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A streetcar named desire blanche character study
Themes and symbols in a streetcar named desire
The character of blanche in streetcar
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In Williams’ A Streetcar Named Desire, he uses a Chinese paper lantern to symbolize Blanche’s own insecurities. Some would say that the lantern is just used as a prop but in actuality it is a reflection of how Blanche feels about herself. The lantern is used to cover up something that is not so appealing just as Blanche uses clothes and other frivolous things to mask herself. Blanche takes all of her insecurities and buries them underneath her cheap fashion and lies so she may seem more desirable to others. The Chinese paper lantern serves as an important symbol of Blanche because it puts her insecurities onto, quite literally, a piece of paper. All the light bulb needed to look more attractive was the paper lantern and “lo and behold the place has turned into Egypt,” (Williams 96). With this quote, Stanley supports the symbolism of the lantern because it directly relates to that of Blanche and how she is always trying to hide herself from everyone. Blanche would prefer to be seen as something that she is not just to please others, and if she must lie to do that then she is more than willing to do so. The Chinese paper lantern enters the play as a simple prop but throughout the play becomes one of the most important symbolic elements in A Streetcar Named Desire.
A lantern is usually a case that is made out of plastic, glass or paper and is used to protect a light. With Blanche however, she purchases a paper lantern which are normally very cheap, collapsible and come in a variety of colors. Blanche bought the lantern because she, “can’t stand a naked light bulb, any more that I can a rude remark or vulgar action,” (Williams 37). The lantern Blanche purchased symbolizes the idea that she is able to cover up anything and make it see...
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...he person truly is and masks their true self. Stanley would rather the naked bulb, but Blanche is just the complete opposite. Blanche hoped that her belongings and her cover ups would impress Stanley and his wife and all they did was crumble all around her leaving her alone and weak.
The Chinese paper lantern seemed as just a prop but played an important role in the symbolism between it and Blanche. Just as the lantern is very fragile, Blanche is the same and the only way she believes that she is able to protect herself is by covering herself up. Blanche kept herself trapped inside a beautiful façade but in actuality all it was, was a flimsy, battered, cheap paper sack that was stripped off by the man who can see who she really is. In the end, Blanche could not stop the paper lantern from being removed and was ultimately left alone and helpless to be her true self.
Symbolism is greatly used in the play to emphasize Blanche’s mental instability, this is most evidently found in the use of colors and shading. The first example of this is in both her name Blanche Dubois, which in French means white and her last name woods, this translates to ‘white woods’ and the fact that she dresses entirely in white upon her arrival. The color white symbolizes, purity, health and virginity, which in spite of the irony, this is the image she attempts to exhibit. This is her trying to appear new and fresh. There is noticeable symbolism that metaphorically taints this white purity, such of that in scene five when Blanche spills coke on her white dress. She frantically tries to remove it, she wishes to remove this so it doesn’t stain her. Like she sees how her past has. The fact that she has slept with so many men and this spill shows how she is in fact corrupt and stained with her past. This symbolism is an early suspicion to her insanity and promiscuous past which is only unraveled later in the play. We as such may not intentionally see this from the start. Only the illusory image, which she tries to create for herself, suggests the...
Facing reality is seen as a strength while living in illusion appears as a weakness in the comparison between Stanley and Blanche. Stanley is one who seeks truth and reality, which is why he desires to break down the illusions Blanche tries to create in his household. On the other hand, Blanche tries to create an illusion about her life and her appearance so that she can create a life that she wants. Stanley has the power because he has nothing to hide and has no fear of reality because he is already facing it. Blanche’s built up lies make her weak because the other characters can easily expose her lies and force her to face reality when reality is too hard for her to bear without becoming mad.In the end, Stanley’s ability to stay in reality
In this play the character blanche exhibits the theme of illusion. Blanche came from a rocky past. Her young husband killed himself and left her with a big space in her heart to fill. Blanche tried to fill this space with the comfort of strangers and at one time a young boy. She was forced to leave her hometown. When she arrives in New Orleans, she immediately begins to lie and give false stories. She takes many hot bathes, in an effort to cleanse herself of her past. Blanche tries also to stay out of bright lights. She covers the light bulb (light=reality) in the apartment with a paper lantern. This shows her unwillingness to face reality but instead live in an illusion. She also describes how she tells what should be the truth. This is a sad excuse for covering/lying about the sinful things she has done. Furthermore, throughout the story she repeatedly drinks when she begins to be faced with facts. All these examples, covering light, lying, and alcoholism show how she is not in touch with reality but instead living in a fantasy world of illusion.
“I can 't stand a naked light bulb, any more than I can a rude remark or a vulgar action.” - Blanche (p. 60). The fear that bright light has the power to reveal the truth is a reoccurring theme throughout the play, embodying the threat that follows Blanche everywhere she goes. In scene nine, Mitch comments on this, saying that he has never seen Blanche in daytime. She makes a series of excuses after which Mitch points a light at her. When this happens, Blanche confesses she only says what ‘ought’ to be true. This doesn’t make Mitch any more sympathetic towards her and she carries on, saying “I don’t want realism, I want magic!” whilst still standing in the light. This makes it clear that it is her own choice to stay in the darkness, and reality would only cause her to suffer. Confirming this, when Mitch turns the light off again, she bursts out crying, as if allowed to pretend again, not being forced by the light to keep on showing her true self, especially her age. She might feel that the light on her face brings out the whole truth, which is too painful for her to bear. The other characters in the play feel it is not correct for her to hide the past and nobody questions whether it is acceptable to live in deceit. “And then the searchlight which had been turned on the world was turned off again and never for one moment since has there been any light that 's stronger than this--kitchen--candle.”-
Blanche’s lampshade is the filter for all the harsh realities of life that she would rather not deal with. In a scene with Stanley’s friend Mitch, Blanche tells Mitch to cover up a light bulb with a Chinese lampshade, “I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action” (1837). In this scene Blanche blatantly tells the other characters and the a...
