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Mary Shelley’s novel Frankenstein, is a book in which men pursue their goals against hopeless odds. Robert Walton’s decision to turn the ship around at the end of the novel is questioned by many. This essay will discuss the interpreted views on Robert Walton’s decision to retreat by Victor Frankenstein, Mary Shelley and myself. Although, some may disagree ultimately Robert Walton made the right choice to turn his ship around at the end of the novel and is therefore not a failure. The creator of the monster, Victor Frankenstein is a man full of knowledge and has a strong passion for science. He pushes the boundary of science and creates a monster. Knowledge can be a threat when used for evil purposes. Though Victor did not intend for the being to be evil, society’s judgement on the monster greatly affects him. As a result he develops hatred for his creator as well as all man-kind. Victor’s anguish for the loss of his family facilitates his plan for revenge to the monster whom is the murderer. While traveling on Robert Walton’s ship he and Victor continue their pursuit of the monster. As Victor’s death nears he says, “…or must I die, and he yet live? If I do, swear to me Walton, that he shall not escape, that you will seek him and satisfy my vengeance in his death…Yet, when I am dead if he should appear, if the ministers of vengeance should conduct him to you, swear that he shall not live-swear that he shall not triumph over my accumulated woes and survive to add to the list of his dark crimes” (pg.199). Victor grieves the death of William, Justine, Clerval, Elizabeth and his father. Throughout the novel he experiences the five stages of grief, denial/ isolation, anger, bargaining, depression and finally acceptance. Victor denies ... ... middle of paper ... ...to life. I was abandoned, left alone to fend for myself and I was never taught the morals of life. I admit killing was the hardest thing I ever did and remorse haunts me every day. The pain and torture I experience is unbearable and the only satisfaction I have left is when I take my own life. When I remove my feet from the monster’s shoes I come to realize that Robert Walton is not a failure for turning his ship around at the end of the novel. The monster has experienced the worst of the worst and is planning to commit suicide. There is no point risking everyone on the ship’s life for a monster who is going to fulfil Victor’s deed himself. Overall I believe that Robert Walton made the right decision to turn the ship around and for that choice he is not a failure. Works Cited Shelley, Mary. Frankenstein. New York: A division of Random House, Inc., 1981. Print.
‘Frankenstein’ or ‘The Modern Prometheus‘ is a 19th century gothic novel written by Mary Shelley. Shelley’s interest in the physical sciences had led her to writing a novel that is based on creating human life in an unnatural way. Victor is one if the narrators who has an unnatural obsession with the sciences led him to discover the secret of life; creating the abomination that is his monster. Walton serves as the neutral narrator that has no personal impact on Victor’s and the monster’s tales. It is through Walton that the monster was able to express his feelings at the death of his creator.
Compare and Contrast the episodes of the creation of the monster and the creation of the second monster in Mary Shelley's Frankenstein Mary Shelley finished her first edition of 'Frankenstein' in 1816, when she was nineteen years old. Since then her "monster" has become so popular in the twenty-first century that he appears in films, advertisements, comics and even computer games. So how is it that as such a young age she was able to write such a gripping novel, which has become more famous than any other work of 'Romantic' literature, and indeed, her own? It could have been a result of an intellectually stimulating childhood due to having free access to her fathers extensive library and literary connections; or it could have been a result of her being emotionally undernourished as a child. Whichever way, she has succeeded in writing a novel that 'speaks to the mysterious fears of our nature and awaken thrilling horror' (p.8 - author's introduction), as she wanted; and she has included many personal ideas about politics and familial relations as well as moral, philosophical and scientific ideas on the creation and 'elixir of life' (p.42).
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
An idea becomes a vision, the vision develops a plan, and this plan becomes an ambition. Unfortunately for Victor Frankenstein, his ambitions and accomplishments drowned him in sorrow from the result of many unfortunate events. These events caused Victors family and his creation to suffer. Rejection and isolation are two of the most vital themes in which many dreadful consequences derive from. Victor isolates himself from his family, friends, and meant-to-be wife. His ambitions are what isolate him and brought to life a creature whose suffering was unfairly conveyed into his life. The creature is isolated by everyone including his creator. He had no choice, unlike Victor. Finally, as the story starts to change, the creature begins to take control of the situation. It is now Victor being isolated by the creature as a form of revenge. All the events and misfortunes encountered in Frankenstein have been linked to one another as a chain of actions and reactions. Of course the first action and link in the chain is started by Victor Frankenstein.
Throughout the book of Frankenstein, the creator of the being Frankenstein, Victor, is experienced as a suffering being. He recalls from the very beginning a time during his childhood where he was happy and surrounded by love, a time when his mother lived. Victor’s downfall or the beginning of his disgrace, initiates with the death of his mother. Victor leaves his family to start a new stage in his life, he leaves on quest for answers a true quest for knowledge. Personal motivation will lead Victor to take on the challenge of overcoming death, or to be more specific, give life to a dead body.
