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Visual Techniques in film
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Throughout the film Chris Eyre uses flashbacks of Victor, Thomas, and Suzy to demonstrate their views on Arnold Joseph after he passed away. Victor, when Arnold had already passed, starts to recall memories of his time with Arnold. Victor remembers Arnold constantly drinking, hitting Victor, hitting his mother, and when left for Arizona. He only recalls these memories because from his mind his was a bad person and father. He is unable to find a way to forgive him or mourn him because all he did, according to Victor, was hurt him, drink heavily, and hurt his mom, making Arnold unforgivable. Thomas was not seen much around Arnold Joseph but he was always tells stories of how he was a great man. He mentions stories of how Thomas was waiting for a vision but after he waited Arnold took him to Denny’s, or how he was the perfect hippie for trying to make love not war. …show more content…
Thomas tells these stories because in his eyes, and in others, he wants Arnold to seem as a great person, he wants to remember him for being good despite knowing all the bad things he did.
Suzy did not know Arnold for the longest time and did not know about the way he treated Victor, but she still decides to remember him by the time they spent together. She tells flashbacks of how Arnold attempted to give her a ride to work, spend time with her, and tell stories of how great Victor was at basketball. Arnold confessed to Suzy that he was responsible for the fire, that he got drunk and accidently started the fire, but he still saved Thomas and Victor from the fire. He regrets it everyday. Suzy knowing this still decided to tell Victor all the good he did because she wanted him to see the good side of Arnold and forgive him for what he
did. Chris Eyre demonstrates how each of the characters are affected by time with the use of flashbacks and character development, they mature throughout the film to become to become more responsible and strengthen their relationship with each other. Victor when he changed from a child to a teenager did not change much at all, he still acted haughty around everyone, he caused trouble to his mom and bullied Thomas. After his trip to Phoenix when he returned home he changed, he cared about others when he saved the family he crashed against with his car, he was nicer to Thomas, and was able to forgive his father. Victor needed to change for others, he knew he was only causing pain to the people around him and hurting himself. Victor realized this when he accidently hit the car in the road and ran for help. Victor and Thomas’ relationship grew more and more with the time they spent together. Thomas was always bullying Thomas, whether he was hitting him or making fun, he didn’t like Thomas. Thomas on the other hand likes Victor but liked him out of pity. He feels sorry for Victor because his dad left him, because his dad died and feels compassionate to help him. Overtime they learned to enjoy each other's company and respect one another for who they are. Arnold was presented as bad character, not as the antagonist, more bad in his personality in general. He was demonstrated as someone who drinks heavily, abuses their family, and started the Fourth of July fire that almost killed Thomas’ and Victor’s family. But later on he is seen as generous, fun and Victor, as presented by Suzy. He was not a bad person, he drank heavily because the fire traumatized him he drank to get rid of the pain and only hit Victor because at himself and only wanted to feel loved by his son.
Throughout Tangerine by Edward Bloor, the protagonist Paul, has several flashbacks. His first flashback happens right before he moves to Florida. He remembers someone (most likely Erik) trying to beat him with a bat. In his next flashback, he remembers one of Erik’s friends from Huntsville teasing him for his poor vision. And in his last, he remembers the real reason why he almost went blind. He did not stare at a solar eclipse, he got sprayed in the eyes with spray paint by his brother and one of his friends from Huntsville.
In the first scene of Smoke Signals there is a flash back to when Arnold Joseph, Victor's father saves infant Thomas and Victor from a raging house fire that kills both of Thomas's parents. The flash back shows the fire that encompasses Victor started very early in his life. Thomas states, "You know, there are some children who aren't really children at all. They're just pillars of fire that burn everything they touch." (Smoke Signals) This comment vividly describes who Victor is as a human. A few scenes later you once again see the movie flash back to when Victor and Thomas were around ten years old. Thomas is giving Victor a hard time about his father leaving which results in Victor threatening to beat Thomas up again. One can hear the anger spewing from Victor's mouth and the pain that lies beneath the
that his innocence was taken away from him. This led to many of Holden's actions. Such
If no one would have stopped Victor, Thomas-build-the-fire would have died which clearly shows the readers that Victor is mentally troubled. Not only does he lose his father but, Victor also loses his best friend on that same day. In other words, Victor is mentally traumatized after the abandonment. In fact, Rothe Eugenio, a professor in the department of Psychiatry & Behavioral Health at Florida Inter... ... middle of paper ... ...
Victor wasn’t anything like Thomas, Victor was a warrior, and Thomas was the brain. They were almost the perfect match, because you have Brain and Braun working together. Though Victor had a soft spot for some people like his mom or Suzy Sunshine, but for anyone else he had no sympathy. Victor was always a very stern man he always had this grumpy boldfaced look. The reason he always had this look on his face was simply because he wanted to send a message out that no one will overlook him or over power him. And he said “Without a stern look the white man will run over you then no one will respect you”. Another thing that makes him a warrior is the fact that this ...
