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Essay on concept of perception and imagination
Main point of illusion versus reality
Essay on concept of perception and imagination
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Scientists, for years, have been trying to uncover the secrets of reality. For example, Einstein has been known to say “Reality is merely an illusion, albeit a very persistent one.” Furthermore, many experiments have been conducted to determine what reality is, and how much our senses actually deceive us. After a complex thought, everything around us is man made or an illusion; our jobs are man made, time is man made, even people’s hopes and dreams are fueled by society’s opinions. Due to the fact, that these things we call real are made up of things that would have never been possible without the human mind, our reality can be perceived to be an illusion. Yet, crowds of humans are unsatisfied with this illusion. In the modern play, A Streetcar …show more content…
Confident in which she has found the protection she craves with her carefully planned myths, Ms. DuBois is singing “It’s Only a Paper Moon” in the bathtub. The lyrics reveal her mindset: an imaginary world could become real through love and a persistent belief in her. Nevertheless, Blanche’s make-believe world does not overtake reality; once Blanche’s fantasy version of herself crumbles, her hopeful future with Mitch, the only one who has been willing to believe in her fantasy, will be eradicated. A juxtaposition between an illusory perspective on life and the actual world is created when Blanche is optimistically singing with Stanley’s heinous revelations about her. Stanley sees his wife’s sister in law as a threat to his lifestyle. This threat paired with his hatred of anything related to illusion made Stanley an opponent to DuBois’ make-believe world. In this instance, Stanley is very similar to reality, since he desires to expose the truth of the situation. Bathing to remove all past faults is a whimsical wish as Blanche can’t physically change the past. During another one of her bathing rituals, Stanley with all the facts accumulated, informs Stella of all the truths behind Blanche’s acts. Additionally, Stanley has already discussed this matter with Mitch. After this moment, the facade falls apart at the hands of reality. As Mitch confronts Blanche on these revelations and forces her to bare all her features to him under a naked light bulb, she continues to hope that admitting to all these faults will in return salvage her relationship. Instead,
6). Williams’s sister Rose is the real-life parallel of Blanche – Blanche’s illusions about life mirror Rose’s after her forced lobotomy*. However, unlike Rose Blanche is presented as knwing that she is “on the verge of - lunacy” (p.7). Similarly, Williams declared that after the events of ‘A Streetcar Named Desire’, Blanche left the asylum and lived a fulfilling life with a young gentleman – he was perhaps deluding himself, pushing his hopes for Rose onto Blanche, the fictional character believed to have been inspired by his
In Tennessee Williams’ play A Streetcar Named Desire, main character Blanche Dubois to begin with seems to be a nearly perfect model of a classy woman whose social interaction, life and behavior are based upon her sophistication. The play revolves around her, therefore the main theme of drama concerns her directly. In Blanche is seen the misfortune of a person caught between two worlds-the world of the past and the world of the present-unwilling to let go of the past and unable, because of her character, to come to any sort of terms with the present.
Relationships in A Streetcar Named Desire In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over men, men over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams, Stanley is clearly the more dominant figure over Stella.
During early times men were regarded as superior to women. In Tennessee William’s play, “A Streetcar Named Desire”, Stanley Kowalski, the work’s imposing antagonist, thrives on power. He embodies the traits found in a world of old fashioned ideals where men were meant to be dominant figures. This is evident in Stanley’s relationship with Stella, his behavior towards Blanche, and his attitude towards women in general. He enjoys judging women and playing with their feelings as well.
The character Stanley represents the theme of reality. Stanley Kowalski is the simple blue-collar husband of Stella. His actions, reactions, and words show reality in its harshest most purist form. His actions are similar to a primitive human. For example he doesn’t close the door when he uses the restroom. This rudeness represents the harsh reality that Blanche refuses to accept. Moreover, when he was drunk he hit Stella. This attack on Blanches sister could be a symbolic “wake up” slap to the face of Blanche.
Many authors like Aldous Huxley have come to state that “ignorance is bliss” in their own manners. In A Streetcar Named Desire by Tennessee Williams, this message is passed on down to the audience through the characterization of Blanche DuBois. Blanche is a character who had her fall from grace. Coming from a rich family, she lost all of her wealth; and, thus, came to live with her sister, Stella. However, mentally, she still lives in the past. In other words, she’s ignorant of the present. This ignorance comes to be the foundation of her character.
She struggles with Stanley’s ideals and shields her past. The essential conflict of the story is between Blanche, and her brother-in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed.
