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Analysis of gender role in streetcar desire
Essay on Gender Roles in A Streetcar Named Desire
Analysis of gender role in streetcar desire
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Facing reality is seen as a strength while living in illusion appears as a weakness in the comparison between Stanley and Blanche. Stanley is one who seeks truth and reality, which is why he desires to break down the illusions Blanche tries to create in his household. On the other hand, Blanche tries to create an illusion about her life and her appearance so that she can create a life that she wants. Stanley has the power because he has nothing to hide and has no fear of reality because he is already facing it. Blanche’s built up lies make her weak because the other characters can easily expose her lies and force her to face reality when reality is too hard for her to bear without becoming mad.In the end, Stanley’s ability to stay in reality
Relationships in A Streetcar Named Desire In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over men, men over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams, Stanley is clearly the more dominant figure over Stella.
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
In Tennessee Williams' play, A Streetcar Named Desire, Williams uses the suicide of Blanche's husband to illuminate Blanche's insecurities and immoral behavior. When something terrible happens to someone, it often reveals who he or she truly is. Blanche falls victim to this behavior, and she fails to face her demons. This displays how the play links a character’s illogical choices and their inner struggles.
Character Conflict in Tennessee Williams’ A Streetcar Named Desire. Tennessee Williams’ A Streetcar Named Desire is a play wrought with intertwining conflicts between characters. A drama written in eleven scenes, the play takes place in New Orleans over a nine-month period. The atmosphere is noisy, with pianos playing in the distance from bars in town.
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
The first principle character in this play is Blanche DuBois. She is a neurotic nymphomaniac that is on her way to meet her younger sister Stella in the Elysian Fields. Blanche takes two 2 streetcars, one named Desire, the other Cemeteries to get to her little sisters dwelling. Blanche, Stella and Stanley all desire something in this drama. Blanche desired a world without pain, without suffering, in order to stop the mental distress that she had already obtained. She desires a fairy tale story about a rich man coming and sweeping her off her feet and they ride away on a beautiful oceanic voyage. The most interesting part of Blanche is that through her unstable thinking she has come to believe the things she imagines. Her flashy sense of style and imagination hide the truly tragic story about her past. Blanche lost Belle Reve but, moreover, she lost the ones she loved in the battle. The horror lied not only in the many funerals but also in the silence and the constant mourning after. One cant imagine how it must feel to lose the ones they love and hold dear but to stay afterwards and mourn the loss of the many is unbearable. Blanche has had a streak of horrible luck. Her husband killing himself after she exposed her knowledge about his homosexuality, her advances on young men that led to her exile and finally her alcoholism that drew her life to pieces contemplated this sorrow that we could not help but feel for Blanche throughout the drama. Blanche’s desire to escape from this situation is fulfilled when she is taken away to the insane asylum. There she will have peace when in the real world she only faced pain.
Tennessee Williams was one of the greatest American dramatists of the 20th century. Most of his plays take us to the southern states and show a confused society. In his works he exposes the degeneration of human feelings and relationships. His heroes suffer from broken families and they do not find their place in the society. They tend to be lonely and afraid of much that surrounds them. Among the major themes of his plays are racism, sexism, homophobia and realistic settings filled with loneliness and pain.1 Tennessee Williams characters showed us extremes of human brutality and sexual behavior.2 One of his most popular dramas was written in 1947, and it is called A Streetcar Named Desire.
Tennessee Williams' Use of Imagery and Symbolism in A Streetcar Named Desire Throughout the play symbolism is used to capture attention and to appeal to viewers' emotions. It is expressed through music, colour and imagery all of which help to heighten tension and reflect the atmosphere created by an impending force. The actions involved in the development of imagery and symbolism in the characters are, for example, Blanche's sitting, her whisky drinking, her jumping, etc, actions which show her nervous personality of a stressed woman. " Blanche sits in a chair very stiffly with her shoulders slightly hunched and her legs pressed together…as if she were quite cold…" (page 6).
2. What causes Mitch and Blanche to take a "certain interest" in one another? That is, what is the source of their immediate attraction? What seems to draw them together? What signs are already present to suggest that their relationship is doomed/problematic?
sub-plot of the play. The play is set during the era in which it was
This threat paired with his hatred of anything related to illusion made Stanley an opponent to DuBois’ make-believe world. In this instance, Stanley is very similar to reality, since he desires to expose the truth of the situation. Bathing to remove all past faults is a whimsical wish as Blanche can’t physically change the past. During another one of her bathing rituals, Stanley with all the facts accumulated, informs Stella of all the truths behind Blanche’s acts. Additionally, Stanley has already discussed this matter with Mitch.
In his book the frog and the Ox, Aesop states “Self-conceit leads to self-destruction” meaning that over bragging and exaggerating about yourself could be the cause of your self-destruction in the end. This quote could be best used in describing the situation that takes place in a Streetcar Named Desire by Tennessee Williams. Many of Tennessee Williams’ work deals with the difference between reality vs. perception and his play A Streetcar Named Desire was no exception. He portrays Blanche Dubois as a sexually promiscuous, emotionally disturbed, fabricator who has to continually revert back and forth between reality and the imaginary world she created. In her attempts to escape reality Blanche exaggerates her status in society while subtly mocking her sister’s and husband living environment. Haunted by secrets from her past Blanche puts up a facade to avoid any discussion involving the circumstances of her relocating to New Orleans. Eventually, Blanche’s lies become too much for her to handle and she becomes unable to determine what is real and what an illusion is thus leading to her downfall.
In “A Streetcar Named Desire” the appearance vs. reality also has to do with the sanity of each character. The marriage between Stella and Stanley is one example of this. One of the fundamental messages of the play regarding marriage is how the collapse of traditional roles might allow for abuse and the pretense for it to take place in private: “...I know how it must have seemed to you and I’m awful sorry.. he didn’t know what he was doing…. He was as good as a lamb when I came back..”(Tennessee Williams 71). Blanche recognizes that what Stella might take for passion and brooding intensity might just be good, old fashioned abuse.Blanche cannot deal with the difference between appearance and reality. Another example is Stella agrees to sign
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.