Frankenstien Many punishments for crimes are often given to innocent people. In the novel Frankenstein by Mary Shelly, there are several instances in which the punishment is given to an innocent person. Justine, a maid at the Frankenstein residence, was killed for a crime she did not commit. Felix, a character the Monster encounters, was exiled from his country, for helping an innocent man escape from jail. Lastly, Victor himself was jailed for a murder, which he did not commit.
Frankenstein by Mary Shelley is a very complex book riddled with underlying messages. From the characteristics of each individual to the main storyline Shelley depicts a world of opposites. Victor Frankenstein, a privileged young man, defies nature when his obsession with life and death has him attempting to bring someone/something to life. He succeeds and quickly goes from obsessed over its creation to disgust with its form. He then rejects his creation, which sets the stage for the terrifying events to come. This is the embodiment of a modern novel as it contains alienation, disillusionment, and a critique of science.
At the end of the book, Victor Frankenstein seeks to get revenge on his creation for killing his entire family. However, he dies before avenging his family. The monster visits his bedside, and the reader learns a lot from his speech. Through this quote, and the end of the book, the author shows the themes of sacrifice, compassion and forgiveness, and that the way living beings act is more important than its appearance. In this quotation, the monster says he will kill himself because of all the crimes that he has committed, and that he has nothing to live for now that his creator died. The audience sees that all the evil that the creature committed was very difficult and he hated doing them because he was compassionate, and was built to
to take over and play the role of god. In this essay I will be
We begin this tale with reading some letters of good fortune of a man, whose name eludes me right now, to his sister. He is on a journey in what appears to be somewhere in the arctic when one day him and his crew spot a giant on a dog sled. Followed by awes of civilization they find the another man who has been in some sort of accident with his dog sled stranded on a broken sheet of ice. After some persuasion the man boards the ship and begins to tell his tale of how he ended up at his present state.
Mary Shelley’s novel Frankenstein is a Gothic novel that contains two genres, science fiction and Gothicism. The novel is a first person narrative that uses a framing technique, where a story is told within a story. Shelley gives the book a distinctive gothic mood tone by the use of her chosen setting which is dark and gloomy, by doing this it reflects the hideousness of the creature; the point of views helps towards the realism of the novel; and characterization able the reader to interact with the characters and feel sympathy or hatred towards each one. To entice the readers into her suspenseful novel Shelley uses foreshadowing. The narrative structure shows a wide range of perspectives rather than just one, by doing this it provides the reader with greater insight of the characters personalities. Symbolism and imagery evokes the readers’ emotions where sympathy is concerned. Shelley has entwined these techniques to produce a novel where the readers’ sympathy jumps from character to character and moral judgements are made due to the characters actions.
Mary Shelley's Frankenstein We are first introduced to the creature when Frankenstein, his creator, is describing him. First he is described as something beautiful "limbs were in proportion" and "features were beautiful". However, his ability to self-contradict becomes apparent very quickly when he finishes his sentence by saying: "â?¦These luxuriance's only form a more horrid contrast with his watery eyesâ? ¦" With words like "shrivelled complexion" and "straight black lips", this gives the impression to the reader that firstly the creature does not look a human being and, secondly, he is hideous in Frankenstein's eyes.
Frankenstein became racked with despair after the death of the monster’s first victim exclaiming that, “Anguish and despair had penetrated my heart; I bore a hell within me which nothing could extinguish” (Shelley 70). Frankenstein felt anguish, not only for the death of his loved one, but also for the guilt he felt being the one who caused it. This inner turmoil creates an undying anger in Frankenstein at the root of which is remorse. Additionally, this fiery despair leads Victor to a new ambition of revenge. Frankenstein devotes the rest of his life to killing the monster for he feels, “I must pursue and destroy the being to whom I gave existence; then my lot on earth will be fulfilled and I may die” (189). Frankenstein’s ambition had changed course from the creation of the monster to the destruction of it; nonetheless, his life was taken in the pursuit. As a result of his ambition, Victor Frankenstein has created a monster causing him much remorse and untimely
Throughout the history of mankind, there has always been a vague gray area in determining innocent ambition, from unhealthy obsession. This uncertain divide is shown in Mary Shelley’s novel Frankenstein. The story begins with Robert Walton, an endangered ship captain seeking uncertain fame, who meets a strange man in the middle of the sea. This man, Victor Frankenstein then relays his tale of misfortune and his unnatural creation of a monster unnamed and hated by all who saw him. The monster's point of view and journey, also represented through Victor’s story, directly contrasts that of his creator. Mary Shelley shows in this novel that a simple dream of success or achievement can quickly be overshadowed by selfishness and misplaced, or
Mary Shelley’s Frankenstein is an attempt at connection—a narrative woven by its three principal narrators that attempts to share their legacies, dreams, and destructive secrets. The novel begins with the sea captain Walton writing to his sister about his longing for a companion, a wish paralleled by the other characters in the story: namely Victor Frankenstein and the monster he creates. The whole narrative, therefore, is an effort to connect with others and alleviate loneliness and seclusion. It is fitting then, that this very notion of isolation is the greatest destructive force in the novel, as it facilitates and prompts monstrous behaviors. Emotional isolation from both family and society drives Frankenstein and his creation to dangerous