Stanley’s treatment of Blanche leaves her alone once again, with what little dreams of returning to her previous status destroyed like the paper lampshade that once gave her the shield from the real her she desperately craved. Stella, the one person Blanche believed she could rely on, sides against her husband after Blanche’s ordeal, leading Blanche to be taken away, relying on the “kindness of strangers”. This final image that Williams leaves us with fully demonstrates that Blanche has been cruelly and finally forced away from her “chosen image of what and who” she is, leaving an empty woman, once full of hope for her future.
Blanche also becomes disconnected from reality because of her delusions of music and gunshots from her husband’s death. She seeks relationships with strangers in the hopes of recreating the love she had for her husband. When the relationship fails to satisfy her craving for love, she sinks further into her fantasy. When Mitch rejects her, saying “I don 't think I want to marry you anymore.” (Williams 131) she once again finds comfort in her fantasy. She has sunk so far into her fantasy that she has a response to all of Stanley’s questions. She is no longer up holding the illusion for others. She truly believes her delusions enough to maintain the façade while she is
A Streetcar Named Desire by Tennessee Williams is a play about a woman named Blanche Dubois who is in misplaced circumstances. Her life is lived through fantasies, the remembrance of her lost husband and the resentment that she feels for her brother-in-law, Stanley Kowalski. Various moral and ethical lessons arise in this play such as: Lying ultimately gets you nowhere, Abuse is never good, Treat people how you want to be treated, Stay true to yourself and Don’t judge a book by its cover.
“Illusions commend themselves to us because they save us pain and allow us to enjoy pleasure instead. We must therefore accept it without complaint when they sometimes collide with a bit of reality against which they are dashed to pieces” (Sigmund Freud). Illusion can be a part of our lives; however, if taken to the extreme, it can lead one to forget reality. Every individual has problems in life that must be faced with reality and not with illusion, even though it might throw one into flames of fires. Tennessee Williams' play of a family reveals the strength of resistance between reality and desire, judgment and imagination, and between male and female. The idea of reality versus illusion is demonstrated throughout the play. Blanche's world of delusion and fantastical philosophy is categorized by her playful relationships, attempts to revive her youth, and her unawareness in the direction of reality of life. In Tennessee William’s play, A Streetcar Named Desire, through the study of character and tropology, fantasy and illusion allow one to make life appear as it should be rather than as it is.
Blanche uses her dilutions and tries to sway Stella away from Stanley, yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
The moment their eyes first meet, there seems to be an immediate attraction between Blanche and Mitch, causing them to take a “certain interest” in one another. After their first close encounter while the poker game is taking place, Blanche notices that Mitch is not like Stanley and the others. Telling Stella, “That one seems—superior to the others…I thought he had a sort of sensitive look” (Williams 52), Blanche takes interest in Mitch’s perceived sensitivity, and is immediately attracted
One of the first major themes of this book is the constant battle between fantasy and reality. Blanche explains to Mitch that she fibs because she refuses to accept the hand fate has dealt her. Lying to herself and to others allows her to make life appear as it should be rather than as it is. Stanley, a practical man firmly grounded in the physical world, disdains Blanche’s fabrications and does everything he can to unravel them. The relationship between Blanche and Stanley is a struggle between appearances and reality. It propels the play’s plot and creates an overarching tension. Ultimately, Blanche’s attempts to rejuvenate her life and to save Stella from a life with Stanley fail. One of the main ways the author dramatizes fantasy’s inability to overcome reality is through an explorati...
In the story Alice in Wonderland, the world of Wonderland represents the main antagonist Alice’s fantasy that is fueled by her desire of staying in the past and remaining a child. Ultimately, she fears the changes that come with becoming an adult; thus, she resists reality and embraces the lies of her fantasy of staying a child by staying in Wonderland. Furthermore, this is similar to how the main antagonist in A Streetcar Named Desire, Blanche DuBois, resists reality by lying to herself and everyone she knows because she also fears reality. Unlike Blanche, Alice soon realizes that by embracing her fantasies and desires she would be led down a path of destruction because fantasy and reality are incompatible. Likewise, Tennessee Williams covers the topic of the incompatibility of fantasy and reality in A Streetcar Named Desire by making the character Blanche DuBois, which represents fantasy, resist and have a conflict with the character Stanley Kowalski, which represents reality, because he wants to convey that it is natural to fear and resist reality and take solace in desire and fantasy.