As one can see, Tennessee Williams used colours in several ways. The significance of colours reveals the real appearance of Blanche throughout the play. The colours have their own meanings. The significance of colours is a central theme in Tennessee Williams’ A Streetcar Named Desire; the author uses colours to reflect states of mind, make further commentary on particular characters, and what sorts of things specific colours represent.
...es and thinks that her hopes will not be destroyed. Thirdly, Blanche thinks that strangers are the ones who will rescue her; instead they want her for sex. Fourthly, Blanche believes that the ones who love her are trying to imprison her and make her work like a maid imprisoned by them. Fifthly, Blanche’s superiority in social status was an obscure in her way of having a good social life. Last but not least, Blanche symbolizes the road she chose in life- desire and fantasy- which led her to her final downfall.
She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part about Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story of her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lies not only in the many funerals but also in the silence and the constant mourning after.
Perhaps her 'white radio' being tossed 'out of the window' tells us that Stanley is already against Blanche and does not like the sound of her being around. I shall conclude this essay with a brief understanding of symbolism. It is a very useful concept and often needed to give the audience a few suggestions. Symbolism makes people think and broadens their mind with varieties and ideas. In A Streetcar Named 'Desire', symbolism has been significantly used to show the roles of men and women in society
Blanche represents a deep-seated attachment to the past.5 Her life is a lesson how tragic events events in the past can ruin a person's future. Her husband's death affects her the most.
Blanche uses her fantasies as a shield; and her desires as her motivation to survive. Her fading beauty being her only asset and chance of finding stability. Stella’s relationship with Stanley also emphasis the theme Williams created in this book. They’re only bond is physical desire and nothing at all intellectual or deep rooted. Tennessee Williams exemplifies that their relationship which only springs from desire doesn’t make it any weaker. He also creates a social dichotomy of the relationship between death and desire.
Illusion’s purpose is questioned in this fact-based world we call reality. Blanche, Stella’s sister, is used to represent illusion. Her whole life, from her diamond tiara made of rhinestones, to her spurious façade, is literally and metaphorically an illusion. The concept of illusions is further developed through the light motif in the play, with Blanche displaying “moth” like characteristics, avoiding “strong light”(pg.3) and “naked light bulb[s]”(pg.54). The light motif also represents a time of innocence, before Blanche’s husband’s death, when there was “blinding light” in her life, but after her husbands suicide, there hasn’t been“ any light that's stronger than this--kitchen—candle” (pg.103). Stanley is an advocate for reality, as shown by his constant struggle to uncover Blanches illusions about her past. Williams suggests that illusion’s serve as an essential part of society. Whether it was Blanches husband’s suicide or Stella’s husband’s participation in rape, illusions are shown throughout the play to help people deal with harsh realities. They help ‘victims’ of reality see “what ought to be truth”(pg.127) through illusions, alleviating unwanted pain.
As the play proceeds, we increasingly gain knowledge of Blanche and the real person she is juxtaposed to the actual being that she would like everyone to think she is. Tennessee Williams did an amazing job incorporating motifs such as lighting and flirtation in the play and without them we would be puzzled and left confused because their would be no inside view of Blanche and her mind. Using the fore mentioned motifs, we can contemplate that Blanche is deceptive, narcissistic and seductive and the use of motifs helped develop Blanche into the character she is.
After Mitch forcefully removes the paper lantern from the light bulb, Blanche “utters a frightened gasp” (1.9.14). Within the scene, the paper lantern serves yet another symbolic function. The night when Blanche meets Mitch, she asks him to place the lantern onto the light bulb. Just as the lantern protects Blanche from the light which reveals her age, it creates a façade which conceals her past. With Mitch’s love Blanche believes that the proper persona which she invented for herself could become her identity, thus magic becomes reality. However, as Mitch undresses the light bulb, he exposes Blanche vulnerabilities. Even though Mitch possesses masculinity, he does so to a lesser extent than Stanley. This passage is mildly reminiscent of Stanley and Stella’s wedding night when Stanley smashes the light bulbs in the apartment. Even though Stanley’s actions are more extreme than Mitch’s both carry a sexual connotation and reveal animalistic tendencies. Furthermore, as Mitch stares intently at Blanche in the light, “she cries out and covers her face” (1.9.25). By turning on the light, Mitch for the first time has gotten a good look at Blanche, but to do so he is violating her sense of self-worth. Although Mitch continues to berate Blanche for lying to him, he is still physically attracted to Blanche. Mitch’s cruelty is accepted by Blanche and later in the scene still asks if Mitch
Thus, Williams has Blanche state, “I don’t want realism. I want magic! Yes, yes, magic! I try to give that to people. I misrepresent things to them. I don’t tell the truth, I tell what ought to be truth. And if that is sinful, then let me be damned for it! – Don’t turn the light on” (Williams 145). Blanche only relies on her own fantasy because she fears reality. By the same token, a subtle clue to her fear of reality is her fear of the light. As can be seen, Blanche feared reality because she feared the truth; thus, her fantasies had led her down a path of lies, manipulation, and