Through connecting with his former best friend, Victor was able travel to Phoenix to reclaim his father’s ashes and belongings. During the trip we see Thomas and Victor reminisce about their former days as friends, and although at the end they both agreed that they could not be friends, they gained a deeper understanding of each other. Even though Victor could not say it, deep down, he knew that his best friend was in fact Thomas.
Victor grows up in school both on the American Indian Reservation, then later in the farm town junior high. He faces serious discrimination at both of these schools, due to his Native American background. This is made clear in both of the schools by the way the other students treat him as well as how his teachers treat him. His classmates would steal his glasses, trip him, call him names, fight him, and many other forms of bullying. His teachers also bullied him verbally. One of his teachers gave him a spelling test and because he aced it, she made him swallow the test. When Victor was at a high school dance and he passed out on the ground. His teacher approached him and the first thing he asked was, “What’s that boy been drinking? ...
Thomas’s vision helps Victor realize how his father truly feels about his family. Years before Victor's father’s death Thomas tells Victor “Your father’s heart is weak” and that he would rather
The mysterious Arnold Friend goes to Connie’s house. He tries to convince Connie to take a ride in his car. Most people will deny the offer, but seeing as though Connie is unruly, she is easily persuaded by Arnold . Arnold deceives Connie with his charm and ride. He takes her to a place where she does not know. We find that Mr. Friend is not so friendly, but a sick soul with a loose tongue. In addition to this I agree with author Christina Marsden Gills of “Short Story Criticism, vol.6” when she explains that:
By the time of their death, both Victor and the creature has committed repugnant acts: Victor created a being out of corpses and then abandoned it and let it wreak havoc on the people he loved, the creature directly killed three people. But Victor tells Walton that, “During these last days I have been occupied in examining my past conduct; nor do I find it blamable […] nor do I know where this thirst for vengeance may end” (269). Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hate for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result he loathes himself. He tells Walton that, “You hate me, but your abhorrence cannot equal that with which I regard myself” (275). Although no amount of regret or sorrow can bring back the people that he has killed, the creature does acknowledge the evil of his actions, which in turn allow him to make come to peace. He is able to reconcile his vengeful feelings towards his creator and praises Victor by calling him, “worthy of love and admiration among men” (275). Both Victor and the creature have done committed actions against each
With the different trips that Victor endures individually, it hints a sense of individuality as he seeks isolation from the world. He is also a very emotional man, who loves his family. As death of his family members occurs, he becomes emotionally unstable and seeks revenge against his creation. Ultimately trying to end the life he so vigorously wanted to create. This reflects both the passion and individualism theme from the Romantic
... conflict is very evident on Victor and Elizabeth's wedding night. Victor was warned by the creature many times that he would be present on the wedding night, yet and still Victor chooses to leave Elizabeth alone knowing the monster will kill her. On a conscious level, Victor displays his love outwardly by finishing the process of marriage and making Elizabeth his wife. On a sub-conscious level, Victor deals with his animosity towards Elizabeth privately by allowing the monster to kill Elizabeth. As a result, Victor is able to deal with his hatred for Elizabeth and his mother in an indirect manner.
The creator of the monster, Victor Frankenstein is a man full of knowledge and has a strong passion for science. He pushes the boundary of science and creates a monster. Knowledge can be a threat when used for evil purposes. Though Victor did not intend for the being to be evil, society’s judgement on the monster greatly affects him. As a result he develops hatred for his creator as well as all man-kind. Victor’s anguish for the loss of his family facilitates his plan for revenge to the monster whom is the murderer. While traveling on Robert Walton’s ship he and Victor continue their pursuit of the monster. As Victor’s death nears he says, “…or must I die, and he yet live? If I do, swear to me Walton, that he shall not escape, that you will seek him and satisfy my vengeance in his death…Yet, when I am dead if he should appear, if the ministers of vengeance should conduct him to you, swear that he shall not live-swear that he shall not triumph over my accumulated woes and survive to add to the list of his dark crimes” (pg.199). Victor grieves the death of William, Justine, Clerval, Elizabeth and his father. Throughout the novel he experiences the five stages of grief, denial/ isolation, anger, bargaining, depression and finally acceptance. Victor denies ...
was unheard of for a woman of Jane Eyre’s middle class to mix with a
The function of flashbacks in Death of a Salesman. Throughout Death of a Salesman flashbacks are used continuously, typically to present the audience with the Loman family's background and show deterioration. In act one we see the first flashback at the beginning of the play. As the play starts to go into flashback the backdrop changes from the present 'Apartment houses' and the 'surroundings become covered in leaves.' The first sign of the Loman's happy past.