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A streetcar named desire and race
A streetcar named desire symbolism
A streetcar named desire symbolism
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During the late nineteen-forties, it was common for playwrights such
as Tennessee Williams to use symbolism as an approach to convey
personal thoughts, through the attitudes of the characters and the
setting. Williams' actors have used symbolism to disguise the
actuality of their thoughts and to accommodate the needs of their
conservative audience.
A Streetcar Named 'Desire' has a few complicated character traits and
themes. Therefore, they have to be symbolised using figures or images
to express abstract and mystical ideas, so that the viewers can remain
clueless. Williams not only depicts a clear personality of the actors
but he also includes real-life public opinions from the past (some of
which are contemporary.) These opinions were likely to raise
controversies on issues such as prejudice, social gender expectations
and men and women's roles in society.
There have been numerous occasions when symbolism has taken place in A
Streetcar Named 'Desire.' Firstly, Stanley is insulted several times
by Blanche (his sister-in-law) Stella (his beloved wife) and other
residents of the 'Quarter'.
For example, the term 'animal' has been constantly spoken of, to
define Stanley's malicious and ill-natured conduct. In scene four,
Blanche tries to persuade her younger sister to go elsewhere and leave
her husband. On page 163, she complains:
Blanche: He acts like an animal, has an animal's habits! Eats like
one, talks like one! There's even something - sub-human - something
not quite to the stage of humanity yet! Yes, something - ape-like
about him there he is - Stanley Kowalski - Bearing the raw meat
home from the kill in the jungle!
Furthermore, when the play begins, Stanley enters the ground-floor
apartm...
... middle of paper ...
... of the play,
Williams may be hinting that Blanche is gradually being ruined.
Perhaps her 'white radio' being tossed 'out of the window' tells us
that Stanley is already against Blanche and does not like the sound of
her being around.
I shall conclude this essay with a brief understanding of symbolism.
It is a very useful concept and often needed to give the audience a
few suggestions. Symbolism makes people think and broadens their mind
with varieties and ideas. In A Streetcar Named 'Desire', symbolism has
been significantly used to show the roles of men and women in society
and how they expect each other to be treated. It has disguised many
possible sexual scenes; therefore, Williams has succeeded in
transmitting some of his themes or ideas. Some of these are sexuality,
madness, jealousy, racism, cruelty, loyalty, gender relationships and
conflict.
Blanche, a fading beauty, uses her sugary charm and soft southern ways to attract men. In comparison, Stanley "sizes women up at a glance, with sexual classifications" to "determine the way he smiles at them" (Williams, Street 29). Course and deliberately aggressive, he is a "survivor of the stone age" (Williams, Street 72). Despite their differences, they both possess a raw sensuality. In their first confrontation, Blanche's thick display of charm angers and attracts Stanley.
Tennessee Williams was one of the most important playwrights in the American literature. He is famous for works such as “The Glass Menagerie” (1944), “A Streetcar Named Desire” (1947) or “Cat on a Hot Tin Roof (1955)”. As John S. Bak claims: “Streetcar remains the most intriguing and the most frequently analyzed of Williams’ plays.” In the lines that follow I am going to analyze how the identity of Blanche DuBois, the female character of his play, “A Streetcar Named Desire”, is shaped.
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Relationships in A Streetcar Named Desire In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over men, men over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams, Stanley is clearly the more dominant figure over Stella.
He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures." It was also justified with the scenes that included the interactions between Stanley and the other women in the play. In the first scene Stanley tosses the meat at Stella which displays his barbaric side. This behavior can be compared with the characteristics of a caveman that brings dead meat into the cave after a good
In Williams’ Streetcar Named Desire the characters represent two opposing themes. These themes are of illusion and reality. The two characters that demonstrate these themes are Blanche, and Stanley. Blanche represents the theme of Illusion, with her lies, and excuses. Stanley demonstrates the theme of reality with his straightforward vulgar ness. Tennessee Williams uses these characters effectively to demonstrate these themes, while also using music and background characters to reinforce one another.
Character Conflict in Tennessee Williams’ A Streetcar Named Desire. Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town.
Written in 1947, A Streetcar Named Desire has always been considered one of Tennessee William’s most successful plays. One way for this can be found is the way Williams makes major use of symbols and colours as a dramatic technique.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
*Quotes from the play: Tennessee Williams, A Streetcar named Desire and Other Plays, Penguin Twentieth-Century, ISBN 0-14-018385-X
Reality is the state of things as they exist. It 's what you hear, see and experience. The idea of illusion/fantasy vs. reality seems to bring on the idea that these characters wants to somehow "escape" the world they live in. Williams achieves this juxtaposition of reality against illusion through his use of language, stage directions in the play and other dramatic techniques to emphasize Blanche 's mental state. She is purposeful in her attempts to create illusion and states, “I know I fib a good deal. After all, a woman 's charm is fifty percent illusion.” (scene two) These factors cumulate and shape her tragic flaw, which is giving in to desire and by doing so, creates a breach between her “reality” and society’s reality. She allows her
“Williams called the streetcar the “ideal metaphor for the human condition.” The play’s title refers not only to a real streetcar line in New Orleans but also symbolically to the power of desire as the driving force behind the characters’ actions. Blanche’s journey on Desire through Cemeteries to Elysian Fields is both literal and allegorical. Desire is a controlling force: when it takes over, characters must submit to its power, and they are carried along to the end of the line” (Florman).
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
The audience can sense that Williams has intended Stanley to question Blanche and for her to simply return his remarks with what seem like legitimate reasons "Why, those were a tribute from an admirer of mine." The conflict can only be increased because Stanley has not yet been able to dismantle Blanche and find the truth.