Laertes functions as a foil to Hamlet. Laertes is presented with similar catastrophic situations that Hamlet encounters. This is observed when both of them left home, faced the death of their fathers as well as Ophelia’s death. During Act 1, Scene 2, it is acknowledged that Hamlet is returning to England and Laertes asking for consent to France in Act 1, Scene 3. Polonius sends his man, Reynaldo, to Paris to spy on Laertes in Act 2,
Hamlet is obsessed with revenging his fathers murder; destroying Claudius and it is evident in the play. This obsession initiates Hamlet's behavior. The reasons for Hamlet's obsession with exacting revenge against Claudius are fairly straightforward. The ghost of Hamlet informed him that Claudius killed Hamlet Sr., seized his throne and robbed him of his father. After the ghost informs Hamlet of Claudius' crime, Hamlet realizes that if he does not kill Claudius, he may forever be locked in the painfully stressful mental state in which his obsession puts him. If he attempts or succeeds in killing Claudius, he risks experiencing psychological estrangement so intense that it could destroy his sense of identity. Whether he does or does not kill Claudius, he faces enormous psychological pain.
William Shakespeare's Hamlet illustrates the inevitable cycle of revenge as the characters are drawn into a whirlpool that they cannot escape. In this play, the readers witness the power of death and the wavering resolution that acts as a domino effect. The first one to fall into this despair is the protagonist, Hamlet, which affect both directly and indirectly those around him. Horatio, Hamlet’s best friend from school, becomes his only ally who knows of Hamlet’ schemes and miseries. While Laertes becomes Hamlet’s enemy when the protagonist inadvertently kills Laertes’ father thinking he was King Claudius, Hamlet’s subject of revenge, when he was eavesdropping on Hamlet. Another important character in this play is Fortinbras, who seeks revenge on behalf of his father’s honors, who equalizes the two contradictory characters of Horatio and Laertes. Through these three characters, who are different in nature, Shakespeare develops these three characteristics in order to highlights Hamlet’s weaknesses.
The relation between these two characters is a lot like the juxtaposition with Hamlet and Laertes. Just like Hamlet and Laertes, Fortinbras’ father, King Fortinbras, was also killed but the way he died was in a battle with King Hamlet. Hamlet and Fortinbras’ circumstances are almost identical. Their fathers were both murdered, both their uncles are on the throne and they are both princes of their countries. Revenge is the motive for both of these princes because of their dead fathers, but the way and the reason they seek it is extremely different. Hamlet wants revenge because the ghost of his father told him to and Fortinbras wants revenge to reclaim the land that his father lost when he died. Fortinbras is more focused on the honour of his country, Norway, but all Hamlet cares about is killing his fathers murderer. Hamlet’s morals slow down the process of his revenge whereas Fortinbras’ firm attitude makes him act faster. Hamlet later develops some jealously towards Fortinbras, he says, “Rightly to be great/Is not to stir without great argument/But greatly to find quarrel in a straw/When honor’s at the stake” (Shakespeare 4.4.53-56). Hamlet is saying that if Fortinbras is taking such quick action for a little bit of land that means nothing then what does that make Hamlet? He says in order for him to be great like Fortinbras he must take violent action. Hamlet and Fortinbras are both equally rebellious
An archetype is a character, situation, or action, which represents a template throughout all forms of literature. These archetype templates have been used countless times since the existence of literature. Take the Anglo-Saxon epic Beowulf for example. The main character, Beowulf, is a leader that everyone looks up to in times of distress. He is an example of the “hero” character archetype. The “hero” archetype can be found in almost every from of literature, especially in eastern culture. In western culture, one of the most distinguished archetypes is the serpent. The serpent is a very powerful archetype dating back to the Bible. The serpent archetype represents deception, evil, and temptation. These devil-like attributes represent Claudius,
William Shakespeare’s “Hamlet” is known as the best tragedy play of all times. Each one of the characters has their own unique personality, but some of them are very alike. Hamlet, the main character, and Laertes, one of the other leading roles, are very much alike but at the same time slightly different. Their experiences collide and they both make some decisions, which change their lives forever. Hamlet and Laertes both display impulsive reactions when angered.
Fortinbras and Laertes are parallel characters to Hamlet, and they provide critical points on which to compare the actions and emotions of Hamlet throughout the play. They are also important in Hamlet, as they are imperative to the plot of the play and the final resolution. Hamlet, Laertes and Fortinbras are three young men who are placed in similar circumstances, that is, to get revenge for their fathers' deaths. The way they each come to terms with their grief and how they rise to the call of vengeance is one of the main contrasts between the three.
William Shakespeare’s play Hamlet strikes many literary chords and themes. It primarily chronicles a quest for revenge, political intrigue and a slow descent into madness. Throughout the play, two men of different rank and intellect; Hamlet and Laertes are portrayed in this play as each other’s foils. Hamlet who has lost his father in the hands of his uncle and Laertes who has lost his father in the hands of Hamlet, seek out similar goals but in very distinct ways. Hamlet and Laertes both go through stages of their carving vengeance to finally fulfill their goals of killing their fathers’ murderers. The readers detect that Hamlet goes in the path of plotting and deceiving to kill Claudius whereas Laertes goes in a more haste and reckless path
Shakespeare often uses language to convey a characters intelligence and mental condition. He consistently uses iambic pentameter in the speeches of his most noble characters. For characters of lower class, or for characters who have gone insane, Shakespeare writes their speeches in prose, or prosaic language. In the play Hamlet, Shakespeare uses both iambic pentameter and prose speech to show Hamlets attempt to act insane in certain situations and sane in others. Hamlet chooses to “stand and unfold himself” in both types of language, just in a different style. Although Hamlet speaks in these two very distinct styles of language throughout the play, he conveys the same emotions, questions and ideas within both of his prose and poetic speeches,
In the play several characters are compelled to restore family honor by exacting vengeance. Fortinbras tries to reclaim his father’s honor by reclaiming territory, Hamlet must get back at Claudius for killing his father, and Laertes must get back at Hamlet to avenge his father and sister. Each character is driven in the play to get revenge at someone. Hamlet is
In William Shakespeare's tragedy Hamlet, Laertes, Fortinbras and Hamlet find themselves in similar situations. While Hamlet waits for the right time to avenge his father's death, Laertes learns of his father's death and immediately wants vengeance, and Fortinbras awaits his chance to recapture land that used to belong to his father. Laertes and Fortinbras go about accomplishing their desires quite differently than Hamlet. While Hamlet acts slowly and carefully, Laertes and Fortinbras seek their revenge with haste. Although Laertes and Fortinbras are minor characters, Shakespeare molds them in order to contrast with Hamlet. Fortinbras and, to a greater extent, Laertes act as foils to Hamlet with respect to their motives for revenge, execution of their plans and behavior while carrying out their plans.
In comparing Hamlet to the other youths of the play, Horatio and Fortinbras we find two predominating traits come to air. Horatio the scholar, a man of thought and intellect. Fortinbras the soldier, a man of action and pride.